Harman MPMI, MFXI manual SECOND Guide MPMi, Mic

THE 60-SECOND GUIDE - MPMi

To get you working as fast as possible, this manual begins with a 60-second guide. Here you can find quick information on any feature of the console. .

																						28		25		20			16			31		32
		1		2		3		4		5		6		7		8		9		10		11		12								L	48V
		MIC		MIC		MIC		MIC		MIC		MIC		MIC		MIC		MIC		MIC		MIC		MIC									PHANTOM POWER
																									L			L				REC
1																																OUT
																									MONITOR OUT			SUB OUT			MONO
																															OUT	R
																									R			R				L
2																																			15
	LINE		LINE		LINE		LINE		LINE		LINE		LINE		LINE		LINE		LINE		LINE		LINE									IN	MIX-L
																									AUX1			AUX2			AUX3
																									OUT			OUT			OUT	2TRK
	INSERT		INSERT		INSERT		INSERT		INSERT		INSERT		INSERT		INSERT		INSERT		INSERT		INSERT		INSERT
3																																R
																																2TRK
																									L			L				LEVEL	MIX-R		29
4	GAIN		GAIN		GAIN		GAIN		GAIN		GAIN		GAIN		GAIN		GAIN		GAIN		GAIN		GAIN										HEADPHONES
																									[MONO]			[MONO]			0	10
																																			24
																									R			R			TO MIX
																									STEREO 1						TO				30
5																															MNTR		LEVEL
	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3	HF 3	0+ 3		GAIN				GAIN
	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6											23
	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9
	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12									0	10
	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	-10	20dB		-10		20dB			AUX1
	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	MF	750	3	0+ 3	HF	3	0+	3	HF
																																	MST
																									6		6	6			6
																									9		9	9			9
6																									12		12	12			12		0	10
	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	150	3.5k	15	15		15		15
	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3	3	0+ 3 MF		3	0+ 3 MF				AFL
	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6		6	6			6
	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9		9	9			9		AUX2
	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12		12	12			12		MST
	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15		15		15
	LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		LF 3 0+ 3		3 0+ 3 LF			3 0+ 3 LF					AFL	10	26
	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6	6		6	6			6		0
	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9	9		9	9			9
	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12	12		12	12			12				27
	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15	15		15		15
	AUX1		AUX1		AUX1		AUX1		AUX1		AUX1		AUX1		AUX1		AUX1		AUX1		AUX1		AUX1			AUX1				AUX1			POST
																																	PRE

																																											AUX3
	0		10	0		10	0		10	0		10	0		10	0		10	0		10	0		10	0		10		0	10	0		10	0		10	0	10	0	10			MST
7	AUX2			AUX2			AUX2			AUX2			AUX2			AUX2			AUX2			AUX2			AUX2			AUX2			AUX2			AUX2				AUX2		AUX2
																																											0	10
	0		10	0		10	0		10	0		10	0		10	0		10	0		10	0		10	0		10		0	10	0		10	0		10	0	10	0	10			AFL
	AUX3			AUX3			AUX3			AUX3			AUX3			AUX3			AUX3			AUX3			AUX3			AUX3			AUX3			AUX3				AUX3		AUX3		MNTR	MIX / SOLO
																																										LEVEL		16	21
																																												10
	0		10	0		10	0		10	0		10	0		10	0		10	0		10	0		10	0		10		0	10	0		10	0		10	0	10	0	10	0	10		6
8																																												-3	22
	PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		PAN	0		0	BAL	0	BAL				3
																																									MIX
																																												0
																																									SUB
	L		R	L		R	L		R	L		R	L		R	L		R	L		R	L		R	L		R		L	R	L		R	L		R	L	R	L	R	STE			-6	19
																																									MNO
																																												-12
9	1			2			3			4			5			6			7			8			9			10			11			12			STE1		STE2
																																									SUB TO			-16
	MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE		MUTE		MIX			-22
																																													17
10	PFL			PFL			PFL			PFL			PFL			PFL			PFL			PFL			PFL				PFL		PFL			PFL			PFL		PFL
11	MIX			MIX			MIX			MIX			MIX			MIX			MIX			MIX			MIX				MIX		MIX			MIX			MIX		MIX
	SUB			SUB			SUB			SUB			SUB			SUB			SUB			SUB			SUB				SUB		SUB			SUB			SUB		SUB
			PK			PK			PK			PK			PK			PK			PK			PK			PK			PK			PK			PK		PK		PK			SOLO		PWR
12
			SP			SP			SP			SP			SP			SP			SP			SP			SP			SP			SP			SP		SP		SP
13			10			10			10			10			10			10			10			10			10			10			10			10		10		10		10	10
			5			5			5			5			5			5			5			5			5			5			5			5		5		5		5	5
14																																													18
			0			0			0			0			0			0			0			0			0			0			0			0		0		0		0	0
			-5			-5			-5			-5			-5			-5			-5			-5			-5			-5			-5			-5		-5		-5		-5	-5
			-10			-10			-10			-10			-10			-10			-10			-10			-10			-10			-10			-10		-10		-10		-10	-10
			-20			-20			-20			-20			-20			-20			-20			-20			-20			-20			-20			-20		-20		-20		-20	-20
			-30			-30			-30			-30			-30			-30			-30			-30			-30			-30			-30			-30		-30		-30		-30	-30

123456789101112STE1 STE2SUB-L SUB-R MIX

1	MIC INPUT (XLR)	Connect Microphones here. If you are using a condenser mic, ensure phantom
		power is supplied by pressing the switch at the top of the master section.
		WARNING: Do Not apply Phantom Power before
	LINE INPUT (¼” Jack)	connecting a microphone.
2		Connect Line level sources here, e.g. Synth, Drum Machine, DI etc.
3	INSERT POINT (¼” Jack)	Connect Signal processors here, e.g. Compressor, Gate etc.
4	GAIN CONTROL	Adjust this to increase or decrease the level of the incoming signal.
5 HPF		The high-pass filter reduces the level of bass frequencies only. Use this in live PA
		situations to reduce stage rumble or ‘popping’ from mics.
6	EQ STAGE	Adjust these controls to change the signal tone (the character of the signal).
7 AUX SENDS		Adjust these controls to change the level of the signal to an artist’s monitors
		(headphones/in-ear/stage monitors). Aux 1 send is pre-fade. Aux 2 is globally
		switchable pre/post fade, Aux 3 send is post-fade
8 PAN CONTROL		Use this control to position the signal within the stereo field.
9 MUTE SWITCH		When this is pressed you will hear no signal from the channel.
10 PFL		When pressed the signal will appear on the monitor and headphone outputs - use
		this to monitor the post-EQ signal from the channel.
11 MIX/SUB SWITCH		When this switch is up, the channel’s post-pan-pot signal is routed to the Mix (left
		and right) buses. When the switch is depressed, the post-pan-pot signal is routed
		to the Sub-group (left and right) buses.

14 Soundcraft MFXi MPMi User Guide Issue 1210