Channels

Source

F.O.H.

FX

Wedges

Infills

1

Kick

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

2

Snare

MIX-B

Aux send 4

Aux send 1 and 2

Subgroups 1/2 and 3/4

3

Hi Hat

MIX-B

-

-

Subgroups 1/2 and 3/4

4

Tom 1

MIX-B

Aux send 4

-

-

5

Tom 2

MIX-B

Aux send 4

-

-

6

Tom 3

MIX-B

Aux send 4

-

-

7

Tom 4

MIX-B

Aux send 4

-

-

8

Cymbals (overheads)

MIX-B

-

-

-

9

Keyboards L

MIX-B

-

-

Subgroup 12

10

Keyboards R

MIX-B

-

-

Subgroup 12

11

Bass DI

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

12

Trumpet

MIX-B

Aux send 5

-

-

13

Trombone

MIX-B

Aux send 5

-

-

14

Sax

MIX-B

Aux send 5

-

-

15

BVs 1

MIX-B

Aux send 5 and 6

Aux send 1 and 2

-

16

BVs 2

MIX-B

Aux send 5 and 6

Aux send 1 and 2

-

17

BVs 3

MIX-B

Aux send 5 and 6

Aux send 1 and 2

-

18

Conga L

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

19

Conga R

MIX-B

-

-

Subgroups 1/2, 3/4 and 7/8

20

Guitar 1 microphone

MIX-B

-

-

Subgroups 3 and 4

21

Guitar 2 microphone

MIX-B

-

-

Subgroups 3 and 4

22

Lead vocal

MIX-B

Aux send 5 and 6

Aux send 1

-

23

FX 1 L

MIX-B

-

Aux send 1

-

24

FX 1 R

MIX-B

-

Aux send 1

-

Tab. 18.2: Front/rear/stage monitors routing

For front of house route all channels to the MIX-B bus > main mix. For live P.A. effects use auxes 3/4/5/6. For wedge monitors use aux 1 and 2 in pre mode > aux 1and 2 output. For sidefills use phones 1 output. For infill for guitarist, keyboard player and drummer use subgroups 1/2, 3/4 and 7/8.

+

+

+

+

No subgrouping is used as a mixing aid to the FOH mix.

Infill sends use up one group pair each as a consequence of the routing matrix being dependent on the channel PANpot (P24).

All channels should be set for: aux 1/2: PRE (S13 DOWN) > WEDGES; aux 3/4/5/6: POST (S16 UP) > FX; MIX-B SOURCE = CHANNEL (S23 DOWN); FLIP = Mic/Line SIGNAL (S3 UP)

In a quadrophonic setup MIX-B should be kept separate from the main mix (S48 UP).

OK: This example has been extreme. Chances are if you were touring with the sort of PA / multitrack described above you'd also have a massive FOH console, separate foldback mixer, and a rider that would make Bill Graham blanche. None of the applications examples are designed to be used as a BLUEPRINT. Rather, they should give you some idea of the scope and flexibility of your EURODESK MX9000. Use your imagination to find novel ways of solving problems and creating extra facilities.

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Behringer MX9000 user manual Tab .2 Front/rear/stage monitors routing