SoundCraft 1603, 1605 manual Meters, Aux Send/Return, Master

Page 23

Meters

The L & R bargraph meters show, by default, the signal levels at the Master Left and Right outputs.

If any Cue switch on the desk is pressed the meters display the level of the cued signal.

Split Switch

If the Split switch is depressed the meters will show a mono sum of the cued signal on the left meter, and a mono sum of the pre- fader master outputs on the right meter. Note that the split button has no effect on the meter display until a cue button is pressed.

Aux Send/Return

This section allows the use of an external effects unit. NOTE: It can also be used as an alternative record output and an additonal stereo input.

Send Outputs

The stereo pair of sockets feeds signals from the the Aux left & right buses. The level is controled via the level pot. The post-pot signal can be monitored via its associated cue switch.

Return Inputs

The stereo pair of sockets is used to input a feed from an external effects unit. The signal can be monitored via its cue switch. The signal is controlled via the on switch (note that the cue switch is before the on switch in the signal path). The level of the signal is controlled by the level pot. The post-pot signal is assignable to the cross fader via the A/Master/B switch

A/Master/B Switch

This 3-position switch routes the return signal to one of three pairs of stereo buses. If the Master position is selected the signal is routed diretly to the booth and master outputs. If the A or B position is selected then the signal is routed via the cross fader.

Master

HPF

The high-pass filter is selected by depressing the hpf switch. This affects the master and the booth outputs.

Mono

This switch, when depressed, sums the stereo signal to a mono signal. This affects the master and the booth outputs.

Balance

The balance controls allows the left/right balance of a stereo signal to be adjusted.

Level

The level of the master outputs is controlled via this pot.

Cue

Pressing this button routes the pre-level-control signal to the headphones and meters. A LED in the switch indicates when Cue is selected.

23

Page 22 Page 24
Image 23
Page 22 Page 24
Contents Music Mixer User Guide Potters BAR Contents Important Safety Instructions Green and Yellow US Green/Yellow Recommended Headphone Impedance = 200 Ohms Safety Symbol GuideWelcome IntroductionMains Installation InstallationGeneral Precautions Shielding Initial Wiring ConsiderationsAudio Wiring Recommended Headphone Impedance = 200 Ohms Points to RememberWorking Safely with Sound Unpacking and Inspection Inspection and InstallationRemoving The Fader Panel Making Adjustments and Fitting SparesRemoving The Top Panel Fascia Replacing The Cross- Fader Replaceable Spares Part NumbersReplacing The Channel Faders Repositioning the Rack Ears Moving the Rear Connector PanelEnabling the External Mute Feature Connecting to a Typical Sound System Block Diagram Page MIC / DJ Channel Using the ConsoleDJ Channel 1 Rear Panel Connectors Mid Band Pass Filter Master/B SwitchPhono/Line High Pass FilterGround Point Channels 2-7 2-4 on 1603 Rear Panel ConnectorsMic XLR Master Section Master MetersAux Send/Return XF Curve BoothHeadphones External Mute Operation Input and Output Levels SpecificationsRear Panel Connector connections Master/Booth OutputNoise Dimensions/ weightMono Output Effects Loop OutputPost after the channel fader GlossaryEqualising the system to notch out the offending frequencies Riaa Warranty

1605, 1603 specifications

The SoundCraft 1603 and 1605 are renowned analog mixing consoles well-regarded in both live sound environments and studio settings. These mixers offer exceptional sound quality coupled with intuitive operation, making them a popular choice among audio engineers and musicians alike.

The SoundCraft 1603 is a 16-channel mixer featuring 3 buses, while the 1605 amplifies this with 16 channels and 5 buses, providing increased routing flexibility. Each channel is equipped with a high-quality microphone preamplifier, which delivers a warm, rich sound. The preamps feature a low-cut filter that aids in eliminating unwanted low-frequency noise, further enhancing audio clarity.

Both models come with an integrated 3-band EQ on each channel, complete with adjustable high, mid, and low frequencies. This allows for precise tone shaping, enabling users to sculpt their sound to fit various musical styles and requirements. The mid-band also features a sweepable frequency, providing the ability to target specific problematic frequencies in live settings, enhancing the overall mix.

Advanced technologies implemented within these consoles include the use of internal components that reduce noise levels and improve overall audio fidelity. The mixers are designed with ruggedness in mind, ensuring they withstand the rigors of live performance while providing the reliability necessary for studio applications.

Additional features that stand out include a range of auxiliary sends, allowing for flexible routing options for effects and monitor mixes. The mixers also support phantom power, making them ideal for use with condenser microphones. The user-friendly layout ensures quick access to all controls, allowing engineers to focus on mixing without unnecessary distractions.

Another key aspect is the mixer’s compact design, making it suitable for small venues, mobile setups, and studio environments where space is a premium. The sturdy construction and high-quality components ensure longevity, a significant advantage for professionals who rely on consistency in their equipment.

In summary, the SoundCraft 1603 and 1605 mixing consoles are excellent choices for those seeking high performance in a compact and user-friendly package. Their combination of advanced features, reliability, and sound quality has established them as essential tools for anyone serious about audio production and live sound reinforcement. Whether in a studio or on stage, these mixers deliver on all fronts, ensuring an exceptional experience for both the engineer and the audience.
Top Page Image Contents