Marshall Amplification JCM800 Series Pierre Bensusan, Aziz Ibrahim, AS50D Combo, AS100D Combo

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Acoustic Amplifiers

AS50D Combo AS100D Combo

Pierre Bensusan

“Above all I like the sound,which has never been so close to the acoustic specs of my guitar. I love the idea of bringing it to the gig or to a rehearsal instead of my massive rack.”

Aziz Ibrahim

“Picture this, Me,my guitar,a wall of Marshall AS100Ds. Oh yeah,and one very angry looking front of house engineer. Heaven!”

When designing amplifiers for acoustic guitar, while many of the functions and features may differ from their electric guitar counterparts, the same appreciation of tone is essential, as is listening to customer feedback. As a direct result, innovative features, clear and natural tone plus stylish looks are what our acoustic combos are all about. The AS Series acoustic amplifiers allow you to express your emotions with passion.

AS50D Combo

The AS50D is a 50 Watt combo housing 2x8" custom voiced speakers and a single high fidelity soft polymer dome tweeter as used on the AS100D, a combination which allows for clear and detailed sound reproduction across the entire range. This compact and highly portable combo features two channels, each of which has its own independent volume and tone controls. A variety of inputs give the AS50D the ability to handle all-comers: the high impedance input on Channel 1 is perfect for piezo or magnetic pickups. Channel 2 boasts RCA phono inputs plus a balanced phantom powered XLR type input in addition to its jack input, making it the perfect host for voice, instrument or even backing track. The AS50D also contains a high quality digital effects section featuring an adjustable Chorus which is assignable to either or both channels.

The studio quality natural sounding digital Reverb and the parallel Effects Loop can be balanced between the two channels.

One of the most difficult aspects of amplifying certain acoustic instruments is feedback. Therefore, anti-feedback controls include a Phase switch and a frequency controllable Notch Filter. Another useful AS50D feature is an internal Limiter which allows you to drive the maximum level from the 50 Watt power stage, yet remain distortion free. Neat and affordable, flexible and portable, the AS50D is ideal for the acoustic musician who wants an amp which is perfectly suited to intimate gigs.

AS100D Combo

For the acoustic player who wants it all, we offer the comprehensively featured and powerful AS100D – a 50 Watt + 50 Watt, 2x8" combo with two high fidelity polymer dome tweeters. The AS100D has been specially created for use with a variety of acoustic instruments and now boasts new and improved speakers conceived by our design experts in conjunction with Celestion. Between its four channels, this combo has the flexibility to handle instruments with piezo transducers or magnetic pick-ups, plus microphones, for both vocal and instrument reproduction. For those using two pick-ups via a single stereo jack, the two main Acoustic Channels (1 and 2) can be linked together via a ‘Link’ switch, affording you independent Volume and EQ controls for each pick-up.

The other two channels are a dedicated Microphone (Ch.3) and an Auxiliary (Ch.4), the latter of which has phono (RCA) stereo inputs specifically for use with external audio equipment. The AS100D also houses an internal limiter to ensure you can achieve maximum output while your sound remains distortion free.

Even though the AS100D’s 50 Watt + 50 Watt stereo configuration offers more than enough power for many typical acoustic music venues, a stereo pair of balanced XLR DI Outs and Line Outs allow you to connect directly to an external PA system for larger venues. When playing live, one of the most difficult aspects of amplifying acoustic instruments is unwanted feedback. To help eliminate this, the AS100D features several anti-feedback controls. These include an individual Phase switch on channels 1, 2 & 3 plus two frequency controllable Notch Filters with selectable extra depth for channels 1 & 2.

The superb quality of the sixteen built-in, adjustable stereo digital effects (10 Reverbs, Delay, Chorus and more) adds an entirely new dimension to the already wide range of sounds this professional combo has to offer. Additionally, there is also a stereo Parallel Effects Loop, complete with Level Control, on the rear panel.

Compact and portable, the stylish AS100D offers great flexibility and is the ideal amplifier for the acoustic player who wants the highest quality performance with absolutely natural tonal reproduction.

Right:

AS50D Combo

Bottom:

AS100D Combo

AMPLIFIER SPECIFICATION

FEATURES

AS50D

AS100D

 

 

 

Output (RMS)

50 Watt

100 Watt Stereo (50 Watt per side)

Channels

2

4

Volume Control (1 per channel)

Independent Tone Network per Channel

Ch. 1, 2 & 3

Microphone Input

Ch. 2 & 3

Phase Switch

Ch. 1, 2 & 3

Phantom Power

Ch.2

Ch. 2 & 3

Phono Inputs

Ch.2

Ch. 4

Anti-Feedback Notch Filter

Ch. 1 & 2

Digital FX

Master Volume

Digital Reverb

FX Loop

Mono

Stereo

D.I. Outputs

Mono

Stereo Balanced

Line Out

Mono

Stereo Unbalanced

Polymer Dome Tweeter

1

2

Speakers

2 x 8

2 x 8(Celestion)

Dimensions (mm)

550 x 415 x 255

605 x 530 x 270

Weight (kg)

16

21

48

Marshall Amplification Product Catalogue

Marshall Amplification Product Catalogue

49

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Contents CATS-00131 Jim Marshall History Roll of Honour Joe Hoare Amplifier SpecificationJVM2 Series Amplifiers Modes of ToneJason Hook Features JVM410H JVM410CJVM4 Series Amplifiers JVM410H Head & JVM410C 2x12 ComboPaul Mahon Cabinet SpecificationVintage Modern Amplifiers Ray ToroBernie Marsden Handwired AmplifiersGary Moore Simon Neil Vintage Re-Issue AmplifiersYngwie Malmsteen JCM800 2203 Head Tim SkoldWilliam J Brown JCM900 4100 HeadLarry Hibbitt JCM2000 DSL AmplifiersAllison Robertson DSL100 & DSL50 HeadsPhilip Sneed JCM2000 TSL AmplifiersSean Martin TSL100 Head & TSL122 ComboSteve Mazur Features TSL60Bruce Kulick Common GroundDave Navarro Mode Four AmplifierJohn 2203KK Head 2203KK Kerry King AmplifierKerry King Slayer 2203KK is my main head and always will beJimi Hendrix Cabinet Specifications100JH Jimi Hendrix Amplifier Super 100JH HeadCustomise Corner 1992LEM LemmyAmplifierBest of British Bass 1992LEMBeginning 1959RR Randy Rhoads AmplifierRandy Rhoads What’s inside?RG-1 Regenerator Pedal Specification RG-1/RF-1/EH-1Effects Pedals RF-1 ReflectorCharlotte Hatherley Dan Fisher Steve Harris FeaturesSpeaker Cabinets Jeff HannemanCabinet Specification MC412A/B & MC212 Corey BeaulieuMG Series Amplifiers MG100HDFX Head Wayne StaticMG50DFX Combo Static-XPhil Campbell Rack Power-Amp ProductsPower AMP Specification Jerry HortonAziz Ibrahim Features AS50DPierre Bensusan AS50D ComboWatt Valve Bass Amp ManiStan VBC412 & VBC810 CabinetsMB Bass Series Amplifiers LemmyMB450H Head Paul BrewisMB4410 Combo MBC115, MBC410, MBC810Packages & Accessories ContentsZakk Wylde MG15MSZW Microstack Slayer MG10KK heavier than a pair of concrete bootsZakk Wylde Kerry King MG10KK ComboMS-2 & MS-4 Micro Amps From left to right

JCM800 Series specifications

Marshall Amplification is synonymous with rock music, and the JCM800 series is one of its most iconic models. Launched in the early 1980s, the JCM800 series redefined high-gain amplification and became a staple for countless rock and metal guitarists. Known for its raw power and tonal versatility, the JCM800 has left an indelible mark on the music industry.

One of the defining features of the JCM800 series is its pure, aggressive sound. At the heart of these amplifiers lies a high-gain preamp circuit, which delivers a rich, harmonically complex tone that is ideal for modern rock styles. The JCM800 offers a variety of wattage options, typically ranging from 50 to 220 watts, allowing players to choose the right power for their sound and performance environment.

The classic EL34 power tubes serve as the backbone of the JCM800's tone. These tubes provide a warm, dynamic response and a pronounced midrange that perfectly complements the heavy distortion and sustain the amp is known for. The two-channel setup—commonly featuring a "Normal" and a "Overdrive" channel—grants players flexibility in their sound. The Normal channel is perfect for achieving clean tones, while the Overdrive channel unleashes an intense crunch that can be dialed in to suit any style.

Control features on the JCM800 amplifiers are straightforward yet effective. Simple tone controls—bass, middle, treble—allow players to sculpt their sound easily. The added presence and resonance controls enhance the amp's response, delivering everything from bright, cutting tones to thick, powerful sounds ideal for heavy riffs.

Another key technology in the JCM800 series includes the use of PCB (printed circuit board) design, improving reliability while maintaining an accessible serviceability profile. Marshall also incorporates features like series effects loops, allowing musicians to integrate their favorite pedals effortlessly.

The JCM800 has become a beloved choice for many legendary guitarists, with its sound frequently associated with iconic recordings from bands such as Guns N’ Roses, Metallica, and Nirvana. Available in various configurations, including heads, combos, and cabinets, the JCM800 series remains a cutting-edge line of amplifiers that capture the essence of rock music. Its rich history, combined with its powerful features, continues to inspire guitarists around the world. With the JCM800, Marshall Amplification has solidified its status as a pillar in the foundation of rock tone.