TC electronic SDN BHD Gold Channel Digital Radiance Generator, A.A. Equalization, Curve

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THE BLOCKS

Attack

The Attack time is the response time that the Compressor uses to reach the gain reduction specified by the Ratio parameter. Example: If the input signal suddenly increases to 4 dB above threshold in no time with the Ratio set to 4:1 and the Attack set to 20ms, the Dynamic EQ will use 20ms to reach the gain reduction of 3 dB.

Release

Release sets the fall-back time of the Dynamic EQ, after the signal drops below the Threshold.

Freq

Sets the center frequency of the range the Dynamic EQ should work in.

Curve

Sets the bandwidth or Lo/Hi shelf setting of the range the Dynamic EQ should work in.

Monitor

Here you can monitor the Sidechain signal, which is very useful to hear what the Dynamic Equalizer actually removes from the main signal

Input

When placed on Ch. 1, you can select the Sidechain Input to be either the Same (Ch. 1) or Ch. 2.

Example: If you select to have Sidechain input from Ch. 2, you can go to the Layout page and select Ch. 1 Pre, as input to Ch. 2. Now you have all the blocks on Ch. 2 for processing the sidechain signal on Ch. 1. You can also have a completely different input on Ch. 2.

NOTE: When two blocks are linked, you cannot select Ch. 2 as input for Ch. 1 Sidechain.

Digital Radiance Generator

The DRGTM (Digital Radiance Generator) adds low order (especially second) harmonic distortion to the signal. This kind of distortion is very analog-like, and will add a certain warmth to your material. This is what is sometimes called “tube saturation”.

Drive

The DRG drive is adjustable from 0 (minimum) to 10 (maximum) distortion.

Curve

If your material is asymmetric (percussive/speech, etc.), the plus/minus parameter will change the sound of the DRG.

R.I.A.A. Equalization

The R.I.A.A. equalization algorithm is a standard frequency curve that, when added to the signal, enables you to plug your turntable into the mic inputs and listen to your records. Note that you must still adjust the input gain.

You can choose between the IEC standard from 1964 or 1987. The 1987 curve includes a subsonic filter.

Make balanced connections as shown in drawing below. Warning: Do not switch +48V phantom power On when connected to your turntable to avoid potential damage to your pick-up.

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Image 31 Contents
Gold Channel Page Table of Contents Microphones as Ears ForewordForeword Congratulations WelcomeAbout this Manual Introduction Gold Channel featuresGeneral Introduction Card Slot Front PanelParameter Wheel Balanced XLR-XLR cables Rear PanelSignal Flow Mixer setup Connecting the Gold ChannelRecording setup Post recording setupQuick Reference Input Setup SignalSignal Display Signal DisplayDither Insert Send and ReturnClock Digital External ClockGain Display Setup GainLevel display Setup LevelPartial Recall Recalling presetsPrograms Recall Recall and List DisplaysList Display Exercise How to Recall a presetExercise 1 How to Recall a preset Press the Programs key To Recall the PresetStore function How to StorePrograms Store Store DisplayTo Store the Preset Exercise 2 How to Store a preset with the existing nameExercise 3 How to name a preset Edit Routing and Layout Setting up the processing blocksColumns and Blocks ModeBlock Edit Edit and MeterEditing the digital processing About the Edit DisplayMeter OUT BlockInsert block LinkEasy Gate BlocksAdvanced Expander Filter Knee Mode Hold ReleaseOutput Gain Soft CompressorVintage Compressor Input DriveAdvanced Equalizer Easy EqualizerDynamic Equalizer De-EsserA.A. Equalization Digital Radiance GeneratorCurve Card Config.Utility Utility DisplayMidi How to enter the Reset Menu Reset MenuSelf Test Analog Line Inputs Technical SpecificationsMidi Implementation Chart No sound through the Gold Channel Trouble ShootingFor the customers in Canada CertificationsPreset Description Factory Preset ListPreset Microphones The Inside Story Where Great Recordings BeginChoosing the Right Mic Microphone PlacementStereo Recording Gold Channel