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Behringer
MX9000 user manual
Models:
MX9000
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Specs
Warranty
Input/Output Configuration
Looming problems
Impedances And Tuning
Input gain setting
Weight
Headphones
Safety
PSU Power Supply Unit
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Contents
User´s Manual
EURODESKMX9000
ENGLISH
SAFETY INSTRUCTIONS
FOREWORD
TABLE OF CONTENT
13.START-UP
1.2 An un-holstic approach
1. THE MANUAL
2. EURODESK OVERVIEW
1.1 Nomenclature
2.2 Metering
2.3 PSU Power Supply Unit
Fig. 3.1 Input
3.2 Input switching
3. INPUT/OUTPUT CHANNEL
3.1 Channel strip
Fig. 3.2 Channel input switching architecture
3.3 Input gain setting
3.5 Aux sends
3.4 Main equalizer
Fig. 3.3 Main equalizer
Fig. 3.4 Aux sends
3.6 Routing and muting
Fig. 3.5 Routing
3.7 B-channel
Fig. 3.6 B-channel
4. INSERTS
5.1 Subgroups
5. SUBGROUP AND DIRECT OUTPUTS
Fig. 4.1 Post EQ channel insert
Fig. 5.1 Stereo subgroup channel schematic
5.2 Direct outputs
6. MASTER PANEL
6.1 Aux masters
6.1.2 Aux returns
Fig. 6.1 Aux sends
Fig. 6.2 Stereo aux returns
c SOLO
6.2 MIX-B master
a Aux returns 1 and
b Aux returns 3 to
Fig. 6.4 Monitoring
6.3 Monitoring
Fig. 6.5 Phones
6.4 Headphones
6.5.1 PFL
6.5 PFL/SOLO
6.6 Talkback
Fig. 6.6 Solo section
7.1 Rear panel
7. CONNECTIONS
Fig. 7.1 Expander port bus inputs
Auxiliary returns
Fig. 7.2 Power supply unit connector
Auxiliary sends
Fig. 7.3 Auxiliary sends
2-track in/out
Fig. 7.7 Additional connectors
Subgroup inserts
Fig. 7.5 Subgroup inserts
Master balanced outputs
Stereo outputs
Phones 1/2
Meter/analyzer out
A-channel line inputs
7.2 Plug soldering guide
Fig. 7.10 MIX-B operating level switch and phantom power switch
Fig. 7.11 Subgroup outputs/tape sends and operating level switch
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8.1 The normalized bay
8. THE PATCHFIELD
8.2 The patchfield
Fig. 8.1 Example of patchbay configurations
Fig. 8.2 Wiring for bay 8 for advanced wiring scheme refer to section
8.3 Looming problems
9. EQUALIZATION
10. GAIN OPTIMIZATION
12. UNBALANCED LINES
11. IMPEDANCES AND TUNING
Fig. 12.1 A balanced microphone line
Here something exquisitely simple happens
13.2 Desk/tape setting up procedures
13.1 A-channel setting up procedure
13. START-UP
13.2.4Auditioning a mix
14. 8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO
13.2.2 Multitrack initialization
13.2.3Recording levels
Fig. 14.1 Send routing
14.2 Auxless headphones mix
14.1 Sends
Fig. 14.2 Simple auxless headphones mix
Fig. 14.3 Slightly more complicated auxless headphones mix
14.3 Returns
Fig. 14.4 Subgroup-driven auxless headphones mix
15.1 Recording
15. 16-TRACK RECORDING WITH 2 SAMPLERS
14.4 Lining up record/sample inputs
14.5 Mixdown
16.1 Recording
15.2 Headphones
16. PROFESSIONAL 24-TRACK STUDIO
15.3 Mixdown
Tab. 16.1 Channel assignment
16.2 Very tricky headphones
16.4 Mixdown
16.3 Wet monitoring
Tab. 17.1 Channel assignments 2-track
17. LIVE P.A. WITH 2-TRACK RECORDING
S48 is UP, i.e. MIX-B is NOT blended into the main mix
18. LIVE CONCERT WITH 24-TRACK RECORDING
Tab. 18.2 Front/rear/stage monitors routing
+ + + +
19.2 Alignment
19. EXPANDING THE EURODESK MX9000
20. TIMECODE
19.1 Connections
1. TRACK STACK RULE
21. BOUNCING
22. SEQUENCING “LIVE”
However
24. MODIFICATIONS
23. INPUT/OUTPUT CONFIGURATION
Fig. 23.1 Input/output configuration
Fig. 24.1 Modifications aux send post EQ
24.1 Aux sends post EQ
24.2 MIX-B source post fader
24.3 LED meters pre fader
Channel direct out
25. SPECIFICATIONS
Main channel strip
Equalisation
Dimensions/weight
Power supply
General
§ 3 RETURN AUTHORIZATION NUMBER
26. WARRANTY
§ 1 WARRANTY CARD/ONLINE REGISTRATION
§ 2 WARRANTY
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