6 - Appendix

SMPTE Background

Stripe Mode

This mode is used to record SMPTE time code onto an audio track of another recorder. SMPTE is output when the Start button is pressed in the System Settings menu and begins at the time set by the Start Time setting. MTC is also simultaneously output from the Sync Daughter Card MIDI out. SMPTE and MTC will continue to be output until the Stop button is pressed. See Striping SMPTE.

SMPTE Background

SMPTE time code was standardized way back in 1969 by the Society of Motion Picture and Television Engineers as a way to mark frame numbers on video tape.

Using SMPTE, a particular location can be precisely located by simply entering the appropriate time code number which is expressed in Hours, Minutes, Seconds, Frames and Subframes. This is possible because each frame of SMPTE time code contains absolute location information expressed in digital form.

There are two types of SMPTE time code: Vertical Interval Time Code (VITC), which is used on video tape and Longitudinal Time Code (LTC) or audio time code. VITC is strictly used for video and has the advantage of being able to be read while the video deck is paused. LTC can be recorded on the audio or sync tracks of video tape and can thus be used in audio or video work.

Longitudinal time code is the type of SMPTE used on the Sync Daughter Card. It contains 80 bits of information per frame. An audio SMPTE frame is divided into 80 “bit cells”. A voltage change during a bit cell period constitutes a digital “1” and no change during a bit cell period constitutes a digital “0”. In addition to the location bits, there are user bits that may contain information about tape reel numbers, bits dealing with video information, and a 16-bit sync word at the end of the frame.

FramesFrames Seconds Seconds Minutes Minutes Hours Hours

SMPTE

Time

Code

10

20

30

40

50

60

Start

 

 

 

 

 

 

 

 

 

Frame

 

 

 

 

Bit

Bit

 

80 Bit Cells per Frame

 

Cell

Cell

 

 

 

 

 

 

 

 

 

 

 

 

 

 

=0

 

 

SYNC WORD

70 80

End

Frame

=1

There are four types of SMPTE time code in general use: 24, 25, 30 frame-per-second and 30 drop-frame. In general, you should choose one rate (30 non-drop is common in audio) and stick with it for initial recording and later editing.

Types of SMPTE

Type

Use

Hours

Minutes

Seconds

Frames

 

 

 

 

 

 

24 frame

US Film

00-23

00-59

00-59

00-23

 

 

 

 

 

 

25 frame

Euro. Film + Video

00-23

00-59

00-59

00-24

 

 

 

 

 

 

30 drop-frame

US & Japan Color Video

00-23

00-59

00-59

00-29

 

 

 

 

 

 

30 non-drop

US & Japan B/W Video

00-23

00-59

00-59

00-29

 

 

 

 

 

 

The four frame rates are all straightforward except 30 drop-frame. The 30 df rate came about because the US color video frame rate is actually 29.97 frames/sec instead of 30 frames/sec. This adds up to an error of 108 frames each hour relative to “wall clock”

E-MU Digital Audio System

73

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Creative 0404 owner manual Smpte Background, Stripe Mode, Time Code, Types of Smpte, Type Use Hours Minutes Seconds Frames

0404 specifications

Creative 0404 is a premium audio interface designed for musicians, podcasters, and audiophiles seeking high-quality sound reproduction and versatile connectivity options. One of its standout features is its ability to support high-resolution audio up to 24-bit/192 kHz, ensuring that every detail is captured faithfully during recording and playback. This makes it an ideal choice for those who prioritize sound clarity and depth in their projects.

The device boasts a sleek, compact design that is both portable and user-friendly. It includes a sturdy chassis that can withstand the rigors of travel while maintaining a professional appearance in studio settings. The Creative 0404 features multiple input and output options, including combo XLR/TRS inputs with switchable phantom power, allowing users to connect a variety of microphones and instruments. This flexibility is essential for those working in diverse audio environments.

One of the key technologies employed in the Creative 0404 is its high-performance DAC (digital-to-analog converter), which plays a crucial role in delivering pristine sound quality. The DAC minimizes distortion and noise, ensuring the signal integrity is retained throughout the audio chain. Additionally, the device incorporates advanced audio processing capabilities, allowing for real-time monitoring and effects.

The interface is compatible with various operating systems, including Windows and macOS, and works seamlessly with popular digital audio workstations (DAWs). This compatibility ensures that users can easily integrate the Creative 0404 into their existing workflows. Another notable feature is its low-latency performance, which is essential for live recordings and performances, enabling musicians to monitor their inputs without distractions.

Moreover, the Creative 0404 comes with a suite of software tools that enhance its usability. This includes recording, editing, and mixing software, as well as various plug-ins that allow users to expand their creative possibilities. Its straightforward controls and intuitive layout make it accessible for both beginners and seasoned professionals.

In summary, the Creative 0404 is a feature-rich audio interface that combines high-performance audio quality, versatile connectivity, and ease of use. Whether for home studios, podcasts, or live performances, it offers the tools necessary to produce professional-sounding audio effortlessly. It represents a perfect blend of technology and practicality, catering to the needs of modern audio creators.