![](/images/new-backgrounds/1139737/13973783x1.webp)
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| Simply pressing the | ||
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| grammed and automatic functions in the | ||
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| The camera’s systems work together to bring professional results leav- | ||
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| 1 |
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| ing the operator free to concentrate on aesthetic decisions. The pro- | ||||
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| auto button affects functions in either the recording or movie modes (p. | |||||
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| 105) only when the mode is in use. | ||
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| Digital subject program |
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| Canceled (p. 32) | |||||
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| Exposure mode |
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| Program (p. 53) | |||||
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| Drive mode |
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| Focus mode |
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| Single AF (p. 83) | |||||
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| Autofocus area |
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| Wide (p. 44) | |||||
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| White balance |
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| Auto white balance (p. 67) | |||||
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| Metering mode |
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| Exposure compensation |
| 0.0 (p. 74) | ||||||
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| Contrast compensation |
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| 0 (p. 76) | |||||
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| 0 (p. 77) | |||||||
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| Filter |
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| 0 (p. 77) | |||||
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| Flash control |
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| ADI metering (p. 94) | |||||
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| Flash compensation |
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| 0.0 (p. 74) | |||||
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| Flash mode |
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| Fill or | |||||
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| Sharpness |
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| Normal (p. 99) | |||||
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*The flash mode is reset to whichever of the two modes was set last.
The last camera settings before the
42ADVANCED RECORDING