APPENDIX
Table A12 – continued
Surround Mode | Description | Incoming Bitstream or Signal | |
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| |
Dolby Pro Logic IIx | This mode is similar to Dolby Pro Logic II Music, including the | •• Dolby Digital 2/0/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1, EX | |
| Music | availability of center width, dimension and panorama adjustments. | •• Analog |
|
| Dolby Pro Logic IIx Music adds a surround back channel. | •• Tuner |
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|
| |
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| •• PCM (32kHz, 44.1kHz, 48kHz, 96kHz) |
|
|
| |
Dolby Pro Logic IIx | This mode is similar to Dolby Pro Logic II Game, with the added benefit | •• Dolby Digital 2/0/.0 or .1 | |
| Game | of a surround back channel. | •• Analog |
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|
| •• Tuner |
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| •• PCM (32kHz, 44.1kHz, 48kHz) |
|
|
| |
Harman Virtual Speaker | Simulates 5.1 channels when only two speakers are present, or a more | •• Dolby Digital enveloping sound field is desired. | |
|
| enveloping sound field is desired. | •• Analog |
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|
| •• Tuner |
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|
| •• PCM (32kHz, 44.1kHz or 48kHz) |
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|
| |
Dolby Virtual Speaker | When only two main speakers are present, the Reference mode | •• Dolby Digital (uses only | |
| Reference | virtualizes a full surround presentation with accurate localization. | signal does not contain center channel information) |
|
|
| •• Analog |
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|
| •• Tuner |
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|
| •• PCM (32kHz, 44.1kHz or 48kHz) |
|
|
| |
Dolby Virtual Speaker | When only two main speakers are present, the Reference mode | •• Dolby Digital (uses only | |
| Wide | virtualizes a full surround presentation with accurate localization. | signal does not contain center channel information) |
|
|
| •• Analog |
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|
| •• Tuner |
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|
| •• PCM (32kHz, 44.1kHz or 48kHz) |
|
|
| |
DTS Digital | Using a different encoding/decoding method than Dolby Digital, it also | •• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1, | |
|
| provides up to five discrete main channels, plus an LFE channel. | 2/2/.0 or .1, 3/2/.0 or .1 |
|
|
| •• |
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|
| •• |
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| |
•• | |||
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| modes, delivered via HDMI | |
|
| transmitted using a DTS core with |
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|
| when only DTS 5.1 surround sound is desired (or available, if the |
|
|
| multizone system is in use), the higher capacity of |
|
|
| serves up DTS at twice the bit rate used on |
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|
|
| |
•• | |||
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| of the studio master recording in up to 7.1 channels, for an incredibly | Master Audio technology, delivered via HDMI |
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| accurate performance. |
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| |
DTS Extended Surround adds a single surround back channel to DTS 5.1 | •• | ||
|
| digital surround sound. The Matrix version includes the surround back |
|
|
| channel information “matrixed” into the left and right (side) surround |
|
|
| channels, for compatibility with |
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|
|
| |
•• | |||
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| surround back channel, but this information is encoded discretely on |
|
|
| the disc, and is not derived from information contained in the surround |
|
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| channels. |
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| |
DTS Stereo | Delivers a | •• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1, 3/1/.0 or .1, | |
|
| 2/2/.0 or .1, 3/2/.0 or .1 | |
|
|
| •• DTS 96/24 |
|
|
| •• |
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|
| •• |
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| |
DTS Neo:6 | DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals | See below | |
Mode Group | and |
| |
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| presentation. |
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20