Harman-Kardon DPR 1001 owner manual Surround Mode Chart

Page 26

OPERATION

Surround Mode Chart

MODE

FEATURES

 

 

Dolby Digital

Available only with digital input sources encoded with Dolby Digital data. It provides up to five separate main audio channels and

 

a special dedicated Low-Frequency Effects channel.

 

 

Dolby Digital EX

Available when the DPR 1001 is configured for 6.1/7.1-channel operation, Dolby Digital EX is the latest version of Dolby Digital. When used with

 

movies or other programs that have special encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1 sound field is

 

available. When the DPR is set for 6.1/7.1 operation and a Dolby Digital signal is present, the EX mode is automatically selected. Even if specific EX

 

encoding is not available to provide the additional channel, the special algorithms will derive a 6.1/7.1 output.

 

 

DTS 5.1

When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is available when DVD, audio-only music or laser discs encoded

 

with DTS data are played. DTS 5.1 provides up to five separate main audio channels and a special dedicated low-frequency channel.

 

 

DTS-ES 6.1 Matrix

When the speaker configuration is set for 6.1/7.1 operation, playback of a DTS-encoded program source will automatically trigger the selection

DTS-ES 6.1 Discrete

of one of the two DTS-ES modes. Newer discs with special DTS-ES discrete encoding will be decoded to provide six discrete, full-bandwidth

 

channels plus a separate low-frequency channel. All other DTS discs will be decoded using the DTS-ES Matrix mode, which creates a 6.1-channel

 

sound field from the original 5.1-channel soundtrack.

 

 

Dolby Pro Logic II

Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology that decodes full-range, discrete left, center right,

Movie

right surround and left surround channels from either matrix surround encoded programs and conventional stereo sources when an analog input

Music

is in use. The Dolby Pro Logic II Movie mode is optimized for movie soundtracks, while the Pro Logic II Music mode should be used with

Pro Logic

musical selections. The Pro Logic mode re-creates original Pro Logic processing for those who prefer that presentation.

 

 

Logic 7 Cinema

Exclusive to Harman Kardon for A/V receivers, Logic 7 is an advanced mode that extracts the maximum surround information from either

Logic 7 Music

surround-encoded programs or conventional stereo material. Depending on the number of speakers in use and the selection made in the

Logic 7 Enhance

SURROUND SELECT and LOGIC 7 menus, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen, while

 

the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround speakers when the “6.1/7.1” option is chosen. The

 

Logic 7 C (or Cinema) mode should be used with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers increased

 

center-channel intelligibility, and more accurate placement of sounds with fades and pans that are much smoother and more realistic than with other

 

decoding techniques. The Logic 7 M or Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening

 

experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes also direct low-frequency information to the

 

subwoofer (if installed and configured) to deliver maximum bass impact. The Logic 7 E (or Enhance) mode, available only when the 5.1 option is

 

chosen, is an extension of the Logic 7 modes that is primarily used with musical programs. Logic 7 adds additional bass enhancement that circulates

 

low frequencies in the 40Hz to 120Hz range to the front and surround speakers to deliver a less localized soundstage that appears broader and

 

wider than when the subwoofer is the sole source of bass energy.

 

 

DTS Neo:6 Cinema

These two modes are available when any analog source is playing to create a six-channel surround presentation from conventional Matrix-encoded

DTS Neo:6 Music

and traditional Stereo sources. Select the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding is present.

 

Select the Music version of Neo:6 for optimal processing when a nonencoded, two-channel stereo program is being played.

 

 

Dolby 3 Stereo

Uses the information contained in a surround-encoded or two-channel stereo program to create center-channel information. In addition, the

 

information that is normally sent to the rear-channel surround speakers is carefully mixed in with the front-left and front-right channels for increased

 

realism. Use this mode when you have a center-channel speaker but no surround speakers.

 

 

Theater

The Theater mode creates a sound field that resembles the acoustic feeling of a standard live performance theater.

 

 

Hall 1, Hall 2

The two Hall modes create sound fields that resemble a small (Hall 1) or medium-sized (Hall 2) concert hall.

 

 

VMAx Near

When only the two front-channel loudspeakers are used, Harman’s patented VMAx mode delivers a three-dimensional sound space with the illusion

VMAx Far

of “phantom speakers” at the center and surround positions. The VMAx N, or “Near Field” mode should be selected when your listening position is

 

less than five feet from the speakers. The VMAx F, or “Far Field” mode should be selected when your listening position is greater than five feet from

 

the speakers. The VMAx modes are also available using the Headphones Output Ó. When headphones are being used, the Far Field mode will

 

appear to push the sound field away from your ears, reducing the “inside the head” sensation often experienced when using headphones.

 

 

5-Channel Stereo

These modes take advantage of multiple speakers to place a stereo signal at both the front and back of a room. Depending on whether the DPR

7-Channel Stereo

has been configured for either 5.1 or 6.1/7.1 operation, one of these modes, but not both, is available at any time. Ideal for playing music in

 

situations such as a party, it places the same sound at the front-left and surround-left, and front-right and surround-right speakers.

 

The center channel is fed a summed mono mix of the in-phase material of the left and right channels.

 

 

Surround

This mode turns off all surround processing and presents the pure left- and right-channel presentation of two-channel stereo programs.

Off (Stereo)

 

 

 

26 OPERATION

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Contents DPR Table of Contents DPR 1001 Digital Path ReceiverIntroduction Description and FeaturesHigh-bandwidth, HDTV-compatible compo- nent video switching Modèle pour les CanadienUnpacking Safety InformationImportant Safety Information System Configuration Indicators Power Indicator will turn green when the unit is onSurround Mode Selector Front Panel ControlsFront Panel Controls Lower Display Line OSD Indicator Upper Display Line Front Panel Information DisplayFront Right Red Rear Panel ConnectionsFront Left White Center Green33 6-Channel Direct Inputs When an optional 34 8-Channel Direct Inputs When an optionalSPL Select Button EzSet Microphone Sensor Lens Main Remote Control FunctionsProgram Button DPRDSP Surround Mode Selector Press this Tuning Mode Press this button when the tunerSeven-channel Stereo, depending on the speaker configuration See page 29 for more informationZone II Remote Control Functions Installation and Connections System InstallationSystem and Power Connections Speaker Selection and Placement System ConfigurationSpeaker Placement System SetupSetting the System Configuration Memory Using the On-Screen DisplayMaking Configuration Adjustments Input Setup Or 6.1-channel sound field To move the highlighted video to Surr When all crossover settings have been made, or T S P K R L E V E L S S E T Manual Output Level Adjustment Additional Input AdjustmentsBasic Operation Remote Control OperationOperation Source SelectionDigital Audio Playback Volume ControlSurround Mode Selection Dolby DigitalSurround Mode Chart Selecting a Digital Source Digital Status IndicatorsNight Mode From pTuner Operation RecordingFront Panel Connections Output Level Trim AdjustmentMemory Backup Channel/8-Channel Direct InputSurround Back Amplifier Assignment Advanced FeaturesTurn-On Volume Level Display BrightnessMultiroom Setup Multiroom OperationPreprogrammed Code Entry Configuring the RemoteMultiroom Operation Remote’s Main Menu messageAutomatic Code Entry Learning Commands Macro Programming Reassigning the commands used for a particular deviceChanging Devices Macro. The choices are the Power On Button Sent when the Power button is pressedPower On VID 2/TV VID 3/Cable AVR Logic 7 Programmed e.g., the Power On Button 1 orRead a Macro Punch-Through ConfigurationReturning the Volume Control Settings to Default Operation Returning the Channel Control Settings to Default Operation Will remain illuminated in red. Press EzSet ConfigurationRenaming Button Bottom line of the display, as shown in FigureNumeric Keys Next characterAt this point you have two options Resetting the RemoteAdditional Notes on Configuring and Operating the Remote Desired output signal Troubleshooting GuideProcessor Reset From DTS or Dolby Digital DVDsDPR 1001 Technical Specifications
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DPR 1001 specifications

The Harman-Kardon DPR 1001 is an impressive addition to the realm of home audio equipment, primarily recognized for its advanced features and high-quality sound reproduction. This product blends the best of both stereo and multichannel audio, allowing users to enjoy a versatile listening experience.

One of the most notable features of the DPR 1001 is its ability to deliver true surround sound. With a 6-channel amplifier rated at 50 watts per channel, the unit offers enough power to fill a medium-sized room with rich, clear audio. Its unique Digital Power Processing technology allows for efficient power management while maintaining high audio fidelity. This technology ensures that the amplifier operates with minimal distortion, even at higher volume levels.

The AVR also boasts a smart user interface, designed to enhance usability. Its intuitive layout makes navigation straightforward, even for those less familiar with home theater systems. The remote control offers seamless access to various sound modes and settings; users can easily switch between movie and music modes, catering to different listening preferences.

Connectivity is another strong suit of the DPR 1001. It supports multiple inputs, including optical and digital coaxial connections, allowing users to connect various audio sources such as Blu-ray players, gaming consoles, and streaming devices. Additionally, the inclusion of composite and component video outputs ensures compatibility with older TVs and projectors, making it a versatile option for any home setup.

Further enhancing its appeal, the DPR 1001 integrates Dolby Digital and DTS processing technologies, enabling an authentic cinematic experience. With the ability to decode these formats, it transforms your living room into a theater-like atmosphere, perfect for movie nights or gaming marathons.

When it comes to build quality, Harman-Kardon maintains its reputation with a sleek and durable construction. The unit’s design not only looks good but also optimizes acoustics, ensuring crystal-clear sound reproduction.

Overall, the Harman-Kardon DPR 1001 stands out for its powerful performance, advanced audio technologies, and user-friendly features. Whether you are an audiophile or simply looking to enhance your home entertainment system, this receiver is a compelling choice that will elevate your audio experience.
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