A gain field marked orange indicates activated mute status. Mute can only be changed in the mixer view.

A blue field indicates phase inversion. This state is displayed in the Matrix only, and can only be changed within the Matrix view. Hold down the Shift-key while clicking on an already activated field. Mute overwrites the phase display, blue becomes orange. If mute is deactivated the phase inversion is indicated again.

32.4 Advantages of the Matrix

The Matrix not always replaces the mixer view, but it significantly enhances the routing capabili- ties and - more important - is a brilliant way to get a fast overview of all active routings. It shows you in a glance what's going on. And since the Matrix operates monaural, it is very easy to set up specific routings with specific gains.

Example 1: You want TotalMix to route all software outputs to all corresponding hardware out- puts, and have a submix of all inputs and software outputs on the Phones output (equals factory preset 2). Setting up such a submix is easy. But how to check at a later time, that all settings are still exactly the way you wanted them to be, not sending audio to a different output?

The most effective method to check a routing in mixer view is the Submix View, stepping through all existing software outputs, and having a very concentrated look at the faders and displayed levels of each routing. That doesn't sound comfortably nor error-free, right? Here is where the Matrix shines. In the Matrix view, you simply see a line from upper left to lower right, all fields marked as unity gain. Plus two rows vertically all at the same level setting. You just need 2 seconds to be sure no unwanted routing is active anywhere, and that all levels match precisely!

Example 2: The Matrix allows you to set up routings which would be nearly impossible to achieve by fiddling around with level and pan. Let's say you want to send input 1 to output 1 at 0 dB, to output 2 at -3 dB, to output 3 at -6 dB and to output 4 at -9 dB. Each time you set up the right channel (2/4), the change in pan destroys the gain setting of the left channel (1/2). A real hassle! In Matrix view, you simply click on the corresponding routing point, set the level via Ctrl- mouse, and move on. You can see in TotalMix view how pan changes to achieve this special gain and routing when performing the second (fourth...) setting.

33. TotalMix Super-Features

33.1 ASIO Direct Monitoring (Windows only)

Start Samplitude, Sequoia, Cubase or Nuendo and TotalMix. Activate ADM (ASIO Direct Moni- toring), and move a fader in the ASIO host. Now watch the corresponding fader in TotalMix magically move too. TotalMix reflects all ADM gain and pan changes in realtime. Please note that faders only move when the currently activated routing (currently visible routing) corre- sponds to the one in the ASIO host. Also note that the Matrix will show any change, as it shows all possible routings in one view.

With this TotalMix has become a wonderful debugging tool for ADM. Just move the host's fader and pan, and see what kind of ADM commands TotalMix receives.

The hardware output row faders are included in all gain calculations, in every possible way. Example: you have lowered the output level of a submix, or just a specific channel, by some dB. The audio signal passed through via ADM will be attenuated by the value set in the third row.

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Intel Fireface 800 manual TotalMix Super-Features, Advantages of the Matrix, Asio Direct Monitoring Windows only
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Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.
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