Back to AN1/2. Now you can change all the faders of all inputs and playback channels just as you like, thus making any input and playback signals audible via the outputs AN1/2. The pano- rama can be changed too. Click into the area above the fader and drag the green bar in order to set the panorama between left and right. The level meters of the third row display the level changes in real-time.

You see, it is very easy to set up a specific submix for whatever output: select output channel, set up fader and pans of inputs and playbacks – ready!

For advanced users sometimes it makes sense to work without Submix View. Example: you want to see and set up some channels of different submixes simultaneously, without the need to change between them all the time. Switch off the Submix View by a click on the green button. Now the black routing fields below the faders no longer show the same entry (AN1/2), but com- pletely different ones. The fader and pan position is the one of the individually shown routing destination.

In playback channel 1 (middle row), labeled Out 1, click onto the routing field below the label. A list pops up, showing a checkmark in front of 'AN 1+2' and 'Phones'. So currently playback channel 1 is sent to these two routing destinations. Click onto 'AN 7+8'. The list disappears, the routing field no longer shows 'AN1+2', but 'AN 7+8'. Now move the fader with the mouse. As soon as the fader value is unequal m.a., the present state is being stored and rout- ing is activated. Move the fader button to around 0 dB. The pre- sent gain value is displayed below the fader in green letters.

In the lower row, on channel 7, you can see the level of what you are hearing from output 7. The level meter of the hardware output shows the outgoing level. Click into the area above the fader and drag the mouse in order to set the panorama, in this case the rout- ing between channels 7 and 8. The present pan value is also be- ing displayed below the fader.

Please carry out the same steps for Out 2 now, in order to route it to output 8 as well.

In short: While editing the Submix AN7/AN8 you have direct ac- cess to other submixes on other channels, because their routing fields are set to different destinations. And you get a direct view of how their faders and panoramas are set up.

This kind of visual presentation is a mighty one, but for many users it is hard to understand, and it requires a deep under- standing of complex routing visualizations. Therefore we usu- ally recommend to work in Submix View.

Often signals are stereo, i. e. a pair of two channels. It is therefore

helpful to be able to make the routing settings for two channels at once. Hold down the Ctrl-key and click into the routing field of Out 3. The routing list pops up with a checkmark at 'AN 3+4'. Select 'AN 7+8'. Now, Out 4 has already been set to 'AN 7+8' as well.

When you want to set the fader to exactly 0 dB, this can be difficult, depending on the mouse configuration. Move the fader close to the 0 position and now press the Shift-key. This activates the fine mode, which stretches the mouse movements by a factor of 8. In this mode, a gain setting accurate to 0.1 dB is no problem at all.

User's Guide Fireface 800 © RME

67

Page 66 Page 68
Page 67
Image 67
Intel manual Users Guide Fireface 800 RME
Page 66 Page 68

Fireface 800 specifications

The Intel Fireface 800 is a powerful audio interface celebrated for its high-performance capabilities and versatility in both studio and live settings. Designed to cater to the needs of musicians, producers, and sound engineers, it stands out with its rich feature set and reliable technology.

One of the defining features of the Fireface 800 is its support for an impressive 26 input and 28 output channels. This extensive I/O configuration facilitates seamless integration with a wide variety of audio production setups, allowing users to record multiple instruments simultaneously or create complex routing scenarios. The unit also boasts top-notch analog and digital converters, ensuring pristine sound quality with a dynamic range that captures the nuances of any audio source.

In terms of connectivity, the Fireface 800 is equipped with both FireWire and USB ports, making it compatible with a range of computers and devices. The device utilizes the FireWire 800 protocol, which delivers higher data transfer rates compared to its predecessor. This efficient transfer capability is crucial for maintaining audio fidelity and reducing latency, making it an ideal choice for real-time monitoring and recording.

The Fireface 800 also features standalone operation capabilities, functioning independently of a computer when needed. This is particularly useful for live performances, where reliability and reduced setup complexity are essential. Users can easily connect microphones, instruments, and other equipment directly to the Fireface 800, making it a versatile tool for a variety of scenarios.

With its low-latency driver technology, the Fireface 800 ensures smooth performance even when handling demanding audio tasks. Its advanced ADAT and S/PDIF digital inputs and outputs provide further flexibility for connecting other gear, such as additional preamps and effects processors.

Another noteworthy characteristic of the Fireface 800 is its robust build quality. Designed for regular use in professional environments, the unit features a rugged metal chassis that can withstand the rigors of transport and daily use. This ensures longevity and consistent performance for audio professionals who depend on reliable equipment day in and day out.

In summary, the Intel Fireface 800 is a versatile and powerful audio interface that caters to a wide spectrum of audio production needs. With its extensive I/O capabilities, high-quality converters, reliable connectivity options, and robust design, it continues to be a popular choice among audio professionals striving for excellence in their work.
Top Page Image Contents