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Behringer MX9000 user manual 2 Stereo aux returns

Models: MX9000

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Fig. 6.2: Stereo aux returns

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Behringer MX9000 user manual 2 Stereo aux returns

Contents

EURODESKMX9000 User´s ManualENGLISH SAFETY INSTRUCTIONS FOREWORD TABLE OF CONTENT 13.START-UP 1.1 Nomenclature 1. THE MANUAL2. EURODESK OVERVIEW 1.2 An un-holstic approach2.3 PSU Power Supply Unit 2.2 Metering3.1 Channel strip 3.2 Input switching3. INPUT/OUTPUT CHANNEL Fig. 3.1 Input3.3 Input gain setting Fig. 3.2 Channel input switching architecture3.4 Main equalizer 3.5 Aux sendsFig. 3.3 Main equalizer 3.6 Routing and muting Fig. 3.4 Aux sends3.7 B-channel Fig. 3.5 Routing4. INSERTS Fig. 3.6 B-channel5. SUBGROUP AND DIRECT OUTPUTS 5.1 SubgroupsFig. 4.1 Post EQ channel insert Fig. 5.1 Stereo subgroup channel schematic 6. MASTER PANEL 5.2 Direct outputs6.1 Aux masters Fig. 6.1 Aux sends 6.1.2 Aux returnsFig. 6.2 Stereo aux returns b Aux returns 3 to 6.2 MIX-B mastera Aux returns 1 and c SOLO6.3 Monitoring Fig. 6.4 Monitoring6.4 Headphones Fig. 6.5 PhonesFig. 6.6 Solo section 6.5 PFL/SOLO6.6 Talkback 6.5.1 PFL7. CONNECTIONS 7.1 Rear panelFig. 7.1 Expander port bus inputs Fig. 7.3 Auxiliary sends Fig. 7.2 Power supply unit connectorAuxiliary sends Auxiliary returnsFig. 7.5 Subgroup inserts Fig. 7.7 Additional connectorsSubgroup inserts 2-track in/outMeter/analyzer out Stereo outputsPhones 1/2 Master balanced outputsFig. 7.11 Subgroup outputs/tape sends and operating level switch 7.2 Plug soldering guideFig. 7.10 MIX-B operating level switch and phantom power switch A-channel line inputsPage Page 8. THE PATCHFIELD 8.1 The normalized bay8.2 The patchfield Fig. 8.1 Example of patchbay configurations 8.3 Looming problems Fig. 8.2 Wiring for bay 8 for advanced wiring scheme refer to section9. EQUALIZATION 10. GAIN OPTIMIZATION 11. IMPEDANCES AND TUNING 12. UNBALANCED LINESHere something exquisitely simple happens Fig. 12.1 A balanced microphone line13.1 A-channel setting up procedure 13.2 Desk/tape setting up procedures13. START-UP 13.2.3Recording levels 14. 8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO13.2.2 Multitrack initialization 13.2.4Auditioning a mixFig. 14.2 Simple auxless headphones mix 14.2 Auxless headphones mix14.1 Sends Fig. 14.1 Send routing14.3 Returns Fig. 14.3 Slightly more complicated auxless headphones mixFig. 14.4 Subgroup-driven auxless headphones mix 14.5 Mixdown 15. 16-TRACK RECORDING WITH 2 SAMPLERS14.4 Lining up record/sample inputs 15.1 Recording15.3 Mixdown 15.2 Headphones16. PROFESSIONAL 24-TRACK STUDIO 16.1 Recording16.2 Very tricky headphones Tab. 16.1 Channel assignment16.3 Wet monitoring 16.4 Mixdown17. LIVE P.A. WITH 2-TRACK RECORDING Tab. 17.1 Channel assignments 2-trackS48 is UP, i.e. MIX-B is NOT blended into the main mix 18. LIVE CONCERT WITH 24-TRACK RECORDING + + + + Tab. 18.2 Front/rear/stage monitors routing19.1 Connections 19. EXPANDING THE EURODESK MX900020. TIMECODE 19.2 AlignmentHowever 21. BOUNCING22. SEQUENCING “LIVE” 1. TRACK STACK RULE23. INPUT/OUTPUT CONFIGURATION 24. MODIFICATIONSFig. 23.1 Input/output configuration 24.3 LED meters pre fader 24.1 Aux sends post EQ24.2 MIX-B source post fader Fig. 24.1 Modifications aux send post EQEqualisation 25. SPECIFICATIONSMain channel strip Channel direct outPower supply Dimensions/weightGeneral § 2 WARRANTY 26. WARRANTY§ 1 WARRANTY CARD/ONLINE REGISTRATION § 3 RETURN AUTHORIZATION NUMBERPage