Marshall Amplification JCM800 Series Vintage Modern Amplifiers, Paul Mahon, Ray Toro

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Vintage Modern Amplifiers

2466 Head 2266 Head 2266C Combo 425A/425B Cabs

Paul Mahon

(The Answer)

“The most responsive amp I’ve ever played, when you crank up the gain the clarity remains and when the solo boost (Dynamic boost) kicks in you better run for cover as this beast really cooks!”

Ray Toro

(My Chemical Romance)

“TheVintage Modern is raw,classic tone. Pure and simple.”

From left to right:

2266C Combo

2466 Head

425A Cab

425B Cab

2266 Head

425A Cab

Launched in 2006, the Vintage Modern Series is a range of UK manufactured all-valve amplifiers that caters for the guitarist who likes to primarily control their sound from playing dynamics and their instruments volume and tone controls. These amplifiers have 100% mid ’60s to early ’70s vintage British blues rock tone with the ability to switch to a hot rod mode to find those ‘modded’ sounds of the harder rock bands of that era. The KT66 Power Amp section and power supply are taken from the Super 100 models made from 1966 to 1968, while the pre-amp has been optimised to provide greater flexibility in setting the sound to complement specific instruments and styles and ultimately achieve your own signature tone. Inherently less aggressive in the treble region than the later EL34 loaded amps, but fatter in the low mid and mid region, the sound is instantly recognisable as classic early Marshall power driven tone!

2466, 2266 & 2266C

The 2466 100 Watt head, 2266 50 Watt head and 2266C 50 Watt 2x12” combo are all-valve single channel amplifiers offering a choice of two ‘dynamic ranges’ selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra pre-amp valve into the signal path, facilitating those classic hard rock tones of the Seventies. Add to this, the ability to optimally interface with your instrument’s Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.

Two ‘frequency selective’ Pre-amp Volumes (Gains) – Body and Detail – facilitate greater flexibility of tonal shaping for individual guitars and styles, while the power amplifier is from some of the earliest 100 Watt Marshall amplifiers to be produced, with KT66 output valves yielding that substantial fat and smooth tone, four on the 2466 and two on the

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2266 & 2266C. A Mid Boost switch on the front panel fattens the tone even more, while a traditional Marshall tone control circuit enables fine tuning of your sound.

A Master Volume has been included in order to practically manage the output levels at all venues. This is implemented after the ‘phase splitter’ in order to fully exploit maximum pre-amp drive when the master is turned down low. A Reverb level control mixes the on-board ‘plate’ reverb with the direct signal to whatever degree the player chooses. The Reverb can be toggled on and off via the footswitch. A series FX Loop is provided for those players who wish to use outboard effects to further enhance their sound. Loop levels of -10dB and +4dB are catered for via a rear panel switch as well as the option to completely bypass this feature if it’s not required. Additionally, the 2266C combo comes fitted with two Celestion G12C 25 Watt Greenback speakers with the facility to use an extension cabinet if required.

425 Cabinets

The 425A and 425B are the traditional 4x12” Marshall designed cabinets that accompany this range. They have exactly the same dimensions as the 1960A/B, but the speakers used in these mono/stereo switchable 100 Watt 4x12”s and in the 2266C combo are the brand new G12C

25 Watt Celestion Greenbacks. These were specifically developed for the Limited Edition Jimi Hendrix Super100JH stack and are voiced to give that rich and balanced harmonic timbre that complements vintage tone and therefore the Vintage Modern Series perfectly.

CABINET SPECIFICATION

FEATURES

425A

425B

Cabinet Type – Angled

No

Cabinet Type – Base

No

Speaker Configuration

4 x 12"

4 x 12"

Speaker Type

G12C (25 Watt)

G12C (25 Watt)

Power (RMS)

100 Watt

100 Watt

Impedance: Mono

16 Ohms/4 Ohms

16 Ohms/4 Ohms

Stereo

8 Ohms/8 Ohms

8 Ohms/8 Ohms

Dimensions (mm)

770 x 755 x 365

770 x 755 x 365

 

 

 

Weight (kg)

36

37

Marshall Amplification Product Catalogue

AMPLIFIER SPECIFICATION

FEATURES

2466

2266

2266C

Head

No

Combo

No

No

Output (RMS)

100 Watt

50 Watt

50 Watt

 

 

 

 

Speakers

No

No

2 x G12C

Pre-Amp Valves

4 x ECC83

4 x ECC83

4 x ECC83

 

 

 

 

Power Amp Valves

4 x KT66

2 x KT66

2 x KT66

Footswitch (supplied)

PEDL-00041

PEDL-00041

PEDL-00041

Dimensions (mm)

750 x 310 x 230

750 x 310 x 230

690 x 570 x 270

Weight (kg)

22.5

18

30

Marshall Amplification Product Catalogue

11

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Contents CATS-00131 Jim Marshall History Roll of Honour Modes of Tone Amplifier SpecificationJVM2 Series Amplifiers Joe HoareJVM410H Head & JVM410C 2x12 Combo Features JVM410H JVM410CJVM4 Series Amplifiers Jason HookRay Toro Cabinet SpecificationVintage Modern Amplifiers Paul MahonGary Moore Handwired AmplifiersBernie Marsden Yngwie Malmsteen Vintage Re-Issue AmplifiersSimon Neil JCM900 4100 Head Tim SkoldWilliam J Brown JCM800 2203 HeadDSL100 & DSL50 Heads JCM2000 DSL AmplifiersAllison Robertson Larry HibbittTSL100 Head & TSL122 Combo JCM2000 TSL AmplifiersSean Martin Philip SneedCommon Ground Features TSL60Bruce Kulick Steve MazurJohn Mode Four AmplifierDave Navarro Slayer 2203KK is my main head and always will be 2203KK Kerry King AmplifierKerry King 2203KK HeadSuper 100JH Head Cabinet Specifications100JH Jimi Hendrix Amplifier Jimi Hendrix1992LEM 1992LEM LemmyAmplifierBest of British Bass Customise CornerWhat’s inside? 1959RR Randy Rhoads AmplifierRandy Rhoads BeginningRF-1 Reflector Pedal Specification RG-1/RF-1/EH-1Effects Pedals RG-1 RegeneratorCharlotte Hatherley Dan Fisher Jeff Hanneman FeaturesSpeaker Cabinets Steve HarrisCorey Beaulieu Cabinet Specification MC412A/B & MC212MG Series Amplifiers Static-X Wayne StaticMG50DFX Combo MG100HDFX HeadJerry Horton Rack Power-Amp ProductsPower AMP Specification Phil CampbellAS50D Combo Features AS50DPierre Bensusan Aziz IbrahimVBC412 & VBC810 Cabinets ManiStan Watt Valve Bass AmpLemmy MB Bass Series AmplifiersMBC115, MBC410, MBC810 Paul BrewisMB4410 Combo MB450H HeadContents Packages & AccessoriesKerry King MG10KK Combo Slayer MG10KK heavier than a pair of concrete bootsZakk Wylde Zakk Wylde MG15MSZW MicrostackFrom left to right MS-2 & MS-4 Micro Amps

JCM800 Series specifications

Marshall Amplification is synonymous with rock music, and the JCM800 series is one of its most iconic models. Launched in the early 1980s, the JCM800 series redefined high-gain amplification and became a staple for countless rock and metal guitarists. Known for its raw power and tonal versatility, the JCM800 has left an indelible mark on the music industry.

One of the defining features of the JCM800 series is its pure, aggressive sound. At the heart of these amplifiers lies a high-gain preamp circuit, which delivers a rich, harmonically complex tone that is ideal for modern rock styles. The JCM800 offers a variety of wattage options, typically ranging from 50 to 220 watts, allowing players to choose the right power for their sound and performance environment.

The classic EL34 power tubes serve as the backbone of the JCM800's tone. These tubes provide a warm, dynamic response and a pronounced midrange that perfectly complements the heavy distortion and sustain the amp is known for. The two-channel setup—commonly featuring a "Normal" and a "Overdrive" channel—grants players flexibility in their sound. The Normal channel is perfect for achieving clean tones, while the Overdrive channel unleashes an intense crunch that can be dialed in to suit any style.

Control features on the JCM800 amplifiers are straightforward yet effective. Simple tone controls—bass, middle, treble—allow players to sculpt their sound easily. The added presence and resonance controls enhance the amp's response, delivering everything from bright, cutting tones to thick, powerful sounds ideal for heavy riffs.

Another key technology in the JCM800 series includes the use of PCB (printed circuit board) design, improving reliability while maintaining an accessible serviceability profile. Marshall also incorporates features like series effects loops, allowing musicians to integrate their favorite pedals effortlessly.

The JCM800 has become a beloved choice for many legendary guitarists, with its sound frequently associated with iconic recordings from bands such as Guns N’ Roses, Metallica, and Nirvana. Available in various configurations, including heads, combos, and cabinets, the JCM800 series remains a cutting-edge line of amplifiers that capture the essence of rock music. Its rich history, combined with its powerful features, continues to inspire guitarists around the world. With the JCM800, Marshall Amplification has solidified its status as a pillar in the foundation of rock tone.