Manuals
/
Behringer
/
Computer Equipment
/
Electronic Accessory
Behringer
MX9000 user manual
Models:
MX9000
1
56
57
57
Download
57 pages
34.68 Kb
50
51
52
53
54
55
56
57
<
>
Specifications
Warranty
Input/Output Configuration
Looming problems
Impedances And Tuning
Input gain setting
Weight
Headphones
Safety
PSU Power Supply Unit
Page 56
Image 56
Page 55
Page 57
Page 56
Image 56
Page 55
Page 57
Contents
ENGLISH
EURODESKMX9000
User´s Manual
SAFETY INSTRUCTIONS
FOREWORD
TABLE OF CONTENT
13.START-UP
1. THE MANUAL
2. EURODESK OVERVIEW
1.1 Nomenclature
1.2 An un-holstic approach
2.3 PSU Power Supply Unit
2.2 Metering
3.2 Input switching
3. INPUT/OUTPUT CHANNEL
3.1 Channel strip
Fig. 3.1 Input
3.3 Input gain setting
Fig. 3.2 Channel input switching architecture
Fig. 3.3 Main equalizer
3.4 Main equalizer
3.5 Aux sends
3.6 Routing and muting
Fig. 3.4 Aux sends
3.7 B-channel
Fig. 3.5 Routing
4. INSERTS
Fig. 3.6 B-channel
Fig. 4.1 Post EQ channel insert
5. SUBGROUP AND DIRECT OUTPUTS
5.1 Subgroups
Fig. 5.1 Stereo subgroup channel schematic
6.1 Aux masters
6. MASTER PANEL
5.2 Direct outputs
Fig. 6.1 Aux sends
6.1.2 Aux returns
Fig. 6.2 Stereo aux returns
6.2 MIX-B master
a Aux returns 1 and
b Aux returns 3 to
c SOLO
6.3 Monitoring
Fig. 6.4 Monitoring
6.4 Headphones
Fig. 6.5 Phones
6.5 PFL/SOLO
6.6 Talkback
Fig. 6.6 Solo section
6.5.1 PFL
Fig. 7.1 Expander port bus inputs
7. CONNECTIONS
7.1 Rear panel
Fig. 7.2 Power supply unit connector
Auxiliary sends
Fig. 7.3 Auxiliary sends
Auxiliary returns
Fig. 7.7 Additional connectors
Subgroup inserts
Fig. 7.5 Subgroup inserts
2-track in/out
Stereo outputs
Phones 1/2
Meter/analyzer out
Master balanced outputs
7.2 Plug soldering guide
Fig. 7.10 MIX-B operating level switch and phantom power switch
Fig. 7.11 Subgroup outputs/tape sends and operating level switch
A-channel line inputs
Page
Page
8.2 The patchfield
8. THE PATCHFIELD
8.1 The normalized bay
Fig. 8.1 Example of patchbay configurations
8.3 Looming problems
Fig. 8.2 Wiring for bay 8 for advanced wiring scheme refer to section
9. EQUALIZATION
10. GAIN OPTIMIZATION
11. IMPEDANCES AND TUNING
12. UNBALANCED LINES
Here something exquisitely simple happens
Fig. 12.1 A balanced microphone line
13. START-UP
13.1 A-channel setting up procedure
13.2 Desk/tape setting up procedures
14. 8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO
13.2.2 Multitrack initialization
13.2.3Recording levels
13.2.4Auditioning a mix
14.2 Auxless headphones mix
14.1 Sends
Fig. 14.2 Simple auxless headphones mix
Fig. 14.1 Send routing
Fig. 14.4 Subgroup-driven auxless headphones mix
14.3 Returns
Fig. 14.3 Slightly more complicated auxless headphones mix
15. 16-TRACK RECORDING WITH 2 SAMPLERS
14.4 Lining up record/sample inputs
14.5 Mixdown
15.1 Recording
15.2 Headphones
16. PROFESSIONAL 24-TRACK STUDIO
15.3 Mixdown
16.1 Recording
16.2 Very tricky headphones
Tab. 16.1 Channel assignment
16.3 Wet monitoring
16.4 Mixdown
S48 is UP, i.e. MIX-B is NOT blended into the main mix
17. LIVE P.A. WITH 2-TRACK RECORDING
Tab. 17.1 Channel assignments 2-track
18. LIVE CONCERT WITH 24-TRACK RECORDING
+ + + +
Tab. 18.2 Front/rear/stage monitors routing
19. EXPANDING THE EURODESK MX9000
20. TIMECODE
19.1 Connections
19.2 Alignment
21. BOUNCING
22. SEQUENCING “LIVE”
However
1. TRACK STACK RULE
Fig. 23.1 Input/output configuration
23. INPUT/OUTPUT CONFIGURATION
24. MODIFICATIONS
24.1 Aux sends post EQ
24.2 MIX-B source post fader
24.3 LED meters pre fader
Fig. 24.1 Modifications aux send post EQ
25. SPECIFICATIONS
Main channel strip
Equalisation
Channel direct out
General
Power supply
Dimensions/weight
26. WARRANTY
§ 1 WARRANTY CARD/ONLINE REGISTRATION
§ 2 WARRANTY
§ 3 RETURN AUTHORIZATION NUMBER
Page
