SoundCraft 1605, 1603 manual Booth, XF Curve, Headphones

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Booth

EQ

The booth eq has two bands. Both controls give a cut/boost of +/-6dB.

Level

The level of the booth outputs is controlled via this pot.

Left/Stereo/Right

This 3-position works as follows:

left: mono signal is fed to booth left ouput only

stereo: normal stereo

right: mono signal is fed to booth right ouput only

Dim

When depressed this switch causes the booth outputs to be cut by 12dB.

XF Curve

The XF Curve pot allows the cross-fader law to be varied from ‘constant power’ mode to ‘performance/scratch’ mode.

Headphones

In normal mode the headphones circuit monitors the master left & right outputs. A cue switch anywhere on the desk is pressed the headphones will monitor the appropriate signal.

Level

The level pot controls the signal level sent to the headphones.

EQ

The single eq pot varies the headphones between dark and bright characteristics. Dark = treble cut and Bright = bass cut.

Balance Pot

The balance pot allows adjustment of the left/right balance of the stereo headphone signal. In split mode the balance pot becomes a mono cue/main pan control. In cue mode the balance control becomes a stereo cue/main balance control.

Split Mode

The split button, when depressed, activates split mode. in split mode the the cue-sum (cue L+R) goes to the left headphone, and the main-sum goes to the right headphone. This only operates when a cue switch is pressed. The balance pot becomes a cue/main pan control.

Flip Mode

This reverses the left/right feeds in split mode. Flip mode only operates within split mode.

Sockets

There are two sockets: a 1/4” (6.35mm) and a 3.5mm socket. This allows the use of both types of plug without the need for adaptors. It is not intended that two sets of headphones be connected at the same time.

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Contents Music Mixer User Guide Potters BAR Contents Important Safety Instructions Green and Yellow US Green/Yellow Safety Symbol Guide Recommended Headphone Impedance = 200 OhmsIntroduction WelcomeInstallation General PrecautionsMains Installation Initial Wiring Considerations Audio WiringShielding Points to Remember Working Safely with SoundRecommended Headphone Impedance = 200 Ohms Inspection and Installation Unpacking and InspectionMaking Adjustments and Fitting Spares Removing The Top Panel FasciaRemoving The Fader Panel Replaceable Spares Part Numbers Replacing The Channel FadersReplacing The Cross- Fader Moving the Rear Connector Panel Enabling the External Mute FeatureRepositioning the Rack Ears Connecting to a Typical Sound System Block Diagram Page Using the Console MIC / DJ ChannelDJ Channel 1 Rear Panel Connectors Master/B Switch Phono/LineHigh Pass Filter Mid Band Pass FilterChannels 2-7 2-4 on 1603 Rear Panel Connectors Mic XLRGround Point Master Section Meters Aux Send/ReturnMaster Booth HeadphonesXF Curve External Mute Operation Specifications Rear Panel Connector connectionsMaster/Booth Output Input and Output LevelsDimensions/ weight Mono OutputEffects Loop Output NoiseGlossary Post after the channel faderEqualising the system to notch out the offending frequencies Riaa Warranty

1605, 1603 specifications

The SoundCraft 1603 and 1605 are renowned analog mixing consoles well-regarded in both live sound environments and studio settings. These mixers offer exceptional sound quality coupled with intuitive operation, making them a popular choice among audio engineers and musicians alike.

The SoundCraft 1603 is a 16-channel mixer featuring 3 buses, while the 1605 amplifies this with 16 channels and 5 buses, providing increased routing flexibility. Each channel is equipped with a high-quality microphone preamplifier, which delivers a warm, rich sound. The preamps feature a low-cut filter that aids in eliminating unwanted low-frequency noise, further enhancing audio clarity.

Both models come with an integrated 3-band EQ on each channel, complete with adjustable high, mid, and low frequencies. This allows for precise tone shaping, enabling users to sculpt their sound to fit various musical styles and requirements. The mid-band also features a sweepable frequency, providing the ability to target specific problematic frequencies in live settings, enhancing the overall mix.

Advanced technologies implemented within these consoles include the use of internal components that reduce noise levels and improve overall audio fidelity. The mixers are designed with ruggedness in mind, ensuring they withstand the rigors of live performance while providing the reliability necessary for studio applications.

Additional features that stand out include a range of auxiliary sends, allowing for flexible routing options for effects and monitor mixes. The mixers also support phantom power, making them ideal for use with condenser microphones. The user-friendly layout ensures quick access to all controls, allowing engineers to focus on mixing without unnecessary distractions.

Another key aspect is the mixer’s compact design, making it suitable for small venues, mobile setups, and studio environments where space is a premium. The sturdy construction and high-quality components ensure longevity, a significant advantage for professionals who rely on consistency in their equipment.

In summary, the SoundCraft 1603 and 1605 mixing consoles are excellent choices for those seeking high performance in a compact and user-friendly package. Their combination of advanced features, reliability, and sound quality has established them as essential tools for anyone serious about audio production and live sound reinforcement. Whether in a studio or on stage, these mixers deliver on all fronts, ensuring an exceptional experience for both the engineer and the audience.
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