M A S T E R

43. STEREO RETURNS

The stereo returns are used to route stereo signals (e. g. of an additional external mixer, FX unit, etc.) to the master output.

In case you want to connect a monaural device, please use only the L/MONO return connector. The monaural signal is internally routed to both channels.

44. STEREO RETURN

Rotary control for level adjustment of the signals coming from the STEREO RETURNS. The actually outputted level is also influenced by the setting of the master faders.

45. RECORD SEND L/R

These RCA-type connectors carry the PRE FADER master L/R signal. The signal is not affected by the setting of the master faders and therefore mostly used for the connection of cassette decks, open reel tape decks or DAT recorders for recording purposes. The nominal level of the outputs is –10dBV and matches the professional industry standard as well as most home recording applications. Nevertheless, you should use the input gain control of your recording device - as far as it is provided.

CAUTION: On most tape decks the incoming signal is directly carried through to the outputs. In case you have connected the REC. SENDS and the 2TRACK RETURNS and the PowerMate’s 2TRACK to MASTER control is set to anything but its lowest setting, the recorded signal is included into the main mix again. The difference in delay of the two signals is responsible for occurring drop-outs and the general degradation of the sound. In the worst case, activating the RECORD button on your tape deck could lead to very unpleasant feedback noise. To prevent this from happening make sure that you always have the 2TRACK to MASTER control and the AUX3 control adjusted to their lowest settings. The 2TRACK RETURN signal will pass unobstructed.

46. 2TRACK RETURN L/R

Here you can connect a tape deck, a CD player, an open reel or an additional mixer. The signal is post master fader and post STANDBY switch. providing you with the possibility to play intermission music during performance breaks or check the mix during the rehearsal, using the headphones. You just have to engage the STANDBY switch to mute all channel signals at the main outputs and the monitor bus.

47. 2TRACK to AUX3

The signal coming from the 2TRACK RETURNS is internally added to the AUX3 bus (monitor bus) and its level is set with 2TRACK to AUX3 rotary control. The signal gets added to the bus pre 2TRACK to MASTER control.

48. 2TRACK to MASTER

This control is used to mix the 2TRACK signal to the main mix; post fader of the master controls.

CAUTION: When adjusting the level of the device that is connected to the 2TRACK RETURNS – CD player, tape deck, etc. – always begin with the 2TRACK to MASTER control adjusted at its minimal setting. Otherwise, depending on the quality of the connected sound source, the outputted volume can instantly “hit the top”.

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Dynacord 1000 owner manual S T E R, Stereo Returns, Record Send L/R, Track Return L/R
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1000 specifications

The Dynacord 1000 series stands as a beacon of excellence in the realm of professional audio systems. Renowned for its reliability and superior sound quality, this series is crafted for a variety of applications, from live performances to installations in concert halls and auditoriums.

One of the standout features of the Dynacord 1000 is its power amplification technology. The series incorporates Class-D amplifier technology, which allows for high efficiency and reduced weight compared to traditional amplifiers. This results in a compact design without compromising the audio output. Users can expect impressive power levels that are capable of driving large speaker systems with ease, providing clear sound even at high volumes.

The Dynacord 1000 series also boasts an advanced digital signal processing (DSP) platform. This powerful DSP engine includes a variety of built-in effects and advanced equalization options, allowing sound engineers to finely tune their audio output. This versatility makes it suitable for diverse applications, from smooth music playback to complex multi-channel live mixing scenarios.

A key characteristic of the Dynacord 1000 is its user-friendly interface. The intuitive layout of controls allows for quick adjustments and easy navigation through various settings. This is particularly advantageous for live sound situations, where time is often limited and quick responses are critical.

Durability is another critical aspect of the Dynacord 1000 series. The rugged build quality ensures that the system can withstand the rigors of both touring and permanent installation environments. Additionally, the units are designed with thermal management features, which prevent overheating during long usage periods, ensuring longevity and reliability.

The Dynacord 1000 series is also highly compatible with various accessories and additional equipment. Its flexible connectivity options, including analog and digital inputs, ensure seamless integration with other sound systems and devices. This adaptability is essential for professionals seeking a comprehensive audio solution.

In summary, the Dynacord 1000 series stands out as a top-tier choice for audio professionals, boasting powerful amplification, advanced DSP capabilities, user-friendly controls, and robust construction. It meets the demanding needs of modern sound production, making it an essential component for any serious audio setup.
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