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LIST OF FIGURES |
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Figure 1.1: A standard Emerge EMS1000P configuration driving two display/speakers sets | 1 |
Figure 1.2: A typical Emerge EMS1000MP configuration driving up to eight displays | 2 |
Figure 1.3: Cascaded transmitters | 3 |
Figure 1.4: Cascaded receivers | 3 |
Figure 2.1: Applying the self adhesive rubber feet | 6 |
Figure 2.2: The rear mounting slot | 6 |
Figure 2.3: Placing an Emerge EMS unit within the optional rack mount chassis | 7 |
Figure 2.4: Connecting video and audio signals from the source PC system | 8 |
Figure 2.5: Connecting a monitor and speakers to the transmitter unit | 9 |
Figure 2.6: Overall maximum link length (1000 feet) when one receiver is connected | 10 |
Figure 2.7: Connecting the link cable to the EMS1000P transmitter unit | 10 |
Figure 2.8: Connecting up to four link cables to the | 11 |
Figure 2.9: Connecting the power adaptor to the transmitter unit | 12 |
Figure 2.10: Connecting the power adaptor to the power cord | 12 |
Figure 2.11: Connecting displays and speakers to the receiver unit | 13 |
Figure 2.12: Overall maximum link length (1000 feet) when one receiver is connected | 14 |
Figure 2.13: Connecting the link cable to the receiver unit | 14 |
Figure 2.14: Connecting the power adaptor to the receiver unit | 15 |
Figure 2.15: Connecting the power adaptor to the power cord | 15 |
Figure 2.16: Valid multiple cascade connections and their effects on overall link lengths | 17 |
Figure 2.17: Connecting multiple transmitters in a cascade arrangement | 18 |
Figure 2.18: Connecting the audio/visual outputs of one transmitter to the inputs of the next | 19 |
Figure 2.19: Connecting multiple receivers in a cascade arrangement | 20 |
Figure 2.20: Connecting the link output of one receiver to the link input of the next | 21 |
Figure 3.1: Location of the red and green operation indicators | 23 |
Figure 3.2: Location of the brightness and sharpness adjustment dials | 24 |
Figure 3.3: Using a high contrast image to assist with sharpness adjustments | 24 |
Figure 3.4: Location of the skew compensation adjustment dials | 25 |
Figure 3.5: Creating a suitable skew test pattern within a paint package | 25 |
Figure 3.6: The supplied skew test pattern showing green slightly retarded |
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relative to the red and blue | 26 |
Figure 3.7: A skew compensation dial showing its middle neutral position |
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and its two maximum positions | 26 |
Figure 3.8: The two skew compensation dials showing how they affect each of the colors | 27 |
