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Behringer MX9000 user manual 6.5 PFL/SOLO, 6 Solo section, 6.5.1 PFL, 7 Talkback

Models: MX9000

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6.5 PFL/SOLO

Fig. 6.6: Solo section

6.5.1 PFL

Pressing S95 disengages the stereo SOLO bus, and replaces it with a separate mono PFL (Pre-Fader-Listen) bus. Now anything at all which is SOLOed, isn’t. It is PFLed instead. PFL should be used for gain-setting. (See also the essential section 13 “Start-up”.)

6.5.1 SOLO

SOLO is short for SOLO IN PLACE, and is the preferred method for auditioning an isolated signal or a group of signals. Whenever a SOLO button is pressed, all unselected channels are muted in the monitors. Stereo panning is maintained. The SOLO bus is derived from the output of the channel PANs, aux send/return pots, etc., and is always post fader.

In addition to any local solo LEDs which might be activated, the ultra-bright MAIN SOLO LED (L95) illuminates whenever anything is SOLO/PFLed. P94 controls the master SOLO/PFL level. Set to unity gain (center detente), this will match the mix level.

6.6 Talkback

Fig. 6.7: Talkback

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Behringer MX9000 user manual 6.5 PFL/SOLO, 6 Solo section, 6.5.1 PFL, 7 Talkback

Contents

User´s Manual EURODESKMX9000ENGLISH SAFETY INSTRUCTIONS FOREWORD TABLE OF CONTENT 13.START-UP 1.1 Nomenclature 1. THE MANUAL2. EURODESK OVERVIEW 1.2 An un-holstic approach2.3 PSU Power Supply Unit 2.2 Metering3.1 Channel strip 3.2 Input switching3. INPUT/OUTPUT CHANNEL Fig. 3.1 Input3.3 Input gain setting Fig. 3.2 Channel input switching architecture3.5 Aux sends 3.4 Main equalizerFig. 3.3 Main equalizer 3.6 Routing and muting Fig. 3.4 Aux sends3.7 B-channel Fig. 3.5 Routing4. INSERTS Fig. 3.6 B-channel5.1 Subgroups 5. SUBGROUP AND DIRECT OUTPUTSFig. 4.1 Post EQ channel insert Fig. 5.1 Stereo subgroup channel schematic 5.2 Direct outputs 6. MASTER PANEL6.1 Aux masters Fig. 6.1 Aux sends 6.1.2 Aux returnsFig. 6.2 Stereo aux returns b Aux returns 3 to 6.2 MIX-B mastera Aux returns 1 and c SOLO6.3 Monitoring Fig. 6.4 Monitoring6.4 Headphones Fig. 6.5 PhonesFig. 6.6 Solo section 6.5 PFL/SOLO6.6 Talkback 6.5.1 PFL7.1 Rear panel 7. CONNECTIONSFig. 7.1 Expander port bus inputs Fig. 7.3 Auxiliary sends Fig. 7.2 Power supply unit connectorAuxiliary sends Auxiliary returnsFig. 7.5 Subgroup inserts Fig. 7.7 Additional connectorsSubgroup inserts 2-track in/outMeter/analyzer out Stereo outputsPhones 1/2 Master balanced outputsFig. 7.11 Subgroup outputs/tape sends and operating level switch 7.2 Plug soldering guideFig. 7.10 MIX-B operating level switch and phantom power switch A-channel line inputsPage Page 8.1 The normalized bay 8. THE PATCHFIELD8.2 The patchfield Fig. 8.1 Example of patchbay configurations 8.3 Looming problems Fig. 8.2 Wiring for bay 8 for advanced wiring scheme refer to section9. EQUALIZATION 10. GAIN OPTIMIZATION 11. IMPEDANCES AND TUNING 12. UNBALANCED LINESHere something exquisitely simple happens Fig. 12.1 A balanced microphone line13.2 Desk/tape setting up procedures 13.1 A-channel setting up procedure13. START-UP 13.2.3Recording levels 14. 8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO13.2.2 Multitrack initialization 13.2.4Auditioning a mixFig. 14.2 Simple auxless headphones mix 14.2 Auxless headphones mix14.1 Sends Fig. 14.1 Send routingFig. 14.3 Slightly more complicated auxless headphones mix 14.3 ReturnsFig. 14.4 Subgroup-driven auxless headphones mix 14.5 Mixdown 15. 16-TRACK RECORDING WITH 2 SAMPLERS14.4 Lining up record/sample inputs 15.1 Recording15.3 Mixdown 15.2 Headphones16. PROFESSIONAL 24-TRACK STUDIO 16.1 Recording16.2 Very tricky headphones Tab. 16.1 Channel assignment16.3 Wet monitoring 16.4 MixdownTab. 17.1 Channel assignments 2-track 17. LIVE P.A. WITH 2-TRACK RECORDINGS48 is UP, i.e. MIX-B is NOT blended into the main mix 18. LIVE CONCERT WITH 24-TRACK RECORDING + + + + Tab. 18.2 Front/rear/stage monitors routing19.1 Connections 19. EXPANDING THE EURODESK MX900020. TIMECODE 19.2 AlignmentHowever 21. BOUNCING22. SEQUENCING “LIVE” 1. TRACK STACK RULE24. MODIFICATIONS 23. INPUT/OUTPUT CONFIGURATIONFig. 23.1 Input/output configuration 24.3 LED meters pre fader 24.1 Aux sends post EQ24.2 MIX-B source post fader Fig. 24.1 Modifications aux send post EQEqualisation 25. SPECIFICATIONSMain channel strip Channel direct outDimensions/weight Power supplyGeneral § 2 WARRANTY 26. WARRANTY§ 1 WARRANTY CARD/ONLINE REGISTRATION § 3 RETURN AUTHORIZATION NUMBERPage