Meridian America Meridian 518 manual Customising features, ∙ Normal ∙ Standby ∙ Type ∙ Config

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Overview of 518

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De-jittering. This is vital to getting good sound when recording or playing back from a computer-based sound storage system.

Matching wordlengths input to output. Hard disc storage systems tend to use 16 or 24 bits. While 16 bit storage is quite adequate for simple transfer, it does not allow any headroom for manipulation of the signals – without degrading noise. 518 can be used to ensure that all the headroom in the disc storage is used by boosting the incoming signals to full code. 518 is also ideally suited to translating 24 bit storage to a downstream 16 bit recording medium like DAT or CDR. In fact, the noise-shaping options of 518 allow most of the subjective dynamic range of a 20 bit master to be retained in the 16 bit storage device.

Accurate DSP. The quality of signal processing used in 518 is substantially higher than that normally found in PC editors or sound API functions. For example, 518 uses the most sophisticated re- dithering technology combined with 72 bit internal processing to ensure that any level changes or equalisations are made truly transparent to the listener. Much of this technology is proprietary to Meridian.

RS232 control. The 518 supports direct RS232 control from a PC– effectively turning it into a 2-channel DSP peripheral.

Customising features

As the previous sections illustrate, the 518 is very flexible. You have the opportunity to significantly customise its functions to give you the functionality that exactly suits your application.

The section ‘Customising 518, an overview' on page37 describes the options in detail.

We recommend that you first get to know the 518 using one of the standard setups, and by working through this manual. Do not be afraid later to experiment with customising – we have given you a simple way to get back to where you started! (See page 23).

518 as provided has three standard configurations that we call Type settings. Each Type gives a different set of options; this feature is described fully on page 23.

Note By selecting a Type you automatically reset all custom settings for 518 to that default.

518 has four operating modes (not to be confused with setup Types):

Normal

Standby

Type

Config

Normal and Standby are the everyday operating modes: the basic operat- ing instructions refer to these.

Type, and Config are used to make choices about the way 518 works. These are described later in the section: ‘Configuring 518, an overview' on page 37.

518 User Guide

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Contents 1992, 1993 Contents Appendix 4 -Resolution Enhancement Simple rules for usingAppendix 2 Hints on Mastering Sales and service in the USA Sales and service in the UKDesigned & manufactured in the UK by AcknowledgementsAbout this manual IntroductionAbout the 500 Series Conventions used in this manualGeneral precautions Installing yourUnpacking ConnectionsWhats inside a 518? Planning setupOverview as Preamp Type What else do I need to know? What about analogue sources?CD or LaserDisc playback improvement Overview as Resolution Enhancement Processor TypeMeridian DSP speaker improvement Meridian Surround improvement Overview as Multimedia Processor Type Overview as Mastering Processor Type∙ Normal ∙ Standby ∙ Type ∙ Config Customising featuresStarting off with Switching onBasic operation StandbyOperating 518 as a Control Unit Type Adjusting the volumeSelecting a source OutFlat DitherShape a Shape BDisplay Advanced operation using the Remote Control Volume control Operating 518 as Resolution Enhancer TypeMuting the sound Menu KeysOperation summary With the Remote ControlMemory Config an overview Restoring default settingsConfig control settings Customising 518, an overviewCustomising, general procedure How to customiseConfig sources and inputs How to change to Type or ConfigHow to change back to Normal Customising using TypeMaking changes to an existing setup Setting Type ControllerHow to use Config Customising using ConfigConfig Selecting TypesSetting the system address for Selecting the controller modeSetting the product address for Setting the Standby mode forSetting the Emphasis option for Setting the Blank display option forSetting the Volume mode for Setting the Volume displayChoosing source logos Setting up sourcesVol. dB Choosing the Comms type for a source product Changing the input for a sourceChoosing the address of a source product Digital audio connections ConnectionsDigital input connections Digital output connectionCommunications connections Connecting to Meridian Digital speakersTo connect to other Meridian 500 Series equipment ConMastering Processor PartAs a Mastering or Multimedia Processor Type DescriptionMeridian 500 Comms warning D1 +2ShpB +2 Emph +2Making Recordings Transfer to the final carrier Transfer to editorShaper Advantage 44.1kHz 48kHz Normal Pre-emphasis Noise shaper characteristicsTransparency in digital systems Operating BackgroundDigital Audio and Quantisation DitherDynamic Range Noise Shaping with ditherPre and De-emphasis Step-down in sample word size Simple rules for usingNo change in sample size Step up in dynamic rangeAdditional technical information SpecificationHelp Maintenance & Service CleaningNoise Part Appendix 1 Noise ShapesAbove noise spectrum for Shape B at 44.1kHz 0Hz 5kHz 10kHz 15kHz 20kHz Audible results of digital errors and editing Vulnerability of the signalAppendix 2 Hints on Mastering with noise-shaping Requirements for D/A conversionAppendix 2 Hints on Mastering Handset Functions Appendix 3 RS232GoTo Functions Jitter and de-jittering Appendix 4 -Resolution EnhancementFrequency Dynamic-rangeDynamic-range optimisation with Pre-emphasis Dynamic-range optimisation with GainShowing CD pre- and de-emphasis curves Dynamic-range optimisation with Noise-shaped Dither DAC or channel enhancement by word-length matching DAC enhancement by using high-frequency ditherIndex ContentsIndex User Guide User Guide