Parasound Halo C1 Controller manual Connecting Audio and Video Sources and Recorders

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38CONNECTING AUDIO AND VIDEO SOURCES AND RECORDERS continued

against hum and other noises, especially if your equipment rack is crowded with other components or your cables are more than 10 feet (3 meters) long. (For more information, refer to the “Balanced and Unbalanced Lines” section in the “Technically Speaking” section toward the end of this manual.) Balanced and unbalanced input signals normally appear at both the balanced and unbalanced outputs (including the recording outputs). However, in Bypass mode (see the chapter on “Adjustments, Menus, and Setup”), when the balanced input is selected its signal passes straight to the front left and front right balanced outputs, and unbalanced signals go only to the unbalanced outputs. Signals from balanced or unbalanced analog sources do not appear at the digital outputs of the C 1.

For best playback performance from digital sources (such as CD, DVD, and DAT players or recorders), connect them to the digital inputs of the C 1. It usually makes little difference whether you use coaxial connections (black RCA jacks on the C 1) or optical connections (small square Toslink connectors); however, if the cables must make sharp bends, optical cables should not be used. Signals from the digital inputs also pass through the 24-bit digital-to-analog converters in the C 1 to appear at its main analog outputs. When Toslink jacks are not in use, they should be protect- ed from dust with the small black plastic plugs supplied.

General Rules When Connecting Sources to the C 1:

To avoid sudden blasts of noise (which can harm your speakers), make sure the power cord of the C 1 is disconnected, or that its rear-panelpower switch is turned off (the “0” position).

Make sure all your cables are long enough so that they are not strained or stretched when you pull the C 1 out to make or change connections.

Don’t use excessively long cables; they cost more money, get in your way, and can reduce signal quality.

Note: Although analog audio cables have the same plugs as coaxial digital cables, they do not have the proper characteristics to transfer digital signals properly. However, composite-video cables (which usually have yellow plugs) can be used.

The following table summarizes the relationships between the different types of input and output in the C 1:

AUDIO

MAIN

BALANCED

RECORD 1 &

TAPE

DIGITAL

ZONE

INPUTS/OUTPUTS

OUTPUTS

OUTPUTS

RECORD 2

MONITOR

OUTPUTS

OUTPUT

 

 

 

OUTPUTS

REC/OUT

 

 

 

 

 

 

 

 

 

 

 

Available From

 

 

 

 

 

 

 

 

 

 

Unbalanced Analog In

Yes

Yes

Yes

Yes

No

Yes

 

 

 

 

 

 

 

Balanced In – Normal

Yes

Yes

Yes

Yes

No

Yes

 

 

 

 

 

 

 

Balanced In – Bypass

No

Yes

No

No

No

No

 

 

 

 

 

 

 

Tape Monitor Play/In

Yes

Yes

No

No

No

No

 

 

 

 

 

 

 

Digital Inputs

Yes

Yes

No

No

Yes

No

 

 

 

 

 

 

 

7.1-Channel

 

 

 

 

 

 

Analog Inputs

Yes

Yes

Yes

Yes

No

No

 

 

 

 

 

 

 

VIDEO

COMPOSITE

S-VIDEO

COMPONENT

COMPOSITE

S-VIDEO

ZONE

INPUTS/OUTPUTS

VIDEO

OUTPUTS

VIDEO

VIDEO

REC/OUT

OUTPUT

 

OUTPUTS

 

OUTPUT

REC/OUT

 

 

 

 

 

 

 

 

 

 

 

Available From

 

 

 

 

 

 

 

 

 

 

Composite Video In

Yes

No

No

Yes

No

Yes

 

 

 

 

 

 

 

S-video In

Yes

Yes

No

No

Yes

No

 

 

 

 

 

 

 

Component Video In

No

No

Yes

No

No

No

 

 

 

 

 

 

 

Note: Programmable Outputs can access the same sources as the Main Outputs.

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Contents Controller Parasound Staff Keeping Records for Future Reference Thank YOUCongratulations, and Thank You for Choosing Parasound Table of Contents Unpacking Your C Unpacking and Placement Guidelines for the CPlacement Guidelines Rack Mounting Your Parasound CGetting Started Making Connections a PreviewAC Connection and Power Getting StartedControls and Operation N t r o l l e rGetting Started On-Off Using the Main ControlsMain Operations On-Off, Volume, Source Selection Using the Main Controls Volume and MutingUsing Audio Recorders Changing Your Listening and Viewing SourceSelecting Sound Patterns Listening Modes Online Sources for Further Information Listening Modes and the Signals They Work With DTSUsing the Status and Info Buttons and the Displays Dual-Zone OperationUsing the Master and Sidekick Remotes Master Remote and the C 1 ControllerUsing the Master and Sidekick Remotes 3 of the C1/C2 Menu Using the Master and Sidekick Remotes2 of the C1/C2 Menu Printed Buttons and the CCircular thumbpad on the Master remote changes the C Controlling Other Components In Your System Using the SideKick For Further Information ADJUSTMENTS, MENUS, and Setup Navigating the Setup MenusADJUSTMENTS, MENUS, and Setup Audio Setup Dolby/DTS SetupPreset Setup Woofers sound distorted and could, in very rare casesSpeaker Setup Level Setup Distance SetupAux Programmable Channel Setup Mix Levels Ch 9 or 10 Config Setup brings up this submenuProgramming Aux Channels 9 Level and Distance Autocalibrate Source Setup Front-panel knob on the C2. When you have changedPlay some music that you know has high peak levels, Display Setup NtscTrigger Setup THX Audio SetupHalo Setup Software Parasound Halo SetupConnecting Audio and Video Sources and Recorders Connection TypesConnecting Audio and Video Sources and Recorders General Rules When Connecting Sources to the CWhat You May Need Connecting a CD or Other Audio Source Component to the CConnecting a DVD Or Other Video Source Component to the C Component Connecting a Multichannel Source to the C Component Video Inputs and OutputsConnecting a Balanced-Output Audio Source OutputConnecting Recorders Composite Video Digital Audio Record Out OutputsAnalog Recording Via the Tape Monitor Jacks Connecting a Digital Audio Recorder Connecting a Video Recorder Video Inputs Video OutputsConnecting the Audio and Video Outputs Main Audio OutputsConnecting the Audio and Video Outputs Amplifier AlternativesConnecting the Audio and Video Outputs Connecting Video DisplaysConnecting a Second Entertainment Zone Parasound Products, IncProgramming New Channels Input/Output Summary IR Inputs Control ConnectionsRS-232 Control Control Connections Volt TriggersTroubleshooting Guide Trouble Probable Cause RemedyTroubleshooting Guide HeadphonesRemote control does If All Else Fails Call Us for Help Procedure for Returning your C 1 to Parasound for ServiceServicing Your C Important Notice Shipping the CTechnically Speaking Balanced and Unbalanced Analog Audio ConnectionsTechnically Speaking Preventing or Minimizing Hum and BuzzUsing Unmatched Power Amplifiers Helpful Web Addresses Parasound C 1 Design Overview Audio and Video Circuit Path TopologiesParasound C 1 Design Overview Parasound C 1 Specifications Index Index Parasound Products, Inc Battery Street, San Francisco, CA

Halo C1 Controller specifications

The Parasound Halo C1 Controller emerges as a premium choice for audio enthusiasts seeking high-performance home theater solutions. This exceptional product combines innovative technology with user-friendly features, ensuring an unparalleled listening experience for both music and movie lovers.

At its core, the Halo C1 Controller serves as a powerful preamplifier and processor, designed to manage and control audio and video signals effectively. It is equipped with a balanced XLR input and multiple RCA inputs, allowing seamless integration with various audio sources. With support for high-resolution audio formats, including PCM and DSD, the Halo C1 delivers pristine sound quality that enhances the listening experience.

One of the defining characteristics of the Halo C1 is its advanced digital processing capabilities. The unit features Dolby Digital and DTS decoding, along with several proprietary audio technologies that elevate its performance. Its ability to upmix stereo signals into multi-channel formats contributes to an immersive surround sound experience, making it an ideal companion for both music playback and movie watching.

The Halo C1 also boasts an intuitive user interface, complete with an easy-to-navigate on-screen display. This feature simplifies the setup and configuration process, allowing users to personalize their audio experience to suit their preferences. For added convenience, the C1 supports remote control operation, enabling users to adjust settings without leaving their seats.

In terms of connectivity, the Halo C1 provides an impressive array of options. It includes HDMI inputs and outputs, ensuring compatibility with modern AV equipment and facilitating the transmission of high-definition video alongside high-fidelity audio. Additionally, it features variable and fixed outputs, making it adaptable for different system configurations.

Another standout feature of the Halo C1 is its robust power supply. The unit employs a toroidal transformer, ensuring clean and stable power delivery that translates into superior sound performance. This design choice minimizes power supply noise, which can adversely affect audio quality.

In conclusion, the Parasound Halo C1 Controller is a sophisticated and versatile audio solution that caters to both audiophiles and home theater enthusiasts. With its exceptional performance, advanced technology, and user-friendly features, the Halo C1 stands out as a key component for creating a high-quality audio and video experience in any home entertainment system. Its ability to adapt and enhance the listening experience makes it a worthy investment for anyone serious about sound quality.