Application examples

DDS allows for a simultaneous change of speed and tune during record and playback. From alignment to other sources up to creative effects – everything is possible..

DDS allows to intentionally de-tune the complete DAW. This way, the DAW can match instru- ments which have a wrong or unchangeable tuning.

DDS allows to define a specific sample rate. This feature can be is useful in case the system randomly changes the sample rate – for unknown reasons. It also prevents a change from Dou- ble Speed (96 kHz) to Single Speed (48 kHz), which would cause configuration and routing problems by the changed amount of ADAT channels.

11.3 Clock Modes - Synchronization

In the digital world, all devices must be either ‘Master’ (clock source) or ‘Slave’ synchronized to a master. Whenever several devices are linked within a system, there must always be a single master clock. The Fireface's intelligent clock control is very user-friendly, being able to switch between clock modes automatically. Selecting AutoSync will activate this mode.

In AutoSync mode, the system constantly scans all digital inputs for a valid signal. If any valid signal is found, the Fireface switches from the internal quartz (System Clock – Mode displays 'Master') to a clock extracted from the input signal (System Clock - Mode displays 'Slave'). The difference to a usual slave mode is that whenever the clock reference fails, the system will automatically use its internal clock and operate in 'Master' mode.

AutoSync guarantees that record and record-while-play will always work correctly. In certain cases however, e.g. when the inputs and outputs of a DAT machine are connected directly to the Fireface 800, AutoSync may cause feedback in the digital carrier, so synchronization breaks down. To remedy this, switch the Fireface’s clock mode over to 'Master'.

Remember that a digital system can only have one master! If the Fireface’s clock mode is set to 'Master', all other devices must be set to ‘Slave’.

The Fireface's ADAT optical and SPDIF inputs operate simultaneously. Because there is no input selector however, the Fireface 800 has to be told which of the signals is the sync refer- ence (a digital device can only be clocked from a single source). Via Pref. Sync Ref (preferred synchronization reference) a preferred input can be defined. As long as the card sees a valid signal there, this input will be designated as the sync source.

The Fireface has been equipped with an automatic clock source selection, which adopts the first available input with a valid digital signal as the clock reference input. If none of the inputs are receiving a valid signal, the card automatically switches clock mode to ‘Master’. The input currently used as sync reference is shown in the AutoSync Ref status field, together with its sample frequency.

To cope with some situations which may arise in studio practice, defining a sync reference is essential. One example: An ADAT recorder is connected to the ADAT input (ADAT immediately becomes the AutoSync source) and a CD player is connected to the SPDIF input. Try recording a few samples from the CD and you will be disappointed. Few CD players can be synchronized. The samples will inevitably be corrupted, because the signal from the CD player is read with the (wrong) clock from the ADAT i.e. out of sync. In this case, Pref Sync Ref should be temporarily set to SPDIF.

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User's Guide Fireface 800 © RME

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Intel Fireface 800 manual Clock Modes Synchronization, Application examples
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Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.
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