4.OPERATION continued …

4.8.7Mode and THX Operation for 2.0-Channel Source Material – To make all modes available, turn THX Off.

Cycle through modes and THX using Master Control Knob or ￿￿ keys on remote control.

Press MODE

presets are in

setup menu

If THX Cinema is selected, mode changes to PLIIx Movie.

If THX Games is selected, mode changes to PLIIx Game.

Stereo (2-Ch)AnthemLogic-Music (6.1)

LOGIC

AnthemLogic-Cinema (7.1)

Dolby PLIIx Music (7.1)

 

 

Press Mode Once

 

 

 

 

 

 

 

 

 

Press Mode Twice

Press Mode 3 Times

THX Options

Dolby PLIIx Movie (7.1)

 

 

Press THX

 

 

 

 

 

 

 

 

 

 

 

Dolby PLIIx Matrix (7.1)Dolby PLIIx Game (7.1)

Center Width: Adjust using MCK (or N/S keys)

Increasing # decreases center level and places it into L/R

Dimension: Adjust using MCK (or N/S keys)

Front-to-back balance – Center (C----+----S) Surrounds

Panorama: On using MCK (or N/S keys)

Extends the front stereo image to include surrounds

THX Cinema

Processing – Re-EQ, Timbre Matching

Output channels – All

THX Games Mode

Processing – Timbre Matching, ASA (Game) Output channels – All

Dolby Pro Logic (4.1)DTS Neo:6 Music (6.1)DTS Neo:6 Cinema (6.1)All Channel Stereo (7.1)All Channel Mono (7.1)

Press THX Twice

THX Options

Press THX

Press THX Twice

Press Mode

THX Options

Press THX

Press THX Twice

RE-EQ: On/Off using MCK (or N/S keys)

THX Cinema

Processing – Re-EQ, Timbre Matching, Adp.Decorrelation Output channels – LF, C, RF, RS, LS, Sub

RE-EQ: On/Off using MCK (or N/S keys)

Center Image: Adjust using MCK (or N/S keys)

Increasing the number makes center more prominent

THX Cinema

Processing – Re-EQ, Timbre Matching Output channels – LF, C, RF, RS, Rear, LS, Sub

RE-EQ: On/Off using MCK (or N/S keys)

Mono (1.1)Mono Academy (1.1)

Selections are memorized separately for each source and for Dolby Digital Surround 2.0-flagged vs unflagged material.

THX Processing:

•Re-Equalization– De-emphasizes treble. Not applicable to THX Games Mode.

•Timbre Matching – Matches the sound character, or timbre, of the surround channels to the front channels.

•Adaptive Decorrelation – When the source has one surround channel, adjusts time and phase to restore spaciousness.

• ASA

– Surround and rear channels are processed to provide a wide rear soundstage.

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