AVR

Advanced Functions

Audio Effects Button

To adjust other audio settings, such as the tone controls, press the Audio Effects button to display the Audio Effects menu. You can also access the menu by pressing the Info button and selecting Audio Effects.

Audio Effects – Cable/Sat

Dolby Volume:

 

 

Medium

 

PLIIz Height Gain:

 

 

 

 

 

Low

Edit: Dolby PLII Music

 

 

 

 

 

Edit: Dolby PLIIx Music

 

 

 

 

 

 

 

 

 

 

 

 

 

Tone Control:

On

 

Treble:

 

 

 

 

 

 

 

 

 

 

Bass:

 

 

 

 

 

LFE Trim:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MP3 Enhancer

Off

 

EZSET/EQ:

Off

 

NOTE: Each source has its own independent Audio Effects settings.

Dolby Volume: See Dolby Volume, on page 28, for an explanation of Dolby Volume processing and its benefits. Refer to the table on that page for an explanation of each of the Dolby Volume settings.

PLIIz Height Gain: When you have set the Assigned Amp to Front Height (see Manual Speaker Setup, on page 36), the PLIIz Height Gain setting will become available. The front height channels can greatly improve the spatial experience of a surround-sound system. Some listeners may want the depth and dimension that height channels provide, but from a seemingly transparent experience. Other listeners may prefer to accentuate the front height channels by using a higher volume setting.

The PLIIz Height Gain control gives you the ability to change the volume of the front height channels to suit different programs. The control has three settings: Low (normal volume), Mid (moderate volume increase) and High (maximum volume increase). Note that you can also fine-tune the front height channel volume levels. See Setting Channel Output Levels Manually, on page 38, for details.

Edit Dolby PLII/Dolby PLIIx Music: Some additional settings are available for the Dolby Pro Logic II modes. When the Dolby Pro Logic II or IIx Music modes have been selected, choose the “Edit Dolby PLII/IIx Music” submenus to adjust the Center Width, Dimension and Panorama settings.

Edit: Dolby PLIIx Music

Center Width

 

 

3

 

 

Dimension

 

 

 

 

 

 

 

 

Panorama

 

 

 

Off

Exit

Center Width: This setting affects how vocals sound through the three front speakers. A lower number focuses the vocal information tightly on the center channel. Higher numbers (up to 7) broaden the vocal soundstage. Use the Left/Right buttons to adjust.

Dimension: This setting affects the depth of the surround presentation, allowing you to “move” the sound toward the front or rear of the room. The setting of “0” is a neutral default. Setting “F-3” moves the sound toward the front of the room, while setting “R-3” moves the sound toward the rear. Use the Left/Right buttons to adjust it.

Panorama: With the Panorama mode turned on, some of the sound from the front speakers is moved to the surround speakers, creating an enveloping “wraparound” effect. Each press of the OK button toggles the setting On or Off.

Tone Control: This setting determines whether the treble and bass controls are active. When it’s set to Off, the tone controls are out of the circuit, with no changes to the sound. When it’s set to On, the bass and treble controls are in the circuit.

Treble/Bass: These settings boost or cut the treble or bass frequencies by up to 10dB. Use the Left/Right buttons to change the setting. The default setting is 0dB, at the center of the bar.

LFE Trim: This setting attenuates the loudness of the LFE signal to the subwoofer. The setting defaults to the maximum of 0dB. Press the Left/Right buttons to reduce the level by up to 10dB; the setting will appear as a negative number. NOTE: This setting is effective only when a dedicated LFE-channel signal is present in the source material.

MP3 Enhancer: This setting enhances the frequency range of MP3 audio tracks. Select On, or leave the enhancer at the default Off setting when you’re listening to non-MP3 audio.

EZ Set/EQ: This setting activates or deactivates the equalization settings obtained when the EzSet/EQ II process was run. The settings are saved for reactivation at a later listening session.

When you have finished making adjustments, press the Audio Effects button or the Back/ Exit button.

Video Processing

Your AVR uses leading-edge Faroudja DCDi Cinemavideo-processing technology. Incoming video signals may be upscaled up to 1080p for outstanding video quality, even with analog video sources. The Faroudja DCDi Cinema Dual 3D comb filters and 10-bit video processing eliminate the jagged edges and moiré patterns seen with less advanced processing. The AVR’s “Torino” video-processing circuitry generates on-screen graphics in high definition and blends them with the incoming video so that you can continue to watch a program while using the AVR’s system menus.

The AVR’s video processor automatically provides the best picture based on the capabilities of your video display and the incoming source video. You may experiment with the Video Modes menu adjustments to try to improve the picture further.

Adjust your video display’s picture settings before adjusting the AVR’s Video Modes settings. Access the picture settings from the Video Modes menu. Press the Video Modes button, and the Video Modes screen will appear. You can also access the menu by pressing the Info button and selecting Video Modes.

Video Modes – Blu-ray

Video Mode:

Movie

Picture Adjust:

Auto Fit

Overscan:

Off

Advanced Video Settings

 

NOTE: Each source has its own independent Video Modes settings.

Video Mode: The default setting of Off passes the video signal through to the display

with only basic video processing. (NOTE: Video scaling cannot be turned off, but selecting the HDMI Bypass mode in the Info menu for a source connected to one of the HDMI Input connectors passes the video signal directly from the HDMI input connector to the HDMI Monitor Out connector, bypassing all video processing.)

Select one of these processing options to optimize the picture for the current program by applying adjustments to the brightness, contrast, color and sharpness:

•• Sports: For sporting events.

•• Nature: For programs shot outdoors, in a natural setting.

•• Movie: For movies and many television broadcasts.

•• Custom: Lets you adjust the picture settings manually. The Brightness, Contrast, Color and Sharpness settings will appear as sliders with values ranging from 0 to 100. The default setting for each adjustment is 50. Use the Left/Right buttons to change each setting’s value. See How to Adjust the Custom Picture Settings, on page 35, for detailed information about making these adjustments.

Picture Adjust: This setting changes the aspect ratio (width:height ratio) of the displayed image. Widescreen (16:9) images are displayed on a full-screen (4:3) video display in letterbox format. Black bars may appear above and below the image.

When full-screen images appear on a widescreen video display, black or gray bars may appear to the left and right of the image (pillarboxing).

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Harman-Kardon AVR 3650, AVR 2650 owner manual Video Processing, Audio Effects Button, Center Width, Video Mode Movie

AVR 365, AVR 265, AVR 3650, AVR 2650 specifications

The Harman-Kardon AVR 2650 and AVR 3650 are part of a distinguished line of AV receivers that combine high-performance audio and video capabilities with sophisticated technology. Designed to enhance the home entertainment experience, these models stand out for their rich feature sets and exceptional sound quality.

The AVR 2650 is a 7.1-channel receiver that delivers 95 watts per channel, providing robust audio output for both movies and music. It boasts advanced audio processing technologies, including Dolby TrueHD and DTS-HD Master Audio, ensuring that every sound detail is faithfully reproduced. The inclusion of a USB port allows users to connect and play audio files directly from compatible devices, while built-in Bluetooth connectivity offers seamless streaming from smartphones and tablets.

In terms of video performance, the AVR 2650 supports 4K Ultra HD content and is equipped with HDMI inputs that facilitate multiple device connections. The unique Harman Kardon EzSet/EQ feature facilitates easy setup and calibration, optimizing the audio experience based on the room's acoustics for a perfect balance.

The AVR 3650, on the other hand, offers a more advanced setup with 9.1-channel processing and a higher output wattage of 105 watts per channel. This model is designed for audiophiles who demand the utmost in sound clarity and immersive experiences. The AVR 3650 boasts additional features, such as multi-zone capability, allowing users to enjoy different audio sources in multiple rooms simultaneously.

Both models incorporate advanced surround sound technologies, providing 3D audio immersion that complements modern films. Furthermore, these receivers feature HDMI pass-through, which allows for easy switching between high-definition sources without compromising signal quality. Moreover, the AVR series supports a variety of high-definition audio formats, ensuring playback of the latest audio technologies.

The AVR 265 and AVR 365 are earlier models but share core characteristics that define Harman-Kardon's legacy in the audio market. They offer similar surround sound capabilities and are engineered to provide outstanding audio fidelity. Compatible with various streaming services, these models ensure that users have access to a broad array of entertainment options right at their fingertips.

In summary, the Harman-Kardon AVR 2650 and AVR 3650, along with the AVR 265 and AVR 365, continue the brand's tradition of blending innovative technology with user-friendly design. Whether for casual listening or a full home theater setup, these receivers deliver stunning performance, making them an ideal choice for any audio enthusiast.