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user manual EURODESKMX9000, User´s Manual, English
Models:
MX9000
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Specs
1 Stereo subgroup channel schematic
Warranty
Dimension
1 Example of patchbay configurations
2 Wiring for bay 8 for advanced wiring scheme refer to section
A-channel setting up procedure
Impedances And Tuning
Input gain setting
Headphones
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EURODESK
®
MX9000
User´s Manual
Version 1.0 June 2000
ENGLISH
www.behringer.com
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Contents
User´s Manual
EURODESKMX9000
ENGLISH
SAFETY INSTRUCTIONS
FOREWORD
TABLE OF CONTENT
13.START-UP
2. EURODESK OVERVIEW
1. THE MANUAL
1.1 Nomenclature
1.2 An un-holstic approach
2.2 Metering
2.3 PSU Power Supply Unit
3. INPUT/OUTPUT CHANNEL
3.2 Input switching
3.1 Channel strip
Fig. 3.1 Input
Fig. 3.2 Channel input switching architecture
3.3 Input gain setting
3.5 Aux sends
3.4 Main equalizer
Fig. 3.3 Main equalizer
Fig. 3.4 Aux sends
3.6 Routing and muting
Fig. 3.5 Routing
3.7 B-channel
Fig. 3.6 B-channel
4. INSERTS
5.1 Subgroups
5. SUBGROUP AND DIRECT OUTPUTS
Fig. 4.1 Post EQ channel insert
Fig. 5.1 Stereo subgroup channel schematic
5.2 Direct outputs
6. MASTER PANEL
6.1 Aux masters
6.1.2 Aux returns
Fig. 6.1 Aux sends
Fig. 6.2 Stereo aux returns
a Aux returns 1 and
6.2 MIX-B master
b Aux returns 3 to
c SOLO
Fig. 6.4 Monitoring
6.3 Monitoring
Fig. 6.5 Phones
6.4 Headphones
6.6 Talkback
6.5 PFL/SOLO
Fig. 6.6 Solo section
6.5.1 PFL
7.1 Rear panel
7. CONNECTIONS
Fig. 7.1 Expander port bus inputs
Auxiliary sends
Fig. 7.2 Power supply unit connector
Fig. 7.3 Auxiliary sends
Auxiliary returns
Subgroup inserts
Fig. 7.7 Additional connectors
Fig. 7.5 Subgroup inserts
2-track in/out
Phones 1/2
Stereo outputs
Meter/analyzer out
Master balanced outputs
Fig. 7.10 MIX-B operating level switch and phantom power switch
7.2 Plug soldering guide
Fig. 7.11 Subgroup outputs/tape sends and operating level switch
A-channel line inputs
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8.1 The normalized bay
8. THE PATCHFIELD
8.2 The patchfield
Fig. 8.1 Example of patchbay configurations
Fig. 8.2 Wiring for bay 8 for advanced wiring scheme refer to section
8.3 Looming problems
9. EQUALIZATION
10. GAIN OPTIMIZATION
12. UNBALANCED LINES
11. IMPEDANCES AND TUNING
Fig. 12.1 A balanced microphone line
Here something exquisitely simple happens
13.2 Desk/tape setting up procedures
13.1 A-channel setting up procedure
13. START-UP
13.2.2 Multitrack initialization
14. 8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO
13.2.3Recording levels
13.2.4Auditioning a mix
14.1 Sends
14.2 Auxless headphones mix
Fig. 14.2 Simple auxless headphones mix
Fig. 14.1 Send routing
Fig. 14.3 Slightly more complicated auxless headphones mix
14.3 Returns
Fig. 14.4 Subgroup-driven auxless headphones mix
14.4 Lining up record/sample inputs
15. 16-TRACK RECORDING WITH 2 SAMPLERS
14.5 Mixdown
15.1 Recording
16. PROFESSIONAL 24-TRACK STUDIO
15.2 Headphones
15.3 Mixdown
16.1 Recording
Tab. 16.1 Channel assignment
16.2 Very tricky headphones
16.4 Mixdown
16.3 Wet monitoring
Tab. 17.1 Channel assignments 2-track
17. LIVE P.A. WITH 2-TRACK RECORDING
S48 is UP, i.e. MIX-B is NOT blended into the main mix
18. LIVE CONCERT WITH 24-TRACK RECORDING
Tab. 18.2 Front/rear/stage monitors routing
+ + + +
20. TIMECODE
19. EXPANDING THE EURODESK MX9000
19.1 Connections
19.2 Alignment
22. SEQUENCING “LIVE”
21. BOUNCING
However
1. TRACK STACK RULE
24. MODIFICATIONS
23. INPUT/OUTPUT CONFIGURATION
Fig. 23.1 Input/output configuration
24.2 MIX-B source post fader
24.1 Aux sends post EQ
24.3 LED meters pre fader
Fig. 24.1 Modifications aux send post EQ
Main channel strip
25. SPECIFICATIONS
Equalisation
Channel direct out
Dimensions/weight
Power supply
General
§ 1 WARRANTY CARD/ONLINE REGISTRATION
26. WARRANTY
§ 2 WARRANTY
§ 3 RETURN AUTHORIZATION NUMBER
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