Talkback, 1 PFL | Behringer MX9000 specification

6.5 PFL/SOLO

Fig. 6.6: Solo section

6.5.1 PFL

Pressing S95 disengages the stereo SOLO bus, and replaces it with a separate mono PFL (Pre-Fader-Listen) bus. Now anything at all which is SOLOed, isn’t. It is PFLed instead. PFL should be used for gain-setting. (See also the essential section 13 “Start-up”.)

6.5.1 SOLO

SOLO is short for SOLO IN PLACE, and is the preferred method for auditioning an isolated signal or a group of signals. Whenever a SOLO button is pressed, all unselected channels are muted in the monitors. Stereo panning is maintained. The SOLO bus is derived from the output of the channel PANs, aux send/return pots, etc., and is always post fader.

In addition to any local solo LEDs which might be activated, the ultra-bright MAIN SOLO LED (L95) illuminates whenever anything is SOLO/PFLed. P94 controls the master SOLO/PFL level. Set to unity gain (center detente), this will match the mix level.

6.6 Talkback

Fig. 6.7: Talkback

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Behringer MX9000 user manual Talkback, 1 PFL

Contents

EURODESKMX9000 Safety Instructions Foreword Table of Content Track Recording with 2 Samplers Manual Eurodesk Overview PSU Power Supply Unit Metering INPUT/OUTPUT Channel Input switchingChannel strip Input gain setting Channel input switching architecture Main equalizer Aux sends Routing and muting Aux sends Channel Routing Inserts B-channel Subgroup and Direct Outputs Subgroups Stereo subgroup channel schematic Aux masters Master PanelDirect outputs Aux sends Aux returns Stereo aux returns Aux returns 1 MIX-B masterSolo Monitoring Monitoring Headphones Phones Talkback 1 PFL Rear panel ConnectionsExpander port bus inputs Auxiliary sends Auxiliary returns Track/external inputs Subgroup insertsTrack in/out Main inserts Meter/analyzer out Stereo outputsPhones 1/2 Master balanced outputs Plug soldering guide Page Page Normalized bay PatchfieldPatchfield Example of patchbay configurations Looming problems Bay Equalization Gain Optimization Impedances and Tuning Unbalanced Lines A balanced microphone line Desk/tape setting up procedures Channel setting up procedureSTART-UP 13.2.3Recording levels Track Midi SUITE/DANCE Production StudioMultitrack initialization 13.2.4Auditioning a mix Sends Auxless headphones mixAlternatively Slightly more complicated auxless headphones mix Returns Mixdown Track Recording with 2 SamplersLining up record/sample inputs Recording Headphones Professional 24-TRACK Studio Very tricky headphones Tab .1 Channel assignment Wet monitoring Live P.A. with 2-TRACK Recording FOH Live Concert with 24-TRACK Recording Tab .2 Front/rear/stage monitors routing Connections Expanding the Eurodesk MX9000Timecode Alignment Sequencing Live BouncingHowever INPUT/OUTPUT Configuration Modifications MIX-B source post fader Aux sends post EQLED meters pre fader Specifications Dimensions/weight Power supplyGeneral Warranty § 1 Warranty CARD/ONLINE RegistrationPage