Harman 1210KA Peak LED, Master Faders, Main Meters, Monitor Control, Phones Control, AUX Control

11 PEAK LED		This is used to indicate that the signal is close to distorting (clipping) on a
		specific channel.
12	INPUT CHANNEL FADER	This is used to control the level fed to the Mix Bus and post-fade sends.
13	MIX OUTPUTS (XLR) &	Connect these to your analogue recording device, or to your amplification
MONO OUT (¼” Jack)		system.
14	MIX INSERTS (¼” Jack)	This is a pre-fade break in the signal path which can be used to feed a
		dynamics or mastering device. The signal is sent from the tip of the jack plug
	MONITOR O/Ps (¼” Jack)	and the return path comes back in on the ring of the jack plug.
15		These are used to feed your monitoring system.This can be directly connected
		to powered monitors, or indirectly via an amplifier to standard monitors.
16 MASTER FADERS		These faders control the overall level of the mix outputs.
17 MAIN METERS		These show the level of the mix outputs. When the PFL ACTIVE LED is lit, the
		meters show the level of the selected PFL signal.
18 MONITOR CONTROL		This controls the level of the signal sent to your monitoring system.
19 PHONES CONTROL		This controls the level of the signal sent to the headphones jack socket.
20 AUX 1 OUTPUT (¼” Jack)		This output can be used to send the channel signal to an artist’s monitors
		(headphones/in-ear/stage monitors). It is switchable pre/post fade.
21 AUX CONTROL		This switch globally switches the AUX1 feed on all the input modules to be
	STEREO INPUTS (¼” Jack)	either pre or post-fade.
22		These two inputs can be used to connect line level stereo inputs from key-
		boards, sound modules, samplers, computer based audio cards etc. These
		inputs pass through a normal channel strip, with EQ, Auxes and a Balance
		control.
23	2-TRACK INPUTS	Here you can connect the playback from your recording device.
(RCA Phono)
24	2-TRACK CONTROLS	Use these to control the 2 Track signal. The MONITOR switch sends the signal
		to the monitor outputs and phones, whilst the TO MIX switch sends it to the
		main mix.
25 RECORD OUTPUTS		You can connect these to the inputs of your recording device.
(RCA Phono)
26 PHANTOM POWER		Press this to switch the phantom power (48V) on for condenser microphones.
		WARNING: Do Not apply Phantom Power before connecting a
		microphone.
27 HEADPHONES (¼” Jack)		Plug your headphones into this socket. Recommended headphones imped-
		ance is 150 ohms or greater.
28	STEREO RETURN INPUTS	This pair of inputs accept 3-pole ‘A’ gauge (TRS) jacks. Use these inputs for
		sources such as keyboards, drum machines, synths or CDs. The inputs are
		BALANCED. Mono sources may be used by plugging into the left jack only.
29	STEREO RETURN CONTROL This control sets the level of signal routed to the main mix busses. There is
		an associated PK LED to warn of signals which are too high.
30	FX BUS OUTPUT	This output carries the signal from the FX bus. It could be used as a second
		Aux Output if desired, if the FX Processor is not needed at the time. The FX
		sends on the inputs channels to the FX bus are always post-fade.
31	FOOTSWITCH CONNECTOR	This is used by the FX Processor, see page 26.
32	LEXICON® FX PROCESSOR	See the information starting on page 27

Soundcraft EFX/EPM User Guide Issue 1210 9