Operation
Surround Mode Chart
MODE | FEATURES | DELAY TIME RANGE |
DOLBY DIGITAL | Available only with digital input sources encoded with Dolby Digital data. It provides |
| up to five separate main audio channels and a special dedicated Low Frequency Effects |
| channel. |
Center: 0 ms – 5 ms Initial Setting – 0 ms Surround: 0 ms – 15 ms Initial Setting – 0 ms
DTS | Available only with digital input sources encoded with DTS data. Available on special | Delay time not adjustable |
| DVD, LD and |
|
| a special dedicated low frequency channel. |
|
|
|
|
DOLBY PRO LOGIC | The standard mode for analog surround sound decoding. It uses information encoded | 15 ms – 30 ms |
| in a two channel stereo recording to produce four distinct outputs: Left, Center, Right and | Initial Setting = 15 ms |
| a Mono Surround channel. Use this mode for accurate reproduction of programs bearing |
|
| the Dolby Surround, DTS Stereo, UltraStereo or other “Surround” logos. |
|
| programs include videocassette, DVD and LD movies, TV and cable programs, radio |
|
| programs and audio CDs. Dolby Pro Logic processing may also be used to provide a |
|
| pleasing surround effect with some stereophonic source material that does not carry |
|
| surround encoding. |
|
LOGIC 7 C LOGIC 7 M
An advanced mode that extracts the maximum surround information from either | Delay time not adjustable |
conventional stereo material or |
|
material, decoding is more accurate in terms of the placement of sounds, and fades and pans |
|
are much smoother and more realistic than with other decoding techniques. Logic 7 also |
|
delivers increased spaciousness and a wider sound stage when it is used with conventional |
|
natural stereo recordings and music programs throug the use of the natural surround |
|
information present also in those stereo recordings. The Logic 7C or Cinema mode is tailored |
|
to provide an optimal sound field for movie soundtracks. The Logic 7M or Music mode uses a |
|
decoding formula that is best suited to music. |
|
DOLBY 3 STEREO | Uses the information contained in a surround encoded or two channel stereo program to | No surround channels |
| create center channel information. In addition, the information that is normally sent to the |
|
| rear channel surround speakers is carefully mixed in with the front left and front right |
|
| channels for increased realism. Use this mode when you have a center channel speaker |
|
| but no surround speakers. |
|
|
|
|
THEATER | This surround processing uses matrix surround decoding to simulate a standard movie or | Delay time not adjustable |
| stage theater with stereo and even pure mono sources. |
|
|
|
|
HALL | The Hall mode offers matrix surround decoding that simulate | Delay time not adjustable |
| a |
|
|
|
|
VMAx Near | When only the two front channel loudspeakers are used, Harman’s patented VMAx mode | No surround channels |
VMAx Far | delivers a |
|
| center and surround positions. The VMAx N, or “Near Field” mode should be selected when |
|
| your listening position is less than 1,5m from the speakers. The VMAx F, or “Far Field” mode |
|
| should be selected when your listening positioin is greater than 1,5m from the speakers. |
|
| This mode takes advantage of multiple speakers to place a stereo signal at both the front and |
| back of a room. Ideal for playing music in situations such as a party, it places the same signal |
| at the |
| channel is fed a summed mono mix of the |
No delay is available for this mode
SURROUND | This mode turns off all surround processing and presents the pure left and right | No surround channels |
OFF (STEREO) | channel presentation of two channel stereo programs. |
|
26OPERATION