I N P U T / S T E R E O

with pre-programmed channel mapping is to use two adjacent monaural input channels, leaving you the option to place the sound in the final mix via PAN controls.

One more tip, in case you desperately need another input and all channels of the PowerMate are already in use:

The microphone input and the phone plug-type inputs are electrically totally separated from each other. Each input is equipped with its own gain control – respectively trim control, providing you with the possibility to connect a LINE level sound source in addition to a microphone. Of course, the two sources share all other controls. Consequently, separate adjustments are not possible. Hence to that fact, this option is only meant as a subsidiary function and should only be used when there is absolutely no other alternative.

18. EQ SECTION

The mixer’s EQ section allows very differentiated shaping of the incoming audio signal within miscellaneous frequency bands. Turning one of the EQ level controls to the right enhances/am- plifies the corresponding frequency range while turning them to the left lowers/attenuates the signal of the specific frequency band. Before you begin to alter the sound, all EQ controls should be set to their neutral position; that is: their marker points straight up (locked in place). Do not set the EQ controls to extreme positions. Usually, minor changes are totally sufficient and produce the best results in the overall sound. You should use the natural reproduction as an orientation mark and rely on your musically trained ear, being the perfect instrument to judge the sound quality. The moderate use of the MID control is the best remedy to avoid acoustical feedback. Especially in this frequency range you should try to avoid excessive enhancement. Lowering the level more or less in this band will provide you with high amplification rates without feedback.

The HI and LO controls of the STEREO channels’ EQ section provide a degree of control that is equally adequate for LINE level inputs and microphones. The MID control is active in a comparably wide frequency band around 2.4 kHz. With most microphones this is the critical range, where a slight attenuation offers excellent results.

19. AUX/FX

These controls determine the amount of the summed L/R signal that is send to the AUX/FX bus. The signal split is POST FADER. For more details on the functioning of these controls, please refer to the INPUT/MONO section of this owner’s manual.

20. AUX3

These controls determine the amount of the summed L/R signal that is send to the AUX3 bus. Depending on the setting of the AUX3 POST switch within the PowerMate’s master section you can choose if the signal gets split PRE or POST FADER.

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Dynacord 1000 owner manual EQ Section, AUX/FX AUX3
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1000 specifications

The Dynacord 1000 series stands as a beacon of excellence in the realm of professional audio systems. Renowned for its reliability and superior sound quality, this series is crafted for a variety of applications, from live performances to installations in concert halls and auditoriums.

One of the standout features of the Dynacord 1000 is its power amplification technology. The series incorporates Class-D amplifier technology, which allows for high efficiency and reduced weight compared to traditional amplifiers. This results in a compact design without compromising the audio output. Users can expect impressive power levels that are capable of driving large speaker systems with ease, providing clear sound even at high volumes.

The Dynacord 1000 series also boasts an advanced digital signal processing (DSP) platform. This powerful DSP engine includes a variety of built-in effects and advanced equalization options, allowing sound engineers to finely tune their audio output. This versatility makes it suitable for diverse applications, from smooth music playback to complex multi-channel live mixing scenarios.

A key characteristic of the Dynacord 1000 is its user-friendly interface. The intuitive layout of controls allows for quick adjustments and easy navigation through various settings. This is particularly advantageous for live sound situations, where time is often limited and quick responses are critical.

Durability is another critical aspect of the Dynacord 1000 series. The rugged build quality ensures that the system can withstand the rigors of both touring and permanent installation environments. Additionally, the units are designed with thermal management features, which prevent overheating during long usage periods, ensuring longevity and reliability.

The Dynacord 1000 series is also highly compatible with various accessories and additional equipment. Its flexible connectivity options, including analog and digital inputs, ensure seamless integration with other sound systems and devices. This adaptability is essential for professionals seeking a comprehensive audio solution.

In summary, the Dynacord 1000 series stands out as a top-tier choice for audio professionals, boasting powerful amplification, advanced DSP capabilities, user-friendly controls, and robust construction. It meets the demanding needs of modern sound production, making it an essential component for any serious audio setup.
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