TC electronic SDN BHD Gold Channel user manual Choosing the Right Mic, Microphone Placement

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WHERE GREAT RECORDINGS BEGIN

A bi-directional pattern is impractical to create in a dynamic design, which explains why most dynamic mics are either omni or some form of cardioid. Ribbon mics are bi-directional by default, though some ribbon mics are available in a cardioid pattern. Condenser mics cover the whole gamut of directional patterns, and many large-diaphragm condenser mics offer a selection of pickup patterns from omni to cardioid to bi-directional.

Choosing the Right Mic

With all these mic types to choose from, it can seem like an overwhelming task to pick the right one for a given instrument or voice. To make matters even trickier, a given type of mic won't always excel in certain applications. Thankfully, there are many time-proven guidelines that can help narrow down your choices. Experimentation is also an important part of the process - the only rule of mic selection is that there are no rules. You should try everything.

One of the first steps in choosing a mic is to listen to the sound itself. Listen for characteristics of the instrument or voice that you wish to accentuate, as well as those that are better subdued. The right mic will capture the most flattering recording, making the sound seem "better than life." Even if your goal is capturing a sound with complete accuracy and no enhancement, you'll need to have a good picture in your mind of what the voice or instrument really sounds like.

Choosing the microphone type is a good next step. Dynamic, condenser and ribbon mics often have specific performance characteristics unique to their mic type. Dynamic mics tend to be the most rugged, making them a good choice when a mic must stand in harm's way. Most dynamics also handle extremely loud sounds without distortion. Ribbon mics are the most fragile, and tend to distort easily as sounds get louder and lower in frequency. A wayward puff of air or wind can tear a ribbon from its mount, requiring an expensive repair to fix. Modern condenser designs are generally much sturdier than ribbon mics, but still aren't as tough as most dynamics.

Sonically, condenser mics tend to have the most open, accurate sound with the most extended high-frequency response. This is because most condenser diaphragms are extremely light and thin, making them capable of responding accurately to subtle, delicate changes in air pressure. Dynamic mics have a much heavier diaphragm assembly, which limits the speed at which they can respond to sound. This makes dynamic mics tend toward a more "compressed" sound, with reduced transients and less high-frequency detail. Ribbon mics generally fall somewhere between condensers and dynamics, and are often considered to have a smoother, mellower sound than the other mic types. As with all aspects of mic performance, however, certain mics will fall well outside these gross generalizations. The only way to know how a mic will perform is to listen to it.

Pickup pattern is another key element of mic performance. Directional mics are used to reduce the amount of ambient sound and room reverb that ends up in a recording, as well as stray sound from other instruments. Omnidirectional mics pick up a higher ratio of ambient sound, which may be appropriate in good-sounding rooms. Bi-directional mics are useful when recording two instruments or vocalists-- placed on opposite sides of the microphone, both performers can enjoy the sonic benefits of being "on-mic." You'll want to choose a mic's pickup pattern based on the environment the instrument or voice is being recorded in.

Finally, the individual sonic character of the mic comes into play. The goal is to choose a mic whose unique sound complements the instrument or voice you're recording. Whether dark or bright, fat or thin, up-front or mellow, there's a mic out there that's a perfect match for every sound source. It's up to you to find it.

Microphone Placement

Where you place a mic (or mics) is nearly as important to the quality of a recording as the mic itself. Finding the right distance and location depends on the specific sound of the voice or instrument, as well as the characteristics of the recording space. Again, experimentation is key.

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Contents Gold Channel Page Table of Contents Microphones as Ears ForewordForeword Congratulations WelcomeAbout this Manual Introduction Gold Channel featuresGeneral Introduction Card Slot Front PanelParameter Wheel Balanced XLR-XLR cables Rear PanelSignal Flow Mixer setup Connecting the Gold ChannelRecording setup Post recording setupQuick Reference Input Setup SignalSignal Display Signal DisplayDither Insert Send and ReturnClock Digital External ClockGain Display Setup GainLevel display Setup LevelPartial Recall Recalling presetsPrograms Recall Recall and List DisplaysList Display Exercise How to Recall a presetExercise 1 How to Recall a preset Press the Programs key To Recall the PresetStore function How to StorePrograms Store Store DisplayTo Store the Preset Exercise 2 How to Store a preset with the existing nameExercise 3 How to name a preset Edit Routing and Layout Setting up the processing blocksColumns and Blocks ModeBlock Edit Edit and MeterEditing the digital processing About the Edit DisplayMeter OUT BlockInsert block LinkEasy Gate BlocksAdvanced Expander Filter Knee ModeHold ReleaseOutput Gain Soft CompressorVintage Compressor Input DriveAdvanced Equalizer Easy EqualizerDynamic Equalizer De-EsserA.A. Equalization Digital Radiance GeneratorCurve Card Config.Utility Utility DisplayMidi How to enter the Reset Menu Reset MenuSelf Test Analog Line Inputs Technical SpecificationsMidi Implementation Chart No sound through the Gold Channel Trouble ShootingFor the customers in Canada CertificationsPreset Description Factory Preset ListPreset Microphones The Inside Story Where Great Recordings BeginChoosing the Right Mic Microphone PlacementStereo Recording Gold Channel

Gold Channel specifications

TC Electronic SDN BHD has established itself as a pioneer in audio technology, and one of its standout products is the SDN BHD Gold Channel. This innovative device is designed for professional audio applications, particularly in live sound and broadcast environments. The Gold Channel is revered for its exceptional sound quality, versatility, and user-friendly interface, making it a go-to choice for audio engineers and musicians alike.

At the heart of the Gold Channel is its advanced signal processing technology. It features a high-quality preamp that provides a clean and transparent sound, essential for capturing the nuances of live performances. The preamp is complemented by a robust equalization section, allowing users to shape their sound with precision. The three-band EQ offers both high and low shelving controls, as well as a parametric mid-band, facilitating a wide range of sonic possibilities.

Another significant feature of the Gold Channel is its dynamic processing capabilities. It incorporates a powerful compressor that helps manage dynamic range effectively. Users can achieve everything from subtle compression to more aggressive limiting, ensuring that audio levels are consistent and professional. The onboard de-esser helps eliminate sibilance, making vocals smoother and more polished.

In addition to these core features, the Gold Channel also includes an excellent built-in digital effects processor. This allows users to add reverb, delay, and modulation effects directly within the channel strip, streamlining the mixing process. The intuitive controls make it easy to dial in effects quickly, which is particularly beneficial in fast-paced live settings.

Connectivity options are another strong suit of the Gold Channel. It features multiple input channels, including XLR and TRS, accommodating a variety of microphones and instruments. The outputs are equally versatile, providing balanced and unbalanced options for seamless integration with other audio equipment.

Furthermore, the Gold Channel boasts robust build quality, designed to withstand the rigors of live performances. With a sleek metal chassis and reliable components, this device is built for longevity.

In summary, the TC Electronic SDN BHD Gold Channel combines high fidelity sound, advanced processing features, and practical connectivity options into a single, powerful package. Its remarkable flexibility makes it an essential tool for audio professionals dedicated to delivering outstanding sound quality in any setting. Whether in the studio or on stage, the Gold Channel stands out as a premier audio solution.
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