Marshall Amplification JCM800 Series specifications Tim Skold, William J Brown, JCM800 2203 Head

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Vintage Re-Issue Amplifiers

JCM800 2203 Head JCM900 4100 Head 1962 ‘Bluesbreaker’ Combo PB100 Power Break

Tim Skold

“Turn on, tune up, rock out!”

From left to right:

PB100 Power Brake

2203 JCM800 Head

1960A Cab

1960B Cab

1962 ‘Bluesbreaker’

4100 JCM900 Head

1960A Cab

1960B Cab

William J Brown

(The Ordinary Boys)

“Buy one now!”

JCM800 2203 Head

The all-valve JCM800 2203 is one of the most highly respected 100 Watt Marshall heads in the company’s long history. Evolving from the legendary 100 Watt ‘Plexi’ head, it was one of our first amplifiers to feature a Master Volume (MV) control.

The very essence of simplicity, the JCM800 2203 is a one channel, all-valve amp with no reverb or built-in effects. Its foolproof interface, distinctive roar and larger-than-life ‘edge’ immediately set the standard by which all other rock amps were judged and it remained the ‘industry benchmark’ throughout the entire decade of its production life.

Now it’s back by popular demand and, as with the 1959SLP and 1987X, we’ve added a Series Effects Loop featuring a true bypass switch that takes the loop completely out of the circuit, thus ensuring the original tone isn’t compromised in any shape or form.

JCM900 4100 Head

Another player’s favourite, the JCM900 4100 all-valve 100 Watt Marshall head is available once again. Known for its great tone and reliability, the JCM900 range has won many fans with its incredible versatility.

Channel A has been voiced for a sparkling clean on lower gain settings, building up to a raunchy crunch when driven hard. Channel B takes off from where Channel A finishes and is perfect for any lead tone – from silky smooth to searing saturation. As well as having separate Gain controls, each channel has its own Master section containing controls for Master Volume and Master Reverb.

A Series Effects Loop with Level switch allows you to use either floor pedals or rack effects. Whatever style of rock you play the 4100 will give you tonal flexibility without compromise.

1962 ‘Bluesbreaker’ Combo

After the huge success of the JTM45 amplifier, a 2x12" combo version was released to satisfy popular demand and the now legendary 1962 combo was born. Once again the use of a GZ34 valve rectifier is responsible for helping to achieve the famed output stage compression and sustain exhibited uniquely by both the JTM45 and 1962.

Though tonally similar to a JTM45, the 1962 combo is loaded with two re-issue ‘Greenback’ 25 Watt speakers to re-create that classic sixties tone. The 1962 ‘Bluesbreaker’ combo also comes with the addition of a footswitchable Tremolo effect.

PB100 Power Brake

The Master Volume control on your valve amp makes it sound good at low volume, but ALL, all-valve amps sound better cranked. This is a scientific fact of life. Plus, what do you do if your amp doesn’t have a Master Volume? The Marshall PB100 Power Brake power attenuator is the answer.

There are other attenuators or load boxes available, but they don’t provide the right type of inductive load that makes your amp think it’s connected to a speaker. At best, these other devices cause your amp to sound thin and feeble. At worst, they can blow your amp’s output transformer – an expensive proposition. The Power Brake power attenuator delivers great sound . . . safely!

AMPLIFIER SPECIFICATION

FEATURES

2203

4100

1962

Head

No

Combo

No

No

Output (RMS)

100 Watt

100 Watt

30 Watt

3 Band EQ

Tremolo

No

No

Speakers

No

No

2 x 12

Pre-Amp Valves

3 x ECC83

3 x ECC83

3 x ECC83

Power Amp Valves

4 x EL34

4 x 5881

2 x 5881

GZ34 Valve Rectifier

No

No

Series FX Loop

No

Footswitch (supplied)

No

No

PEDL-10008

Dimensions (mm)

750 x 315 x 215

750 x 310 x 210

740 x 610 x 265

Weight (kg)

20.5

18.8

30.2

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Marshall Amplification Product Catalogue

Marshall Amplification Product Catalogue

17

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Contents CATS-00131 Jim Marshall History Roll of Honour Joe Hoare Amplifier SpecificationJVM2 Series Amplifiers Modes of ToneJason Hook Features JVM410H JVM410CJVM4 Series Amplifiers JVM410H Head & JVM410C 2x12 ComboPaul Mahon Cabinet SpecificationVintage Modern Amplifiers Ray ToroGary Moore Handwired AmplifiersBernie Marsden Yngwie Malmsteen Vintage Re-Issue AmplifiersSimon Neil JCM800 2203 Head Tim SkoldWilliam J Brown JCM900 4100 HeadLarry Hibbitt JCM2000 DSL AmplifiersAllison Robertson DSL100 & DSL50 HeadsPhilip Sneed JCM2000 TSL AmplifiersSean Martin TSL100 Head & TSL122 ComboSteve Mazur Features TSL60Bruce Kulick Common GroundJohn Mode Four AmplifierDave Navarro 2203KK Head 2203KK Kerry King AmplifierKerry King Slayer 2203KK is my main head and always will beJimi Hendrix Cabinet Specifications100JH Jimi Hendrix Amplifier Super 100JH HeadCustomise Corner 1992LEM LemmyAmplifierBest of British Bass 1992LEMBeginning 1959RR Randy Rhoads AmplifierRandy Rhoads What’s inside?RG-1 Regenerator Pedal Specification RG-1/RF-1/EH-1Effects Pedals RF-1 ReflectorCharlotte Hatherley Dan Fisher Steve Harris FeaturesSpeaker Cabinets Jeff HannemanCabinet Specification MC412A/B & MC212 Corey BeaulieuMG Series Amplifiers MG100HDFX Head Wayne StaticMG50DFX Combo Static-XPhil Campbell Rack Power-Amp ProductsPower AMP Specification Jerry HortonAziz Ibrahim Features AS50DPierre Bensusan AS50D ComboWatt Valve Bass Amp ManiStan VBC412 & VBC810 CabinetsMB Bass Series Amplifiers LemmyMB450H Head Paul BrewisMB4410 Combo MBC115, MBC410, MBC810Packages & Accessories ContentsZakk Wylde MG15MSZW Microstack Slayer MG10KK heavier than a pair of concrete bootsZakk Wylde Kerry King MG10KK ComboMS-2 & MS-4 Micro Amps From left to right

JCM800 Series specifications

Marshall Amplification is synonymous with rock music, and the JCM800 series is one of its most iconic models. Launched in the early 1980s, the JCM800 series redefined high-gain amplification and became a staple for countless rock and metal guitarists. Known for its raw power and tonal versatility, the JCM800 has left an indelible mark on the music industry.

One of the defining features of the JCM800 series is its pure, aggressive sound. At the heart of these amplifiers lies a high-gain preamp circuit, which delivers a rich, harmonically complex tone that is ideal for modern rock styles. The JCM800 offers a variety of wattage options, typically ranging from 50 to 220 watts, allowing players to choose the right power for their sound and performance environment.

The classic EL34 power tubes serve as the backbone of the JCM800's tone. These tubes provide a warm, dynamic response and a pronounced midrange that perfectly complements the heavy distortion and sustain the amp is known for. The two-channel setup—commonly featuring a "Normal" and a "Overdrive" channel—grants players flexibility in their sound. The Normal channel is perfect for achieving clean tones, while the Overdrive channel unleashes an intense crunch that can be dialed in to suit any style.

Control features on the JCM800 amplifiers are straightforward yet effective. Simple tone controls—bass, middle, treble—allow players to sculpt their sound easily. The added presence and resonance controls enhance the amp's response, delivering everything from bright, cutting tones to thick, powerful sounds ideal for heavy riffs.

Another key technology in the JCM800 series includes the use of PCB (printed circuit board) design, improving reliability while maintaining an accessible serviceability profile. Marshall also incorporates features like series effects loops, allowing musicians to integrate their favorite pedals effortlessly.

The JCM800 has become a beloved choice for many legendary guitarists, with its sound frequently associated with iconic recordings from bands such as Guns N’ Roses, Metallica, and Nirvana. Available in various configurations, including heads, combos, and cabinets, the JCM800 series remains a cutting-edge line of amplifiers that capture the essence of rock music. Its rich history, combined with its powerful features, continues to inspire guitarists around the world. With the JCM800, Marshall Amplification has solidified its status as a pillar in the foundation of rock tone.