Meridian America Meridian 518 manual Dither, Flat, Shape a, Shape B, Shape C

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Using 518 in Hi Fi Systems

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The numbers indicate the number of output bits. C and P represent the choice of consumer and professional channel status formats respectively.

Information: 24 audio data bits are always written to the left and right output words but the least significant bits, below the number of output bits chosen, are set to zero.

e.g. for 16 C

16 data bits

0 0 0 0 0 0 0 0

e.g. for 18 C

18 data bits

0 0 0 0 0 0 0 0

In

1. Press In to cycle between the input word options.

The In key sets the number of input bits to be read from each input word. The least significant bits below the number of input bits are masked (i.e. ignored).

Note It is extremely important that the number of input bits is equal to or greater than the number of data bits available on the input. If input is from a device which is known to use some of the 24 data bits for non-audio data or status1, the number of input bits must be equal to the number of input audio data bits.

Both professional and consumer channel status input signals are acceptable to the 518.

Dither

1.Press Dither to cycle between the dither options.

Appendix 1 shows the frequency shapes of these dithers.

Flat

Flat uses additive, white-spectrum, triangular probability-distribution (TPDF) dither.

1.Press Dither again to choose between the dither options.

HP

HP (high-pass) uses additive, high-pass, TPDF dither.

Shape A

Shape A uses flat dither and a 2nd-order shaper optimised to MAF. 2

Shape B

Shape B uses flat dither and a 9th-order shaper optimised to MAP. 3

Shape C

1For example, some A/D converters based on Crystal Semiconductor converters may have level information embedded below the LSB.

2MAF, Minimum Audible Field, is the appropriate threshold curve for human listeners with normal stereo loudspeakers.

518 User Guide

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Contents 1992, 1993 Contents Appendix 4 -Resolution Enhancement Simple rules for usingAppendix 2 Hints on Mastering Sales and service in the UK Sales and service in the USADesigned & manufactured in the UK by AcknowledgementsIntroduction About this manualAbout the 500 Series Conventions used in this manualInstalling your General precautionsUnpacking ConnectionsPlanning setup Whats inside a 518?Overview as Preamp Type What about analogue sources? What else do I need to know?CD or LaserDisc playback improvement Overview as Resolution Enhancement Processor TypeMeridian DSP speaker improvement Meridian Surround improvement Overview as Mastering Processor Type Overview as Multimedia Processor TypeCustomising features ∙ Normal ∙ Standby ∙ Type ∙ ConfigSwitching on Starting off withBasic operation StandbyAdjusting the volume Operating 518 as a Control Unit TypeSelecting a source OutDither FlatShape a Shape BDisplay Advanced operation using the Remote Control Operating 518 as Resolution Enhancer Type Volume controlMuting the sound Menu KeysOperation summary With the Remote ControlMemory Restoring default settings Config an overviewConfig control settings Customising 518, an overviewHow to customise Customising, general procedureConfig sources and inputs How to change to Type or ConfigCustomising using Type How to change back to NormalMaking changes to an existing setup Setting Type ControllerCustomising using Config How to use ConfigConfig Selecting TypesSelecting the controller mode Setting the system address forSetting the product address for Setting the Standby mode forSetting the Blank display option for Setting the Emphasis option forSetting the Volume mode for Setting the Volume displayChoosing source logos Setting up sourcesVol. dB Choosing the Comms type for a source product Changing the input for a sourceChoosing the address of a source product Connections Digital audio connectionsDigital input connections Digital output connectionConnecting to Meridian Digital speakers Communications connectionsTo connect to other Meridian 500 Series equipment ConPart Mastering ProcessorDescription As a Mastering or Multimedia Processor TypeMeridian 500 Comms warning D1 +2Emph +2 ShpB +2Making Recordings Transfer to editor Transfer to the final carrierNoise shaper characteristics Shaper Advantage 44.1kHz 48kHz Normal Pre-emphasisOperating Background Transparency in digital systemsDigital Audio and Quantisation DitherDynamic Range Noise Shaping with ditherPre and De-emphasis Simple rules for using Step-down in sample word sizeNo change in sample size Step up in dynamic rangeSpecification Additional technical informationHelp Cleaning Maintenance & ServicePart Appendix 1 Noise Shapes NoiseAbove noise spectrum for Shape B at 44.1kHz 0Hz 5kHz 10kHz 15kHz 20kHz Vulnerability of the signal Audible results of digital errors and editingAppendix 2 Hints on Mastering with noise-shaping Requirements for D/A conversionAppendix 2 Hints on Mastering Handset Functions Appendix 3 RS232GoTo Functions Appendix 4 -Resolution Enhancement Jitter and de-jitteringDynamic-range FrequencyDynamic-range optimisation with Gain Dynamic-range optimisation with Pre-emphasisShowing CD pre- and de-emphasis curves Dynamic-range optimisation with Noise-shaped Dither DAC enhancement by using high-frequency dither DAC or channel enhancement by word-length matchingContents IndexIndex User Guide User Guide