USING THE CONSOLE
MIC / DJ CHANNEL 1
The Channel 1 has a slightly different arrangement from the other input channels. There are four differences between this channel and all of the others. They are:
The mic input to this channel can be made to form part of a venue’s emergency announcement system.
The output from the channel’s fader is routed directly to the master output buses rather than the A or B buses. This means that the output is never routed through the
When the mic input is selected the output can be blocked from being routed onto the DJ booth buses. If this mode of operation is selected it prevents howlround in the DJ booth.
The EQ is a conventional
THe channel must be activated using the ON switch.
Mic
This switch is a ‘push on, push off’ type. When this switch is pushed down, the MIC input on the rear connector panel is selected. A LED* in the switch lights up to show that the mic is selected. When the switch is in the ‘up’ position the phone or line input is selected (dependiing on the position of the phono/line switch). (Note: if the MIC switch is not selected this LED will flash if the eternal mute is activated. This shows that the mic is now routed to the master outputs.)
Phone/Line
This switch is a ‘push on, push off’ type. It routes the signal from the line input when it is ‘up’, and the phono input when it is ‘down’, The LED in the switch lights when the phono input is selected. This switch only operates when the mic switch is in the ‘up’ position.
Trim
This control gives a range adjustment of 32dB
Aux
The Aux pot controls the level of the channel’s signal which is sent to the aux buses. The signal can be
Pre
When the pre switch is in the ’down’ position, a
When the pre switch is in the ’up’ position, a
EQ
The three EQ controls allow you to apply a cut or boost to different parts of the
High
This gives a cut or boost of
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