70 EN

 

TROUBLESHOOTING (cont.)

 

Advanced features

 

 

 

 

 

 

 

 

 

 

 

 

 

SYMPTOM

 

POSSIBLE CAUSES

 

CORRECTIVE ACTION

 

13.

The focus does not adjust

13.

•Focus is set to the Manual

13.

•Set Focus to the Auto mode.

 

 

automatically.

 

mode.

 

( pg. 45)

 

 

 

 

•The recording was done in a

 

•Clean the lens and check the

 

 

 

 

dark place, or the contrast

 

focus again. ( pg. 77)

 

 

 

 

was low.

 

 

 

 

 

 

•The lens is dirty or covered

 

 

 

 

 

 

with condensation.

 

 

 

 

 

 

 

 

 

 

14.

In the 5-Second mode,

14.

•The 5-Second mode is set to

14.

•Set “5S” to “5S” in MANUAL

 

 

recording ends before

 

“Anim.” in MANUAL Menu.

 

Menu. ( pg. 31, 36)

 

 

5 seconds have elapsed.

 

 

 

 

 

 

 

 

 

 

 

 

15.

Snapshot mode cannot be

15.

•The Squeeze mode

15.

•Disengage the Squeeze

 

 

used.

 

(SQUEEZE) is selected.

 

(SQUEEZE) mode.

 

 

 

 

 

 

( pg. 31, 36)

 

 

 

 

 

 

 

 

16.

The colour of Snapshot looks

16.

•The light source or the

16.

•Find a white subject and

 

 

strange.

 

subject does not include

 

compose your shot so that it

 

 

 

 

white. Or there are various

 

also appears in the frame.

 

 

 

 

different light sources behind

 

( pg. 23, 42)

 

 

 

 

the subject.

 

•Disengage the Sepia (SEPIA)

 

 

 

 

•The Sepia (SEPIA) or

 

and Monotone

 

 

 

 

Monotone (MONOTONE)

 

(MONOTONE). ( pg. 31,

 

 

 

 

mode is activated.

 

33)

 

 

 

 

 

 

 

 

17.

The image taken using

17.

•Shooting was performed

17.

•Press BACK LIGHT.

 

 

Snapshot is too dark.

 

under backlit conditions.

 

( pg. 47)

 

 

 

 

 

 

 

 

18.

The image taken using

18.

•The subject is too bright.

18.

•Set “r” to “SPOTLIGHT”.

 

 

Snapshot is too bright.

 

 

 

( pg. 33)

 

 

 

 

 

 

 

 

19.

White Balance cannot be

19.

•The Sepia (SEPIA) or

19.

•Disengage the Sepia (SEPIA)

 

 

activated.

 

Monotone (MONOTONE)

 

or Monotone (MONOTONE)

 

 

 

 

mode is activated.

 

mode before setting White

 

 

 

 

 

 

Balance. ( pg. 33)

 

 

 

 

 

 

 

 

20.

Wipe/Fader effects do not

20.

•The Power Switch is set to

20.

•Set the Power Switch to “M”.

 

 

work.

 

“A”.

 

( pg. 13)

 

 

 

 

 

 

 

 

21.

The Black & White Fader does

21.

•The Sepia (SEPIA) or

21.

•Disengage the Sepia (SEPIA)

 

 

not work.

 

Monotone (MONOTONE)

 

and Monotone

 

 

 

 

mode is activated.

 

(MONOTONE).

 

 

 

 

 

 

( pg. 31, 33)

 

 

 

 

 

 

 

 

22.

Program AE with special

22.

•The Power Switch is set to

22.

•Set the Power Switch to “M”.

 

 

effects does not work.

 

“A”.

 

( pg. 13)

 

 

 

 

 

 

 

 

23.

The image looks like the

23.

•When shooting in the dark,

23.

•If you want the lighting to

 

 

shutter speed is too slow.

 

the unit becomes highly

 

look more natural, set “GAIN

 

 

 

 

sensitive to light when

 

UP” to “AGC” or “OFF”.

 

 

 

 

“GAIN UP” is set to

 

( pg. 31, 35)

 

 

 

 

“AUTO”.

 

 

 

 

 

 

 

 

 

Page 70
Image 70
JVC GR-DV4000, GR-DV5000 instruction manual 70 EN, Advanced features, Press Back Light

GR-DV4000, GR-DV5000 specifications

The JVC GR-DV5000 and GR-DV4000 are compact digital camcorders that emerged in the early 2000s, representing a significant advancement in consumer video technology. Designed for both amateur and semi-professional videographers, these models are equipped with a variety of features and technologies that enhance their usability and video quality.

One of the main highlights of the GR-DV5000 is its 3CCD technology. Unlike traditional single-chip systems, the 3CCD setup uses three separate charge-coupled devices to capture light, which significantly improves color accuracy and depth. This technology allows for vibrant, true-to-life colors, making it an excellent choice for capturing critical moments in life such as weddings or family events. The GR-DV4000, while slightly lower in specification, also showcases commendable performance, providing a good balance of features and affordability.

Both camcorders feature a 10x optical zoom lens, allowing users to get close to their subjects without compromising image quality. This zoom capability is crucial for remote shots, ensuring versatility in various shooting environments, from expansive outdoor scenes to intimate indoor gatherings. The digital zoom feature extends this further, but for professional results, the optical zoom is always preferred.

The GR-DV5000 comes with enhanced manual controls that give videographers more creative freedom. Users can adjust the focus, exposure, and white balance settings manually, which is particularly beneficial when shooting in challenging lighting conditions. On the other hand, the GR-DV4000 focuses more on ease of use, making it perfect for casual users who want to point and shoot without delving deeply into technical settings.

In terms of connectivity and storage, both models utilize MiniDV tapes, which were popular for their capacity to store high-quality video. While this format may seem outdated, it provides reliable playback and archiving without the complications sometimes associated with digital storage.

The LCD screen on both camcorders facilitates easy framing and playback of footage, while the ergonomic design ensures comfort during extended use. The JVC GR-DV5000 also features a built-in stabilization system to help reduce shake during handheld shooting, further enhancing video quality.

In summary, the JVC GR-DV5000 and GR-DV4000 are remarkable camcorders that showcase the technological advancements of their time. Their standout features, such as 3CCD technology, optical zoom, and user-friendly controls, make them valuable tools for capturing memorable moments with clarity and precision. Whether for a professional project or casual use, these camcorders have cemented their place in the history of digital video recording.