Channels | Source | F.O.H. | FX | Wedges | Infills |
1 | Kick | - | - | Subgroups 1/2, 3/4 and 7/8 | |
2 | Snare | Aux send 4 | Aux send 1 and 2 | Subgroups 1/2 and 3/4 | |
3 | Hi Hat | - | - | Subgroups 1/2 and 3/4 | |
4 | Tom 1 | Aux send 4 | - | - | |
5 | Tom 2 | Aux send 4 | - | - | |
6 | Tom 3 | Aux send 4 | - | - | |
7 | Tom 4 | Aux send 4 | - | - | |
8 | Cymbals (overheads) | - | - | - | |
9 | Keyboards L | - | - | Subgroup 12 | |
10 | Keyboards R | - | - | Subgroup 12 | |
11 | Bass DI | - | - | Subgroups 1/2, 3/4 and 7/8 | |
12 | Trumpet | Aux send 5 | - | - | |
13 | Trombone | Aux send 5 | - | - | |
14 | Sax | Aux send 5 | - | - | |
15 | BVs 1 | Aux send 5 and 6 | Aux send 1 and 2 | - | |
16 | BVs 2 | Aux send 5 and 6 | Aux send 1 and 2 | - | |
17 | BVs 3 | Aux send 5 and 6 | Aux send 1 and 2 | - | |
18 | Conga L | - | - | Subgroups 1/2, 3/4 and 7/8 | |
19 | Conga R | - | - | Subgroups 1/2, 3/4 and 7/8 | |
20 | Guitar 1 microphone | - | - | Subgroups 3 and 4 | |
21 | Guitar 2 microphone | - | - | Subgroups 3 and 4 | |
22 | Lead vocal | Aux send 5 and 6 | Aux send 1 | - | |
23 | FX 1 L | - | Aux send 1 | - | |
24 | FX 1 R | - | Aux send 1 | - |
Tab. 18.2: Front/rear/stage monitors routing
For front of house route all channels to the
+No subgrouping is used as a mixing aid to the FOH mix.
+Infill sends use up one group pair each as a consequence of the routing matrix being dependent on the channel PANpot (P24).
+All channels should be set for: aux 1/2: PRE (S13 DOWN) > WEDGES; aux 3/4/5/6: POST (S16 UP) > FX;
+In a quadrophonic setup
OK: This example has been extreme. Chances are if you were touring with the sort of PA / multitrack described above you'd also have a massive FOH console, separate foldback mixer, and a rider that would make Bill Graham blanche. None of the applications examples are designed to be used as a BLUEPRINT. Rather, they should give you some idea of the scope and flexibility of your EURODESK MX9000. Use your imagination to find novel ways of solving problems and creating extra facilities.
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