10 PEAK LED

This is used to indicate that the signal is close to distorting (clipping) on a

 

specific channel.

11 INPUT CHANNEL FADER

This is used to control the level fed to the Mix Bus and post-fade sends.

12 MIX OUTPUTS (XLR) &

Connect these to your analogue recording device, or to your amplification

MONO OUT (¼” Jack)

system.

13 MIX INSERTS (¼” Jack)

This is a pre-fade break in the signal path which can be used to feed a dy-

 

namics or mastering device. The signal is sent from the tip of the jack plug

14 MONITOR O/Ps (¼” Jack)

and the return path comes back in on the ring of the jack plug.

These are used to feed your monitoring system.This can be directly connected

 

to powered monitors, or indirectly via an amplifier to standard monitors.

15 MASTER FADERS

These faders control the overall level of the mix outputs.

16 MAIN METERS

These show the level of the mix outputs. When the PFL ACTIVE LED is lit, the

 

meters show the level of the selected PFL signal.

17 MONITOR CONTROL

This controls the level of the signal sent to your monitoring system.

18 PHONES CONTROL

This controls the level of the signal sent to the headphones jack socket.

19 AUX OUTPUTS (¼” Jack)

These outputs can be used to send the channel signal to an artist’s monitors

 

(headphones/in-ear/stage monitors). They are switchable pre/post fade.

20 AUX CONTROL

These switches globally switch the AUX1 and AUX 2 feeds on all the input

21 STEREO INPUTS (¼” Jack)

modules to be either pre or post-fade.

These two inputs can be used to connect line level stereo inputs from key-

 

boards, sound modules, samplers, computer based audio cards etc. These

 

inputs pass through a normal channel strip, with EQ, Auxes and a Balance

 

control.

22 2-TRACK INPUTS

Here you can connect the playback from your recording device.

(RCA Phono)

 

23 2-TRACK CONTROLS

Use these to control the 2 Track signal. The MONITOR switch sends the signal

 

to the monitor outputs and phones, whilst the TO MIX switch sends it to the

 

main mix.

24 RECORD OUTPUTS

You can connect these to the inputs of your recording device.

(RCA Phono)

 

25 PHANTOM POWER

Press this to switch the phantom power (48V) on for condenser microphones.

 

WARNING: Do Not apply Phantom Power before connecting a

 

microphone.

26 HEADPHONES (¼” Jack)

Plug your headphones into this socket. Recommended headphones

 

impedance is 150 ohms or greater.

Soundcraft EFX/EPM User Guide Issue 1210

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Image 13
Harman 1210KA manual Mono OUT ¼ Jack, 22 2-TRACK Inputs, 23 2-TRACK Controls