Marshall Amplification JCM800 Series specifications Roll of Honour

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ROLL of HONOUR

Slash

“I’ve said it before, and I’ll say it again: I won’t even consider trying anything else – something that consistent you just don’t f**k with.”

Jeff Beck

“The Marshall sound is the balls. It’s the big daddy and it has that growl that no other amp has.”

KK Downing

(Judas Priest)

“Millions of musicians all around the world use them, they can’t all be wrong can they!”

Angus Young

(AC/DC)

“I’ve experimented with different makes of amp but came to the conclusion that the Marshall 100Watt stack was the best rock amp.”

Zakk Wylde

(BLS, Ozzy Osbourne)

“What does a Marshall sound like? Strength, warmth, commitment, beauty and destruction . . . all wrapped up in a giant f**kin’wrecking ball!”

Matt Bellamy

(Muse)

“We use Marshall because when we jump on them they still work, and they sound good . . . real good!”

Dave Murray

(Iron Maiden)

“What’s my secret weapon?Well, aside from sheer volume (laughs), I’d have to say my Marshalls, because they’re really great for what I do.”

Lemmy

(Motorhead)

“Old Marshalls never die – they just blow your f**king head off!”

Yngwie Malmsteen

“I plugged into a Marshall 25 years ago and from my first crunchy riffs to my latest screaming leads, my Marshalls were always right behind me, lot’s of them!There will always be imitations, but in the end there can only be one, the only one, Marshall!”

Janick Gers

(Iron Maiden)

“They are simply the best, most solid sounding, dependable and toughest touring amps in the world!”

Dave Mustaine

(Megadeth)

“When my tone sounds and feels right, something happens that makes me feel alive.That’s why I use Marshalls.”

Steph Carpenter

(Deftones)

“I’ve been playing guitar for 19 years and have used Marshalls the whole time . . .

there’s no reason for any other amp.”

Paul Weller

“I can make my Marshall go from a screaming loud tone to a beautiful clean, warm, bassy sound with a mere flick of a pick-up switch.”

Eric Johnson

“Even when I experimented with other heads, I still ran them through Marshall 4x12”s. Marshall amps have become an integral part of my tone.”

Mick Box

(Uriah Heep)

“Plug in and enter the world of vintage heaven, just how it should be. It just makes you want to play, and you can’t say any better than that.”

Peter Frampton

“Bought my first 100Watt Marshall stack in the ’60s and I have never found anything that comes close. Marshall is my sound. From The Herd, through Humble Pie to this day. I’m a Marshall lifer!”

Ace Frehley

“Marshall’s the best rock‘n’roll amp in the business. Nobody has topped them since they were first made in ’62.”

Kerry King

(Slayer)

“To me, Jim Marshall is the ultimate rock star because he made all of us better! It’s an incredibly unique honour to have my signature on an amp right next to his.

Plus, it’s just f**kin’cool and flattering that Jim thinks enough of me to roll with my own head.”

Photos: Chad Lee: Slash. Dave Maud: Angus Young. Bob Thacker: Janick Gers, Dave Murray, Lemmy. Mickey Rose: Paul Weller. Denis O’Regan: Peter Frampton. Al Pulford: Zakk Wylde, Steph Carpenter. Gene Kirkland: Dave Mustaine. Chris Gill: Ace Frehley. Mickey Rose: Matt Bellamy. Rob Wyatt: Kerry King.

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Marshall Amplification Product Catalogue

Marshall Amplification Product Catalogue

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Contents CATS-00131 Jim Marshall History Roll of Honour Amplifier Specification JVM2 Series AmplifiersJoe Hoare Modes of ToneFeatures JVM410H JVM410C JVM4 Series AmplifiersJason Hook JVM410H Head & JVM410C 2x12 ComboCabinet Specification Vintage Modern AmplifiersPaul Mahon Ray ToroGary Moore Handwired AmplifiersBernie Marsden Yngwie Malmsteen Vintage Re-Issue AmplifiersSimon Neil Tim Skold William J BrownJCM800 2203 Head JCM900 4100 HeadJCM2000 DSL Amplifiers Allison RobertsonLarry Hibbitt DSL100 & DSL50 HeadsJCM2000 TSL Amplifiers Sean MartinPhilip Sneed TSL100 Head & TSL122 ComboFeatures TSL60 Bruce KulickSteve Mazur Common GroundJohn Mode Four AmplifierDave Navarro 2203KK Kerry King Amplifier Kerry King2203KK Head Slayer 2203KK is my main head and always will beCabinet Specifications 100JH Jimi Hendrix AmplifierJimi Hendrix Super 100JH Head1992LEM LemmyAmplifier Best of British BassCustomise Corner 1992LEM1959RR Randy Rhoads Amplifier Randy RhoadsBeginning What’s inside?Pedal Specification RG-1/RF-1/EH-1 Effects PedalsRG-1 Regenerator RF-1 ReflectorCharlotte Hatherley Dan Fisher Features Speaker CabinetsSteve Harris Jeff HannemanCabinet Specification MC412A/B & MC212 Corey BeaulieuMG Series Amplifiers Wayne Static MG50DFX ComboMG100HDFX Head Static-XRack Power-Amp Products Power AMP SpecificationPhil Campbell Jerry HortonFeatures AS50D Pierre BensusanAziz Ibrahim AS50D ComboMani StanWatt Valve Bass Amp VBC412 & VBC810 CabinetsMB Bass Series Amplifiers LemmyPaul Brewis MB4410 ComboMB450H Head MBC115, MBC410, MBC810Packages & Accessories ContentsSlayer MG10KK heavier than a pair of concrete boots Zakk WyldeZakk Wylde MG15MSZW Microstack Kerry King MG10KK ComboMS-2 & MS-4 Micro Amps From left to right

JCM800 Series specifications

Marshall Amplification is synonymous with rock music, and the JCM800 series is one of its most iconic models. Launched in the early 1980s, the JCM800 series redefined high-gain amplification and became a staple for countless rock and metal guitarists. Known for its raw power and tonal versatility, the JCM800 has left an indelible mark on the music industry.

One of the defining features of the JCM800 series is its pure, aggressive sound. At the heart of these amplifiers lies a high-gain preamp circuit, which delivers a rich, harmonically complex tone that is ideal for modern rock styles. The JCM800 offers a variety of wattage options, typically ranging from 50 to 220 watts, allowing players to choose the right power for their sound and performance environment.

The classic EL34 power tubes serve as the backbone of the JCM800's tone. These tubes provide a warm, dynamic response and a pronounced midrange that perfectly complements the heavy distortion and sustain the amp is known for. The two-channel setup—commonly featuring a "Normal" and a "Overdrive" channel—grants players flexibility in their sound. The Normal channel is perfect for achieving clean tones, while the Overdrive channel unleashes an intense crunch that can be dialed in to suit any style.

Control features on the JCM800 amplifiers are straightforward yet effective. Simple tone controls—bass, middle, treble—allow players to sculpt their sound easily. The added presence and resonance controls enhance the amp's response, delivering everything from bright, cutting tones to thick, powerful sounds ideal for heavy riffs.

Another key technology in the JCM800 series includes the use of PCB (printed circuit board) design, improving reliability while maintaining an accessible serviceability profile. Marshall also incorporates features like series effects loops, allowing musicians to integrate their favorite pedals effortlessly.

The JCM800 has become a beloved choice for many legendary guitarists, with its sound frequently associated with iconic recordings from bands such as Guns N’ Roses, Metallica, and Nirvana. Available in various configurations, including heads, combos, and cabinets, the JCM800 series remains a cutting-edge line of amplifiers that capture the essence of rock music. Its rich history, combined with its powerful features, continues to inspire guitarists around the world. With the JCM800, Marshall Amplification has solidified its status as a pillar in the foundation of rock tone.