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Behringer MX9000 user manual Connections, Rear panel, 1 Expander port bus inputs

Models: MX9000

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7. CONNECTIONS

The built in mic (above the main mix faders) allows you to converse with artists remotely. Most important controls are the VOLUME (P99) and PHONES & STUDIO button (S99, see fig. 6.7). It is possible to route the talkback mic to any of the following: aux 1, aux 2, subgroups, and phones and studio (S96 to S99).

Complex headphone or stage monitoring networks could be constructed where HP1, HP2, aux 1 (pre), aux 2 (pre) and one or more subgroups all feed separate monitor mixes. (See section 16.2 “Very tricky headphones”).

However, since the four pushbuttons are non-latching it might drive you crazy. If you are using many headphone feeds, it’s possible you will find it easier to patch a separate microphone for talkback straight into a channel, where it can be routed pretty much anywhere.

Engaging TALKBACK (S99) dims the control room (monitors, not lights you fool) by -20 dB to restrict the possibility of feedback. All other talkback routes are unaffected.

7. CONNECTIONS

7.1Rear panel

Expander port bus inputs

If you want to add another console to your EURODESK MX9000, the expander prot bus inputs give access to all subgroups, auxes and mix busses via an array of 1/4" jacks, situated top left on the rear panel.

Fig. 7.1: Expander port bus inputs

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Behringer MX9000 user manual Connections, Rear panel, 1 Expander port bus inputs

Contents

ENGLISH EURODESKMX9000User´s Manual SAFETY INSTRUCTIONS FOREWORD TABLE OF CONTENT 13.START-UP 1.2 An un-holstic approach 1. THE MANUAL2. EURODESK OVERVIEW 1.1 Nomenclature2.2 Metering 2.3 PSU Power Supply UnitFig. 3.1 Input 3.2 Input switching3. INPUT/OUTPUT CHANNEL 3.1 Channel stripFig. 3.2 Channel input switching architecture 3.3 Input gain settingFig. 3.3 Main equalizer 3.4 Main equalizer3.5 Aux sends Fig. 3.4 Aux sends 3.6 Routing and mutingFig. 3.5 Routing 3.7 B-channelFig. 3.6 B-channel 4. INSERTSFig. 4.1 Post EQ channel insert 5. SUBGROUP AND DIRECT OUTPUTS5.1 Subgroups Fig. 5.1 Stereo subgroup channel schematic 6.1 Aux masters 6. MASTER PANEL5.2 Direct outputs 6.1.2 Aux returns Fig. 6.1 Aux sendsFig. 6.2 Stereo aux returns c SOLO 6.2 MIX-B mastera Aux returns 1 and b Aux returns 3 toFig. 6.4 Monitoring 6.3 MonitoringFig. 6.5 Phones 6.4 Headphones6.5.1 PFL 6.5 PFL/SOLO6.6 Talkback Fig. 6.6 Solo sectionFig. 7.1 Expander port bus inputs 7. CONNECTIONS7.1 Rear panel Auxiliary returns Fig. 7.2 Power supply unit connectorAuxiliary sends Fig. 7.3 Auxiliary sends2-track in/out Fig. 7.7 Additional connectorsSubgroup inserts Fig. 7.5 Subgroup insertsMaster balanced outputs Stereo outputsPhones 1/2 Meter/analyzer outA-channel line inputs 7.2 Plug soldering guideFig. 7.10 MIX-B operating level switch and phantom power switch Fig. 7.11 Subgroup outputs/tape sends and operating level switchPage Page 8.2 The patchfield 8. THE PATCHFIELD8.1 The normalized bay Fig. 8.1 Example of patchbay configurations Fig. 8.2 Wiring for bay 8 for advanced wiring scheme refer to section 8.3 Looming problems9. EQUALIZATION 10. GAIN OPTIMIZATION 12. UNBALANCED LINES 11. IMPEDANCES AND TUNINGFig. 12.1 A balanced microphone line Here something exquisitely simple happens13. START-UP 13.1 A-channel setting up procedure13.2 Desk/tape setting up procedures 13.2.4Auditioning a mix 14. 8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO13.2.2 Multitrack initialization 13.2.3Recording levelsFig. 14.1 Send routing 14.2 Auxless headphones mix14.1 Sends Fig. 14.2 Simple auxless headphones mixFig. 14.4 Subgroup-driven auxless headphones mix 14.3 ReturnsFig. 14.3 Slightly more complicated auxless headphones mix 15.1 Recording 15. 16-TRACK RECORDING WITH 2 SAMPLERS14.4 Lining up record/sample inputs 14.5 Mixdown16.1 Recording 15.2 Headphones16. PROFESSIONAL 24-TRACK STUDIO 15.3 MixdownTab. 16.1 Channel assignment 16.2 Very tricky headphones16.4 Mixdown 16.3 Wet monitoringS48 is UP, i.e. MIX-B is NOT blended into the main mix 17. LIVE P.A. WITH 2-TRACK RECORDINGTab. 17.1 Channel assignments 2-track 18. LIVE CONCERT WITH 24-TRACK RECORDING Tab. 18.2 Front/rear/stage monitors routing + + + +19.2 Alignment 19. EXPANDING THE EURODESK MX900020. TIMECODE 19.1 Connections1. TRACK STACK RULE 21. BOUNCING22. SEQUENCING “LIVE” HoweverFig. 23.1 Input/output configuration 23. INPUT/OUTPUT CONFIGURATION24. MODIFICATIONS Fig. 24.1 Modifications aux send post EQ 24.1 Aux sends post EQ24.2 MIX-B source post fader 24.3 LED meters pre faderChannel direct out 25. SPECIFICATIONSMain channel strip EqualisationGeneral Power supplyDimensions/weight § 3 RETURN AUTHORIZATION NUMBER 26. WARRANTY§ 1 WARRANTY CARD/ONLINE REGISTRATION § 2 WARRANTYPage