31.14 Level Meter

The Fireface 800 calculates all the display values Peak, Over and RMS in hardware, in order to be capable of using them independent of the software in use, and to significantly reduce the CPU load.

Tip: This feature, the Hardware Level Meter, is used by DIGICheck (Windows only, see chap- ter 16) to display Peak/RMS level meters of all channels, nearly without any CPU load.

The level meters integrated in TotalMix - considering their size - cannot be compared with DIGICheck. Nevertheless they already include many useful functions.

Peak and RMS is displayed for every channel. 'Level Meter Setup' (menu Options or F2) and direct keyboard entry (hotkeys) make various options available:

•Display range 40 or 60 dB (hotkey 4 or 6)

•Release time of the Peak display (Fast/Medium/Slow)

•Numerical display selectable either Peak or RMS (Hotkey E or R)

•Number of consecutive samples for Overload display (1 to 15)

•RMS display absolute or relative to 0 dBFS (Hotkey 3 or 0)

The latter is a point often overlooked, but nonetheless important. A RMS measurement shows 3 dB less for sine signals. While this is mathematically correct, it is not very reasonable for a level meter. Therefore the RMS readout is usually corrected by 3 dB, so that a full scale sine signal shows 0 dBFS on both Peak and RMS me- ters. This setting also yields directly readable signal-to- noise values. Otherwise the value shown with noise is 3 dB better than it actually is (because the reference is not 0 dB, but -3 dB). For example in WaveLab.

The value displayed in the text field is independent of the setting 40/60 dB, it represents the full 24 bit range of the RMS measurement, thus making possible a SNR meas- urement 'RMS unweighted', which you would otherwise need extremely expensive measurement devices for. An example: An RME ADI-8 DS connected to the Fireface's ADAT port will show around -113 dBFS on all eight channel's input level meters.

This level display will constantly bring the reduced dy- namic range of your equipment, maybe of the whole

studio, in front of your eyes. Nice to have everything 24 bit - but still noise and hum everywhere in the range around -90 dB or worse... sorry, but this is the disappointing reality. The up-side about it is that TotalMix allows for constantly monitoring the signal quality without effort. Thus it can be a valuable tool for sound optimization and error removal in the studio.

Measuring SNR (Signal to Noise) requires to press R (for RMS) and 0 (for referring to 0 dBFS, a full scale signal). The text display will then show the same value as an expensive measurement system, when measuring ‘RMS unweighted’.

User's Guide Fireface 800 © RME

75

Page 74 Page 76
Page 75
Image 75
Intel Fireface 800 manual Level Meter
Page 74 Page 76

Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.
Top Page Image Contents