Formatting a Disk

Formatting a Disk

The “Quick Operation Guide” and the “Saving and Loading Song Data” chapter of this book describe how to format a disk. This chapter explains how to format an unformatted disk and how to re-format a formatted disk. Formatting a disk refers to both formatting the current drive disk and formatting a backup disk. You will use the [Format ?] and the [Bk Format?] menus in Setup Mode.

Recording mode

There are three recording Modes: “Normal mode,” “Mastering mode,” and “Backup mode.” Normal mode and Mastering mode are used to format a disk as the current disk. Backup mode is used to format a SCSI disk (removable or fixed) for saving and loading song data.

For use

Recording mode for current drive

Recording mode for backup

Record mode

Normal mode

Mastering mode

Backup mode

 

 

 

 

Sampling Rate

44.1kHz

44.1kHz

44.1kHz

 

 

 

 

Quantumize

A.D.A.C. (*)

16bit liner

 

 

 

 

 

Available recording time

Approx. 67 minutes/100MB

Approx. 17 minutes/100MB

 

(converted to one track)

(converted to one track)

 

 

 

 

 

 

 

 

MO disk, EZ disk, Zip cartridge,

Fixed hard disk,

MO disk, EZ disk, Zip cartridge,

Compatible media

Fixed hard disk,

Optional 2.5 inch IDE internal hard disk

Fixed hard disk,

 

 

Optional 2.5 inch IDE internal hard disk

 

 

 

 

 

 

 

 

* Simultaneous 8 track recording by adat

* Simultaneous 8 track recording by adat

 

 

digital input is possible.

digital input is possible.

This is a special backup disk format for

 

 

 

 

* 4 tracks simultaneous recording by S/P

 

saving and loading data. You cannot use a

Recording

DIF digital signal (two inputs) and analog

* 4 tracks simultaneous recording by S/P

disk in this format for real-time recording/

 

signal (two inputs) is possible.

playback.

 

DIF digital signal (two inputs) and analog

 

 

 

 

Note: Simultaneous recording by MO disk

signal (two inputs is possible.

 

 

is a maximum two tracks.

 

 

 

 

 

 

 

Save/load is possible only with external

 

You can save and load data between the

 

Save/load is possible only with external

backup disk and a current drive disk

Save/Load

SCSI drives.

SCSI drive, DAT or adat.

formatted in any mode (Normal or Mastering

 

Save/load is not possible with DAT and adat.

 

 

mode).

 

 

 

 

 

 

 

(*)A.D.A.C. is the next generation digital audio coding technique maximized for multitrack recording, which has been developed by joint research of Matsushita Electric Industry Corporation and Fostex Corporation.

Note: Available recording time varies depending on the disk capacity and type. For actual available time for a particular disk, please refer to the “List of the drives with guaranteed operation” in the Owner’s Manual.

Note: You can format only a fixed disk or an optional 2.5-inch internal hard disk in Mastering or Normal modes. (The optional 2.5-inch internal hard disk must have its SCSI ID number set to any number except “6.”)

To use a removable type disk as the current drive, format the disk in Normal mode. Formatting a removable disk in Mastering mode will not provide you with enough recording space. Data recorded on a disk formatted in Normal mode cannot be saved or loaded using a DAT or adat. Those formatted in Mastering mode are capable of saving and loading data to and from a DAT or adat.

You may format a disk for backup as long as the SCSI drive (fixed or removable) is set to ID number “6.” If you execute the [Format ?] menu in SETUP mode, the FD-8 will automatically recognize a connected SCSI drive or a 2.5-inch internal hard disk set to any ID number other than “6.” If you execute the [Bk Format ?] menu, the FD-8 will automatically recognize the SCSI drive set to ID number “6.”

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Fostex FD-8 owner manual Formatting a Disk, Recording mode

FD-8 specifications

The Fostex FD-8 is a revolutionary digital multitracker that has garnered significant attention since its release. Designed for musicians and audio professionals, the FD-8 offers a compelling combination of functionality, simplicity, and affordability, making it an ideal choice for both studio recordings and live performances.

One of the key features of the Fostex FD-8 is its 8-track simultaneous recording capability. This allows users to record multiple instruments or vocal parts at once, enabling more complex arrangements without the hassle of overdubbing. With a built-in 20-bit A/D converter, the FD-8 captures high-quality audio, ensuring that every nuance of a performance is faithfully reproduced.

In addition to its recording capabilities, the FD-8 boasts a range of editing features that make it easier to fine-tune performances. The onboard digital effects processor includes reverb, delay, and EQ settings, which can be applied in real-time, offering users a versatile toolkit for sound manipulation. This means that the FD-8 not only serves as a recording device but also as a powerful mixing console.

The FD-8 employs a user-friendly interface, with a large backlit LCD display that provides clear feedback on track levels and settings. Navigating through the device’s extensive features is simplified by an intuitive layout, making it accessible for both novice and experienced users. The inclusion of USB connectivity allows for easy data transfer, enabling users to back up their projects or move recordings to a computer for further editing.

Another noteworthy characteristic of the Fostex FD-8 is its compatibility with various media formats. It supports standard audio files, making it convenient for musicians to work with different file types. The ability to save work on standard CD-Rs or a removable storage device adds to the operational flexibility.

The robust build of the FD-8 is designed to endure the rigors of touring and live performances. Its compact size allows for easy transport, while the durable housing protects against wear and tear.

In essence, the Fostex FD-8 stands out as a remarkable digital multitracker that provides users with essential recording and editing features packed into a portable, user-friendly package. Its combination of quality, flexibility, and ease of use has made it a popular choice among audio professionals and hobbyists alike, securing its place as a staple in modern music production.