JVC Professional

APRIL 2007

NAB-2007

The ProHD Report

The HD delivery method is ATSC OTA or QAM CATV, both being relatively equal in full bandwidth quality at their higher bitrates. (I.e. the use of sufficient bits in the

19.4ATSC transmission for the primary HD channel, and not compromise the

encoding quality due to squeezing multiple channels through the ATSC pipe.) Thus we assume 1920x1080i60 and 1280x720p60 at 4:2:0 consumer delivery is the pipe limitation, thus the benchmark in practical terms is a live HD studio camera (full

HD bandwidth 4:2:2 at 10-bit depth, HD-SDI out) at the TV station shooting a well lit (news) set, with real-time delivery over ATSC OTA to the home HDTV.

Interlaced HD on a Progressive HDTV?

Viewing in HD is by definition viewing on a progressive HDTV, as all HDTVs sold today are of the progressive kind, with a refresh rate of 60 frames per second. (We forget about the very few CRT-based HDTVs still being sold.) The ATSC 720p60 progressive standard is of course no problem, as it maps frame by frame, and, if a native 1280x720p60 HDTV, pixel by pixel.

But, when receiving the ATSC 1080i60 OTA, the interlaced HD video must be de- interlaced, as the progressive display must draw the entire screen 60 times per second. All current displays except for CRT screens require to de-interlace 1080i. In theory, there is no reason why LCD, DLP or Plasma displays could not display two fields sequentially, but the requirement that half of the pixels remain black half of the time would result in less (half?) perceived brightness. Remember that interlaced CRTs are made with phosphorous material which illuminates when hit by the scanning electron beam through a mask, and the phosphor has an intended “illumination decay time” while a pixel in a new non-CRT display is either on (with the appropriate intensity) or off, without any intended (longer) decay time.

De-interlacing is an imperfect process and how much of the delivered ATSC OTA 1080i resolution is lost in the de-interlacing process? And, remember, in the home HDTV, de-interlacing must be a real-time process with low latency. We assume that the de-interlacing/conversion process from 1080i to progressive produces a loss in perceived resolution more or less equal to the Kell/Interlace factor of 0.7.

The pixels/sec benchmark (ATSC 4:2:0) presented to the viewer is then:

1280x720p60 x 1.5 = 83 million pixels/sec (no Kell/I reduction, progressive) Luminance 1280x720p60 = 55 million

Chrominance = 28 million

1920x1080i60 x 1.5 (x 70%) = 65 million pixels/sec (Kell/I reduced to 70%) Luminance 1920x1080i60 = 44 million

Chrominance = 21 million

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NAB-2007 specifications

The JVC NAB-2007 is a notable entry in the world of professional broadcasting and production equipment, showcased by JVC at the National Association of Broadcasters (NAB) Show in 2007. This camcorder was designed to meet the demanding needs of videographers and broadcasters, emphasizing high-definition video quality and advanced technology.

One of the standout features of the JVC NAB-2007 is its ability to capture high-definition video in various formats. It supports both 720p and 1080i resolutions, allowing users to choose the format that best fits their production needs. This flexibility has made it a popular choice among filmmakers, event videographers, and news organizations looking for quality in their content creation.

The camcorder utilizes JVC’s advanced HD CMOS technology, which enhances image quality by providing better low-light performance and reducing noise. This is coupled with a powerful optical zoom lens that enables users to capture detailed shots from a distance, making it ideal for dynamic shoots where proximity to the subject may be limited.

Another key feature of the JVC NAB-2007 is its ergonomic design, which is crafted for ease of use during extended shooting sessions. The camera is lightweight yet robust, providing operators with comfort and stability. Additionally, the user interface is intuitive, allowing for quick adjustments to settings without disrupting the workflow.

Built-in stabilization features further enhance the usability of the JVC NAB-2007, ensuring that footage remains smooth even during handheld operation. This is particularly advantageous for documentary shoots or on-the-go filming where traditional stabilization rigs may be impractical.

Connectivity options are expansive on the JVC NAB-2007, including HDMI and component outputs, enabling seamless integration with various editing systems and broadcast environments. The camcorder also includes features for live broadcasting, making it versatile for both recorded and real-time production scenarios.

In summary, the JVC NAB-2007 encapsulates a blend of impressive features, cutting-edge technology, and user-centric design, making it a suitable choice for professionals in the broadcasting and film industries seeking reliable and high-quality performance in their equipment.
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