Marshall Amplification JCM800 Series specifications Mode Four Amplifier, John, Dave Navarro

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Mode Four Amplifier

MF350 Head MF280A/B Cabs MF400A/B Cabs

John 5

“I want to use the best amps in the world. That’s why I’ll be with Marshall forever!”

Dave Navarro

(Jane’s Addiction)

“My Marshall has enabled me to do away with half of what I used to use on the floor.You’ll find that your old distortion and boost pedals will make great gifts.”

From left to right:

MF350 Head

MF400B Cab

MF350 Head

MF280A Cab

MF280B Cab

Attitude, stunning good looks and an incredible

350 Watts of brutal yet toneful power set the Mode Four apart from all other amps. Add to this an arsenal of great sounds, a wide range of professional features plus groundbreaking, state-of-the-art hybrid technology and you have a Marshall like no other.

MF350 Head

A great many amplifiers have claimed to offer both classic and modern tones but, in truth, have fallen well short of the mark. The Mode Four boasts a true ‘Two Amplifiers in One’ design. Not only do AMP 1 and AMP 2 have totally separate valve pre-amplifier circuits, each housing an ECC83 valve, the MF350’s power amp section completely reconfigures itself depending on the AMP selected. Each AMP type having two footswitchable modes further enhances flexibility. AMP 1 offers CLEAN and CRUNCH, while AMP 2 has OD1 and OD2.

AMP 1

AMP 1 is the ‘Classic’ side of the Mode Four. Whenever it is selected, the power amp reconfigures to recreate the unmistakable sound and feel of our world-renowned 100 Watt valve power stage. Using this as a sonic foundation, AMP 1 produces Marshall’s legendary open roar. While AMP 1’s CLEAN mode produces incredibly dynamic, three-dimensional clean and bluesy crunch sounds, selecting CRUNCH unleashes the unbridled aggression and bite of a 2203, but with levels of gain never imagined in 1981 when the much-lauded JCM800 series was first launched.

AMP 2

In terms of sheer gain, AMP 2 takes over from where AMP 1 leaves off, with OD2 mode offering more gain than any other Marshall before! Thanks to the Mode Four’s radical design, the player retains

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maximum control while searching for the ultimate high-gain signature sound. Whenever AMP 2 is selected, the Mode Four’s power section reconfigures itself so it can create the deep, dark-sounding, loose low-end that has proven so popular with many modern players who either detune regular 6-strings, or use 7-string or detuned Baritone guitars.

The Power to Deliver

Due to the unique design and the incredibly high headroom the Mode Four’s 350 Watt power stage possesses, AMP 2’s impressively wide bottom-end not only has the sound and feel of an all-valve amp, it also doesn’t lose definition at high stage volumes – a problem that many other similar sounding, all-valve systems suffer from.

Fully Loaded for Professional Use

The Mode Four was created with the professional guitarist in mind and boasts a host of carefully thought out features that have been designed to give you the ultimate in flexibility and control. These include:

Separate controls for Gain, Volume, Bass, Middle and Treble for AMP 1 and AMP 2.

Individually voiced Scoop switches for AMP 1 and AMP 2.

AMP 2 has a 3-way Tone Matrix control, enabling you to dramatically reconfigure the all-important mids, while leaving the Bass, Middle and Treble controls fully interactive with each other.

Footswitchable, built-in Digital Reverb with separate controls for AMP 1 and AMP 2.

Parallel to Series FX Loop with individual FX Level controls for AMP 1 and AMP 2.

Footswitchable Solo Level control that gives a level increase across all four modes of up to 6dB (i.e. twice the volume).

Master controls for Resonance, Presence and Volume.

Tuner Out jack with a front panel Tuner Mute switch for ‘silent’ tuning.

XLR and 1/4" jack Emulated Line Outputs.

Load Protection Circuitry.

6-way LED Footcontroller supplied.

Marshall Amplification Product Catalogue

MF280 & MF400

As you’d expect from the company that invented the ‘stack’, the Mode Four Series 4x12"s benefit from our forty years of cabinet expertise. The MF280 (280 Watt) and MF400 (400 Watt) cabinets are specially engineered to reproduce the balanced mid range and huge bottom end that are a pre-requisite for modern rock/metal sounds, and being 3 inches taller than standard 1960 cabinets a Mode Four stack is truly a sight to behold!

We recommend the MF280A (angled) and B (base) for a full stack and the MF400A or B for a half stack.

AMPLIFIER SPECIFICATION

FEATURES

MF350

Output (RMS)

350 Watts into 8 Ohms

‘Two Amps in One’ Design

 

Number of Footswitchable Modes

4

 

Independent Tone Network (per Amp)

 

Scoop Switches

(x 2)

 

Tone Matrix (AMP 2)

 

Footswitchable Solo Boost

 

Footswitchable Digital Reverb

 

Series/Parallel FX Loop

 

Emulated Line Out (XLR & 1/4jack)

 

Tuner Output

 

Tuner Mute

 

6-Way LED Footcontroller (supplied)

PEDL-10032

 

 

 

Footcontroller Extension Lead (not supplied)

CBLA-00043

 

Dimensions (mm)

750 x 310 x 215

Weight (kg)

24

 

CABINET SPECIFICATION

FEATURES

MF280A&B

MF400A&B

Speaker Configuration

4 x 12

4 x 12

Power (RMS)

280 Watt

400 Watt

Impedance

16 Ohm

8 Ohm

Dimensions (mm)

768 x 820 x 365

A - 762 x 820 x 365

 

 

B - 766 x 820 x 365

Weight (kg)

42.5

41.5

Marshall Amplification Product Catalogue

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Contents CATS-00131 Jim Marshall History Roll of Honour Joe Hoare Amplifier SpecificationJVM2 Series Amplifiers Modes of ToneJason Hook Features JVM410H JVM410CJVM4 Series Amplifiers JVM410H Head & JVM410C 2x12 ComboPaul Mahon Cabinet SpecificationVintage Modern Amplifiers Ray ToroBernie Marsden Handwired AmplifiersGary Moore Simon Neil Vintage Re-Issue AmplifiersYngwie Malmsteen JCM800 2203 Head Tim SkoldWilliam J Brown JCM900 4100 HeadLarry Hibbitt JCM2000 DSL AmplifiersAllison Robertson DSL100 & DSL50 HeadsPhilip Sneed JCM2000 TSL AmplifiersSean Martin TSL100 Head & TSL122 ComboSteve Mazur Features TSL60Bruce Kulick Common GroundDave Navarro Mode Four AmplifierJohn 2203KK Head 2203KK Kerry King AmplifierKerry King Slayer 2203KK is my main head and always will beJimi Hendrix Cabinet Specifications100JH Jimi Hendrix Amplifier Super 100JH HeadCustomise Corner 1992LEM LemmyAmplifierBest of British Bass 1992LEMBeginning 1959RR Randy Rhoads AmplifierRandy Rhoads What’s inside?RG-1 Regenerator Pedal Specification RG-1/RF-1/EH-1Effects Pedals RF-1 ReflectorCharlotte Hatherley Dan Fisher Steve Harris FeaturesSpeaker Cabinets Jeff HannemanCabinet Specification MC412A/B & MC212 Corey BeaulieuMG Series Amplifiers MG100HDFX Head Wayne StaticMG50DFX Combo Static-XPhil Campbell Rack Power-Amp ProductsPower AMP Specification Jerry HortonAziz Ibrahim Features AS50DPierre Bensusan AS50D ComboWatt Valve Bass Amp ManiStan VBC412 & VBC810 CabinetsMB Bass Series Amplifiers LemmyMB450H Head Paul BrewisMB4410 Combo MBC115, MBC410, MBC810Packages & Accessories ContentsZakk Wylde MG15MSZW Microstack Slayer MG10KK heavier than a pair of concrete bootsZakk Wylde Kerry King MG10KK ComboMS-2 & MS-4 Micro Amps From left to right

JCM800 Series specifications

Marshall Amplification is synonymous with rock music, and the JCM800 series is one of its most iconic models. Launched in the early 1980s, the JCM800 series redefined high-gain amplification and became a staple for countless rock and metal guitarists. Known for its raw power and tonal versatility, the JCM800 has left an indelible mark on the music industry.

One of the defining features of the JCM800 series is its pure, aggressive sound. At the heart of these amplifiers lies a high-gain preamp circuit, which delivers a rich, harmonically complex tone that is ideal for modern rock styles. The JCM800 offers a variety of wattage options, typically ranging from 50 to 220 watts, allowing players to choose the right power for their sound and performance environment.

The classic EL34 power tubes serve as the backbone of the JCM800's tone. These tubes provide a warm, dynamic response and a pronounced midrange that perfectly complements the heavy distortion and sustain the amp is known for. The two-channel setup—commonly featuring a "Normal" and a "Overdrive" channel—grants players flexibility in their sound. The Normal channel is perfect for achieving clean tones, while the Overdrive channel unleashes an intense crunch that can be dialed in to suit any style.

Control features on the JCM800 amplifiers are straightforward yet effective. Simple tone controls—bass, middle, treble—allow players to sculpt their sound easily. The added presence and resonance controls enhance the amp's response, delivering everything from bright, cutting tones to thick, powerful sounds ideal for heavy riffs.

Another key technology in the JCM800 series includes the use of PCB (printed circuit board) design, improving reliability while maintaining an accessible serviceability profile. Marshall also incorporates features like series effects loops, allowing musicians to integrate their favorite pedals effortlessly.

The JCM800 has become a beloved choice for many legendary guitarists, with its sound frequently associated with iconic recordings from bands such as Guns N’ Roses, Metallica, and Nirvana. Available in various configurations, including heads, combos, and cabinets, the JCM800 series remains a cutting-edge line of amplifiers that capture the essence of rock music. Its rich history, combined with its powerful features, continues to inspire guitarists around the world. With the JCM800, Marshall Amplification has solidified its status as a pillar in the foundation of rock tone.