Marshall Amplification JCM800 Series specifications Charlotte Hatherley Dan Fisher

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Effects Pedals

Compressor Jackhammer Guv’nor Plus Bluesbreaker II Vibratrem

Charlotte Hatherley

Dan Fisher

(Ash)

“It’s what every woman needs!”

From left to right:

ED-1 Compressor

JH-1 Jackhammer

GV-2 Guv’nor Plus

BB-2 Bluesbreaker II

VT-1 Vibratrem

(The Cooper Temple Clause)

“Kicking in the Bluesbreaker pedal is a bit like creeping up behind old ladies and popping a balloon behind their heads to scare them.

Dark, thick and satisfying.”

Boutique amps and effects pedals can cost an absolute fortune. However, with our range of effects pedals the need for those specialist and expensive units is at an end. Each one has been carefully designed to give you the best possible range of performance and maximum amount of control for the minimum of cost.

Equally important, when you press the ‘off’ button, your sound will return to being 100% pure and untouched thanks to their completely passive bypass.

ED-1 Edward the Compressor

Add sustain to solos, even out attack and get rid of unwanted peaks and troughs. For liquid leads, funky clean chords or choppy yet consistent chicken pickin’, call on Edward the Compressor.

In addition, target the frequencies you want to compress with the Emphasis control, which means that you can, for example, tighten up or compress your bass notes and let your treble notes ring out. Features: Controls for Emphasis, Volume, Attack and Compression. Solid metal construction and passive bypass.

GV-2 Guv’nor Plus

Shedloads of gain and loads of level, the GV-2 has all the power and tone of our original, much-loved Guv’nor pedal – and beyond!

The GV-2’s expanded Gain structure allows you to steer your guitar tone through many different styles and adding one to your set-up is just like adding another Marshall amp to your rig.

Features: Controls for Gain, Bass, Middle, Treble, Deep (for a tight and resonant low-end rumble) and Master Volume. Passive bypass and solid

VT-1 Vibratrem

as authentically retro as you can get and its passive bypass ensures that

Take a step back in time to the British amps of the early sixties with the

your all-important guitar tone remains unaffected when you’re not taking a

Vibratrem’s authentic vintage effects. Its wave-shaping control allows you

Vibratrem trip. Features: Mode switch to select Vibrato or Tremolo.

to melt between two modulation pattern options, offering you everything

Controls for Speed, Depth and Wave Shape. Second output for stereo

from groovy, trembling tremolos to psychedelic quasi-vibratos. The VT-1 is

spread. Solid metal casing and passive bypass.

 

 

PEDAL SPECIFICATION: ED-1/VT-1

PEDAL SPECIFICATION: JH-1 /GV-2 /BB-2

JH-1 Jackhammer

This metallic monster boasts two modes (O/D and Dist), each of which

is loaded with ungodly gain plus all the tonal control you need to push your guitar’s sound straight over the edge. From cranium-crushing crunch and scooped modern metal mayhem to savage slamming solos, it’s unique dual-control contour section gives you fearsome flexibility across the mid-range, allowing you to focus your tone. The JH-1 is the most extreme distortion pedal on the planet.

Features: Selector switch for O/D and Dist modes, controls for Gain, Master Volume, Contour, Contour Frequency, Bass and Treble. Solid metal casing and passive bypass.

metal construction.

BB-2 Bluesbreaker II

This bluesy bruiser is effectively two pedals in one – a tonally transparent booster that gives your solos that extra lift, and a truly valve-like overdrive that’s so rich in second order harmonics it’ll make your guitar gently weep. Blues Mode is reminiscent of the tonal and distortion characteristics of our non-Master Volume amps such as the classic Bluesbreaker combo from the 1960s. If that’s not enough, the BB-2’s completely passive bypass means that you don’t lose any of your guitar’s pure tone when the pedal’s not in use! Features: Mode switch to select Blues or Boost. Controls for Drive, Tone and Volume. Solid metal casing and passive bypass.

FEATURES

ED-1

VT-1

 

 

 

 

Passive Bypass

*

On/Off Indicator

 

Mode Select

No

Vibrato/Tremolo

 

Mono/Stereo

M

S

Emphasis

No

Volume

No

Attack

No

Compression

No

Speed

No

 

Depth

No

 

Wave

No

No

Filter

No

No

Shape

No

 

Weight (kg)

510g

510g

FEATURES

JH-1

GV-2

BB-2

 

 

 

 

 

Passive Bypass

On/Off Indicator

 

Mode Select

OD/Distort

No

Boost/Blues

 

Mono/Stereo

M

M

M

Volume

 

Gain

Drive

Bass

No

Middle

No

No

Treble

No

Contour

No

No

Contour Frequency

No

No

Deep

No

No

Tone Control

No

No

 

Weight (kg)

510g

510g

510g

36

Marshall Amplification Product Catalogue

* Main (Mono) Signal Path

 

Marshall Amplification Product Catalogue

37

Image 20
Contents CATS-00131 Jim Marshall History Roll of Honour Amplifier Specification JVM2 Series AmplifiersJoe Hoare Modes of ToneFeatures JVM410H JVM410C JVM4 Series AmplifiersJason Hook JVM410H Head & JVM410C 2x12 ComboCabinet Specification Vintage Modern AmplifiersPaul Mahon Ray ToroBernie Marsden Handwired AmplifiersGary Moore Simon Neil Vintage Re-Issue AmplifiersYngwie Malmsteen Tim Skold William J BrownJCM800 2203 Head JCM900 4100 HeadJCM2000 DSL Amplifiers Allison RobertsonLarry Hibbitt DSL100 & DSL50 HeadsJCM2000 TSL Amplifiers Sean MartinPhilip Sneed TSL100 Head & TSL122 ComboFeatures TSL60 Bruce KulickSteve Mazur Common GroundDave Navarro Mode Four AmplifierJohn 2203KK Kerry King Amplifier Kerry King2203KK Head Slayer 2203KK is my main head and always will beCabinet Specifications 100JH Jimi Hendrix AmplifierJimi Hendrix Super 100JH Head1992LEM LemmyAmplifier Best of British BassCustomise Corner 1992LEM1959RR Randy Rhoads Amplifier Randy RhoadsBeginning What’s inside?Pedal Specification RG-1/RF-1/EH-1 Effects PedalsRG-1 Regenerator RF-1 ReflectorCharlotte Hatherley Dan Fisher Features Speaker CabinetsSteve Harris Jeff HannemanCabinet Specification MC412A/B & MC212 Corey BeaulieuMG Series Amplifiers Wayne Static MG50DFX ComboMG100HDFX Head Static-XRack Power-Amp Products Power AMP SpecificationPhil Campbell Jerry HortonFeatures AS50D Pierre BensusanAziz Ibrahim AS50D ComboMani StanWatt Valve Bass Amp VBC412 & VBC810 CabinetsMB Bass Series Amplifiers LemmyPaul Brewis MB4410 ComboMB450H Head MBC115, MBC410, MBC810Packages & Accessories ContentsSlayer MG10KK heavier than a pair of concrete boots Zakk WyldeZakk Wylde MG15MSZW Microstack Kerry King MG10KK ComboMS-2 & MS-4 Micro Amps From left to right

JCM800 Series specifications

Marshall Amplification is synonymous with rock music, and the JCM800 series is one of its most iconic models. Launched in the early 1980s, the JCM800 series redefined high-gain amplification and became a staple for countless rock and metal guitarists. Known for its raw power and tonal versatility, the JCM800 has left an indelible mark on the music industry.

One of the defining features of the JCM800 series is its pure, aggressive sound. At the heart of these amplifiers lies a high-gain preamp circuit, which delivers a rich, harmonically complex tone that is ideal for modern rock styles. The JCM800 offers a variety of wattage options, typically ranging from 50 to 220 watts, allowing players to choose the right power for their sound and performance environment.

The classic EL34 power tubes serve as the backbone of the JCM800's tone. These tubes provide a warm, dynamic response and a pronounced midrange that perfectly complements the heavy distortion and sustain the amp is known for. The two-channel setup—commonly featuring a "Normal" and a "Overdrive" channel—grants players flexibility in their sound. The Normal channel is perfect for achieving clean tones, while the Overdrive channel unleashes an intense crunch that can be dialed in to suit any style.

Control features on the JCM800 amplifiers are straightforward yet effective. Simple tone controls—bass, middle, treble—allow players to sculpt their sound easily. The added presence and resonance controls enhance the amp's response, delivering everything from bright, cutting tones to thick, powerful sounds ideal for heavy riffs.

Another key technology in the JCM800 series includes the use of PCB (printed circuit board) design, improving reliability while maintaining an accessible serviceability profile. Marshall also incorporates features like series effects loops, allowing musicians to integrate their favorite pedals effortlessly.

The JCM800 has become a beloved choice for many legendary guitarists, with its sound frequently associated with iconic recordings from bands such as Guns N’ Roses, Metallica, and Nirvana. Available in various configurations, including heads, combos, and cabinets, the JCM800 series remains a cutting-edge line of amplifiers that capture the essence of rock music. Its rich history, combined with its powerful features, continues to inspire guitarists around the world. With the JCM800, Marshall Amplification has solidified its status as a pillar in the foundation of rock tone.