Parasound Halo C1 Controller manual Index

Page 66

66INDEX

A

AC cord, 6 AC outlet, 6

AC connection, 6 AC power switch, 6 AC voltage, 6

A/D (Analog-to-Digital) Converters, 12, 63 Adaptive Decorrelation, 61 Advanced Speaker Array (ASA), 36, 61 Amplifiers, unmatched, 47, 61 Analog Monitor, 33, 55

Analog audio sources, connecting, 37- 39, 41, 42

ASA (see: Advanced Speaker Array) Associating presets with inputs, 32 Audio recorders, 11-12, 44-45 Audio Setup menu, 25-26, 55 Autocalibration, abort, 31 Autocalibration, Distance & Level, 30-31 Autosearch input selection mode, 11, 19, 57 Aux (Programmable) Outputs, 29-30,

50-52

b

Back (surround) channels, 6, 12-14, 17, 27, 29, 35, 48, 51-52, 61

Balanced Inputs and Outputs, 14, 33, 37-38, 42, 47, 48, 55, 59, 65

Balanced In–Bypass mode (see: Bypass)

Bass control (see: Tone controls) Bass limiter, 26, 55

BNC Connectors (see also: component video), 4, 37, 39, 50, 60

Boundary gain compensation, 35, 61-62 Built-in display screen, 5, 8, 15, 34 Bypass mode, 11-12, 14, 18, 33, 38

(table), 42, 47, 55, 59, 63

c

C1/C2 Menus (on Master Remote), 9, 12, 17-18

Calibration microphone, 8, 30-31 Calibration-noise (Test) signal, 17-18 Center Width setting, 13, 25 Central overhead channel, 52

CH buttons (SideKick remote), 11, 20, 21 Club mode, 13, 25, 61

CMRR (see: Common mode rejection ratio) Colors of on-screen display (OSD), 34 Common mode rejection ratio (CMRR), 59 Component video, 5-6, 11, 33, 35, 37-

40, 49-50, 52 (table), 60, 63, 65 Component-video/RGB jacks, 40, 50, 60 Composite video, 6, 15, 32, 34, 37-40,

49-50, 56, 60, 63, 65 Concert Mode, 13, 25, 61

Control jacks, 5, 35, 50-51, 53-54, 59 Crossover filter, 27

d

D/A (digital-to-analog) converters, 63 Delay, Programmable (Aux) Channels 9

and 10, 29, 35

Delay, Speaker distance adjustment, 28, 30 Delay, Trigger, 35, 54 Device-control pages on Master

remote, 20

“Dial Norm Offset” message, 62 Differential (see: Balanced)

Digital audio recorders, connecting, 11, 45 “Digital Error” message, 57, 62 Digital inputs and outputs, 6, 32, 33,

39, 42, 44, 45, 47, 65

Digital Theater Systems (see: DTS)

Digital-to-analog converter (see: D/A)

Dimension (see: PL II Dimension) Dimmer (built-in display), 8, 15, 35, 54 Direct mode, 12, 14, 17, 35, 61 Display screen (see: Built-in display) Display Setup, 11, 15, 19, 34, 57 Distance autocalibration (see:

Autocalibration)

Distance units (display), 28, 34 Dolby Digital Surround, 12-13, 17, 25,

35, 44, 48, 61-62

Dolby/DTS Setup, 5, 13-14, 25, 61 Dolby Pro Logic (see: Pro Logic, Pro

Logic II, PL II)

Dolby Surround EX, 13-14, 27, 48 “Dry” (reverb setting), 25

DSP, 12, 33, 42, 63-64 DSP engine, 63-64 DTS 2/0, 13

DTS 96/24, 13

DTS, 12-14, 25, 27, 61-62, 65 DTS-ES, 13-14, 25, 27, 48, 61 DTS-ES Discrete, 13, 61 DTS-ES Matrix, 13

DTS Neo:6 (see: Neo:6)

Dual-Zone Operation (see: Zone)

Duration (see: Trigger Setup) DVD-Audio, multichannel

(see: 7.1-channel sources) DVD Players, 15-16, 20, 40 DVD Recorders, 43-44

DYN (Dynamic Range) key, 17

e

Enhanced Bass (EBASS), 17, 27 Equipment rack (see: Rack mounting) Error messages, 34, 62

ESC (Escape) button on Master Remote, 24

EX (see: Dolby Digital EX, and THX EX) EXIT button, 24

Expansion port, 64

External processor loop viaTape Monitor, 44 Extra subwoofer output (see:

Programmable Outputs)

F

Favorite (FAV) buttons and macros on remotes, 19, 21

Filter, Programmable channels 9 & 10, 30 “Flat Trims: setting”, 18, 32-33 Floor-shakers and Programmable

Outputs, 29, 51-52, 63

Front channels (Also see: Bypass), 47, 48, 61

Front speakers, extra, 51

G

Grounding, 56, 59, 60

GUIDE button (Master remote), 21

H

Halo Setup software, 36, 64

HDTV (high-definition television), 40, 49, 60 Headphones, 8, 10, 55, 56, 60 High-pass filter, 29

Hum and buzz, 56, 60

I Imaging, 61

“Incompatible Source” message, 17 Infin (see: Trigger duration),

INFO button, 15, 19 Infrared (see: IR)

Input, 6, 14, 37-38, 63, 64, 65

Input Selection, 8, 11, 17-19, 21, 32, 57 Input Sensitivity, 33

Input Setup (see: Source setup), 7.1-channel, 5, 18, 41

Input/Output Summary table, 38, 52 IR Database (MX-Editor program), 16 IR Input jacks, 53, 59-60

IR Remote Sensor, 6, 56–57

IR Repeater for remote Zone, 21, 50, 53, 56, 59-60

L

Late Night mode, 17

Level Autocalibration, 30-31

Level Setup, 18, 28, 29-30

Level Trims (center, surround, and sub- woofer outputs), 18, 26, 56, 63

LFE (Low-Frequency Effects), 17, 25, 27, 55 Listening modes (Also see: Dolby, DTS, and THX), 12-13, 14 (table), 17, 35, 36,

56, 61

Long cables, 38, 47, 51, 59

Low Frequency Effects (see: LFE) Low-pass filter, 27, 28-29, 56

M

Macros (preset command strings), 16, 19, 21

MAIN button (on Master remote), 12, 13, 16

Main menu (on Master remote), 9, 16, 18 Main zone (see Zone)

Master power switch (see: Rear-panel AC switch)

Matrix (DTS), 13-14

MENU button (On C 1 Controller), 8, 23-24, 26

MENU button (On Master remote), 19, 20, 23-24, 32

Microphone (see: Calibration microphone) Mix levels (Programmable Channels 9

and 10), 29-30, 52

Modes (see: Listening modes) Mode keys, 17

Mono mode, 12-14, 29, 47, 52, 54-55, 61 Mounting, (see: Placement; Rack

mounting)

Movie soundtracks, 48, 55, 61 Multichannel (see: 7.1-channel) Multi-room home-control systems, 5, 53 Music Modes (Also see: Club, Concert,

PL II Music, THX MusicMode, Neo:6), 13-14, 48, 61

Muting, 7, 8, 10, 11-12, 19, 55 MX-Editor software, 16, 18, 21, 32

N

Natural mode, 13 Neo:6 (DTS), 13-14, 25

“No Change” setting, 18, 31-32, 55

“No OSD” video outputs, 6, 49-50, 57 Noise signals (see: Bass limiter;

Calibration-noise signal) NTSC video signals, 34

Numerical keypad (Master remote), 20-21

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Page 65 Page 67
Contents Controller Thank YOU Congratulations, and Thank You for Choosing ParasoundParasound Staff Keeping Records for Future Reference Table of Contents Unpacking Your C Unpacking and Placement Guidelines for the CPlacement Guidelines Rack Mounting Your Parasound CGetting Started Making Connections a PreviewAC Connection and Power Getting StartedControls and Operation N t r o l l e rGetting Started Using the Main Controls Main Operations On-Off, Volume, Source SelectionOn-Off Using the Main Controls Volume and MutingUsing Audio Recorders Changing Your Listening and Viewing SourceSelecting Sound Patterns Listening Modes Online Sources for Further Information Listening Modes and the Signals They Work With DTSUsing the Status and Info Buttons and the Displays Dual-Zone OperationUsing the Master and Sidekick Remotes Master Remote and the C 1 ControllerUsing the Master and Sidekick Remotes 3 of the C1/C2 Menu Using the Master and Sidekick Remotes2 of the C1/C2 Menu Printed Buttons and the CCircular thumbpad on the Master remote changes the C Controlling Other Components In Your System Using the SideKick For Further Information ADJUSTMENTS, MENUS, and Setup Navigating the Setup MenusADJUSTMENTS, MENUS, and Setup Audio Setup Dolby/DTS SetupPreset Setup Woofers sound distorted and could, in very rare casesSpeaker Setup Level Setup Distance SetupAux Programmable Channel Setup Ch 9 or 10 Config Setup brings up this submenu Programming Aux Channels 9Mix Levels Level and Distance Autocalibrate Source Setup Front-panel knob on the C2. When you have changedPlay some music that you know has high peak levels, Display Setup NtscTrigger Setup THX Audio SetupHalo Setup Software Parasound Halo SetupConnecting Audio and Video Sources and Recorders Connection TypesConnecting Audio and Video Sources and Recorders General Rules When Connecting Sources to the CConnecting a CD or Other Audio Source Component to the C Connecting a DVD Or Other Video Source Component to the CWhat You May Need Component Connecting a Multichannel Source to the C Component Video Inputs and OutputsConnecting a Balanced-Output Audio Source OutputConnecting Recorders Composite Video Digital Audio Record Out OutputsAnalog Recording Via the Tape Monitor Jacks Connecting a Digital Audio Recorder Connecting a Video Recorder Video Inputs Video OutputsConnecting the Audio and Video Outputs Main Audio OutputsConnecting the Audio and Video Outputs Amplifier AlternativesConnecting the Audio and Video Outputs Connecting Video DisplaysConnecting a Second Entertainment Zone Parasound Products, IncProgramming New Channels Input/Output Summary Control Connections RS-232 ControlIR Inputs Control Connections Volt TriggersTroubleshooting Guide Trouble Probable Cause RemedyTroubleshooting Guide HeadphonesRemote control does If All Else Fails Call Us for Help Procedure for Returning your C 1 to Parasound for ServiceServicing Your C Important Notice Shipping the CTechnically Speaking Balanced and Unbalanced Analog Audio ConnectionsTechnically Speaking Preventing or Minimizing Hum and BuzzUsing Unmatched Power Amplifiers Helpful Web Addresses Parasound C 1 Design Overview Audio and Video Circuit Path TopologiesParasound C 1 Design Overview Parasound C 1 Specifications Index Index Parasound Products, Inc Battery Street, San Francisco, CA

Halo C1 Controller specifications

The Parasound Halo C1 Controller emerges as a premium choice for audio enthusiasts seeking high-performance home theater solutions. This exceptional product combines innovative technology with user-friendly features, ensuring an unparalleled listening experience for both music and movie lovers.

At its core, the Halo C1 Controller serves as a powerful preamplifier and processor, designed to manage and control audio and video signals effectively. It is equipped with a balanced XLR input and multiple RCA inputs, allowing seamless integration with various audio sources. With support for high-resolution audio formats, including PCM and DSD, the Halo C1 delivers pristine sound quality that enhances the listening experience.

One of the defining characteristics of the Halo C1 is its advanced digital processing capabilities. The unit features Dolby Digital and DTS decoding, along with several proprietary audio technologies that elevate its performance. Its ability to upmix stereo signals into multi-channel formats contributes to an immersive surround sound experience, making it an ideal companion for both music playback and movie watching.

The Halo C1 also boasts an intuitive user interface, complete with an easy-to-navigate on-screen display. This feature simplifies the setup and configuration process, allowing users to personalize their audio experience to suit their preferences. For added convenience, the C1 supports remote control operation, enabling users to adjust settings without leaving their seats.

In terms of connectivity, the Halo C1 provides an impressive array of options. It includes HDMI inputs and outputs, ensuring compatibility with modern AV equipment and facilitating the transmission of high-definition video alongside high-fidelity audio. Additionally, it features variable and fixed outputs, making it adaptable for different system configurations.

Another standout feature of the Halo C1 is its robust power supply. The unit employs a toroidal transformer, ensuring clean and stable power delivery that translates into superior sound performance. This design choice minimizes power supply noise, which can adversely affect audio quality.

In conclusion, the Parasound Halo C1 Controller is a sophisticated and versatile audio solution that caters to both audiophiles and home theater enthusiasts. With its exceptional performance, advanced technology, and user-friendly features, the Halo C1 stands out as a key component for creating a high-quality audio and video experience in any home entertainment system. Its ability to adapt and enhance the listening experience makes it a worthy investment for anyone serious about sound quality.
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