Behringer MX9000 user manual Tab .1 Channel assignment

Channels	Source	Route	Destination
1	Kick	Direct out	Track 2
2	Snare	Direct out	Track 3
3	Hi Hat	Direct out	Track 4
4	Tom 1	Subgroups 5 and 6	Tracks 5 and	6
5	Tom 2	Subgroups 5 and 6	Tracks 5 and	6
6	Tom 3	Subgroups 5 and 6	Tracks 5 and	6
7	Tom 4	Subgroups 5 and 6	Tracks 5 and	6
8	Cymbals (overheads) L	Direct out	Track 7
9	Cymbals (overheads) R	Direct out	Track 8
10	Bass microphone	Subgroup 3	Track 1
11	Bass DI	Subgroup 3	Track 1
12	Escaping prisoners	Subgroup 4	Who knows?
13	Trumpet	Subgroups 1 and 2	Tracks 9 and 10
14	Trombone	Subgroups 1 and 2	Tracks 9 and 10
15	Sax	Subgroups 1 and 2	Tracks 9 and 10
16	BVs 1	Subgroups 7 and 8	Tracks 11 and	12
17	BVs 2	Subgroups 7 and 8	Tracks 11 and	12
18	BVs 3	Subgroups 7 and 8	Tracks 11 and	12
19	Conga L	Direct out	Track 13
20	Conga R	Direct out	Track 14
21	Guitar 1 microphone	Direct out	Track 15
22	Guitar 2 microphone	Direct out	Track 16
23	Lead vocal	Direct out	Track 17

Tab. 16.1: Channel assignment

Tape Monitoring will be via MIX-B in tape return mode. Once tracks are layed, they will be flipped onto the A-channels (1 to 17), and overdubbing can commence via tracks 18 to 24. Also “bouncing”, reducing several tracks onto one or a stereo pair, requires access to the full routing matrix. This is available to the A-channels, but not the B-channels.

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