Hughes & Kettner Tape Delay Simulator manual Introduction, English, Safety Note, A Tape Recording

REPLEX-MANUAL

DRIVE	SAT OUTPUT	REVERB			DELAY	SINGLE HEAD	DUAL HEAD	SECOND HEAD
		VOLUME	VOLUME	FEEDBACK VINTAGE FACTOR		TIME	TIME	VOLUME

BYPASS	REVERB	SINGLE HEAD	DUAL HEAD
		DELAY	DELAY

CONGRATULATIONS AND THANK YOU FOR CHOOSING A HUGHES & KETTNER REPLEX!

Like all members of the Hughes & Kettner Tube Tools Series, the REPLEX is a thoroughly musical tool for professional musicians. It was made in Germany with a dedication to impeccable workmanship and was designed for absolute stage-worthiness. Featuring an innovative combination of analog tube circuitry and digital effects, the REPLEX captures the advantages of both worlds in a single device. On the one hand, you get the musical expressiveness of authentic tube circuitry and, on the other, leading-edge technology and maximum reliability.

REPLEX faithfully replicates the effects of vintage tape echo devices and tube reverb amps. Perhaps the most remarkable feature of the REPLEX is the Vintage Factor knob. Set to the far left position, it generates the standard effect of a digital delay. As you rotate the knob clockwise, the device delivers the sound of vintage echo devices, pumping out complex distortion and frequency modulations with increasing intensity.

Two different tape-delay types (single or dual-head), the reverb section, and a true hardwire bypass may all be activated via footswitches.

WE WISH YOU ALL THE FUN AND SUCCESS IN THE WORLD WITH THE TONE OF YOUR NEW REPLEX!

1. INTRODUCTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

2. JACKS AND CONTROL FEATURES . . . . . . . . . . . . . . . .6 2.1 CABLE CONNECTIONS . . . . . . . . . . . . . . . . . . . . . . . .6 2.2 KNOBS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 2.3 SWITCHES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

3. TROUBLESHOOTING . . . . . . . . . . . . . . . . . . . . . . . . . .6

4. TECHNICAL SPECIFICATIONS . . . . . . . . . . . . . . . . . . .6

SAFETY NOTE:

Please bear in mind that the tube installed in the REPLEX is a powered high-voltage component. Never open up the chassis of the Replex yourself; take the device to a qualified, certified technician for service or repairs.

Warning: Use the original AC power supply only. The REPLEX is a tube-driven device that draws a relatively great amount of current for a stomp box. A less powerful power supply will self-destruct and take the Replex with it.

Using the wrong power supply can cause a fire and lead to further damage and injury. Use only the original AC power supply.

1. INTRODUCTION

If you have never used an actual tape echo device, the following section should give you an idea of what these vintage beasts are all about. It describes how this type of device works and what its primary features are:

A) TAPE RECORDING:

In contrast to a normal digital delay, which generates a 1:1 copy of the original signal, many factors influence the tone of a tape echo device. The original signal is recorded by a magnetic tape recorder. The recorded signal is played back after a certain amount of delay time, whereby the playback signal is subject to mechanical influences as well as tape saturation and the momentary quality of the tape dependent on wear. This creates unique distortion and frequency modulations that conventional digital delays simply are not capable of emulating.

In addition, vintage tape echo devices were equipped with tube circuits that generated harmonic distortion at higher recording levels. This audio enhancement merged with the side effects of magnetic tape recording to create a very musical tone that, even in today’s age of diversity, sounds entirely unique.

B) TUBE CIRCUITRY:

When driven at higher levels, tubes generate a very soft and musical brand of distortion. The response of tubes to the level of input signals is highly complex - they compress signals and generate a rich spectrum of overtones.

ENGLISH

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