EFFECT
19

DELAY

This eect adds delayed sound to the direct sound, giving more body to
the sound or creating special eects.
Parameter Value Explanation
DELAY
ON/OFF OFF, ON Turns this eect on/o.
TYPE
This selects which type of delay.
* If you switch patches with the Type set to either DUAL-S, DUAL-P,
or DUAL- L/R and then begin to play immediately after the
patches change, you may be unable to attain the intended eect
in the rst portion of what you perform.
* The stereo eect is cancelled if a monaural eect or COSM amp is
connected after a stereo delay eect.*
SINGLE This is a simple monaural delay.
PAN
This delay is specically for stereo output. This
allows you to obtain the tap delay eect that
divides the delay time, then deliver them to L and
R channels.
INPUT
OUTPUT L
OUTPUT R
Feedback
Dly Time
EectLev

DELAY

Tap Time
STEREO
The direct sound is output from the left channel,
and the eect sound is output from the right
channel.
DUAL-S
This is a delay comprising two dierent delays
connected in series. Each delay time can be set in
a range from 1 ms to 1000 ms.
D1 D2 D1: DELAY 1
D2: DELAY 2
DUAL-P
This is a delay comprising two delays connected in
parallel. Each delay time can be set in a range from
1 ms to 1000 ms.
D1
D2
DUAL-L/R
This is a delay with individual settings available for
the left and right channels. Delay 1 goes to the left
channel, Delay 2 to the right.
D1
D2
L
R
REVERSE This produces an eect where the sound is played
back in reverse.
ANALOG This gives a mild analog delay sound. The delay
time can be set within the range of 1 to 2000 ms.
TAPE
This setting provides the characteristic wavering
sound of the tape echo. The delay time can be set
within the range of 1 to 3400 ms.
MOD
(MODULATE)
This delay adds a pleasant wavering eect to the
sound.

COMMON

Parameter Value Explanation
DELAY TIME 1 ms–2000 ms,
BPM –
This determines the delay time.
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specied for
each patch. This makes it easier to achieve
eect sound settings that match the tempo
of the song.
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time.
F.BACK 0–100
This sets the amount of delay sound returned
to the input. A higher value will increase the
number of the delay repeats.
HIGH CUT 630 Hz–12.5 kHz,
FLAT
This sets the frequency at which the high
cut lter begins to take eect. When “Flat”
is selected, the high cut lter will have no
eect.
EFFECT LEVEL 0–120 Adjusts the volume of the delay sound.
DIRECT MIX 0–100 Adjusts the volume of the direct sound.

PAN

Parameter Value Explanation
TAP TIME 0–100%
Adjusts the delay time of the left channel
delay. This setting adjusts the L channel delay
time relative to the R channel delay time
(considered as 100%).

DUAL-S, DUAL-P, DUAL-L/R

Parameter Value Explanation
D1:TIME
D2:TIME
1 ms–1000 ms,
BPM –
This determines the delay time.
* When set to BPM, the value of each
parameter will be set according to the
value of the “MASTER BPM” specied for
each patch. This makes it easier to achieve
eect sound settings that match the tempo
of the song.
* If, due to the tempo, the time is longer than
the range of allowable settings, it is then
synchronized to a period either 1/2 or 1/4
of that time.
D1:F.BACK
D2:F.BACK 0–100
Adjusts the amount of feedback of the DELAY
1 (or DELAY 2). A higher value will increase
the number of the delay repeats.
D1:HI CUT
D2:HI CUT
630 Hz–12.5 kHz,
FLAT
This sets the frequency at which the high
cut lter begins to take eect. When “FLAT”
is selected, the high cut lter will have no
eect.
D1:LEVEL
D2:LEVEL 0–120 Adjusts the volume of the DELAY 1 (or DELAY
2).