20/20 AD User Guide | Using the 20/20 AD |
In | LINK |
compressed independently. When the LINK switch is on, the louder of the two |
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channels sets the amount of compression. This serves the same function as |
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“stereo link” in analog compressors. When you are recording a stereo signal and |
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want to maintain the stereo image, LINK should be on. However, if you have the |
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compressor set up to protect against short overloads, or if you have the release |
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time set to 0, keeping LINK off will probably sound better. When recording two |
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mono signals, LINK should be off. |
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In |
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3 and 4 are linked in stereo pairs. When the link switch is on, all four channels |
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are linked. (There is no way to compress four mono signals.) |
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When the DISPLAY switch is on, the level meters indicate the amount of DISPLAY compressor gain reduction in each channel. This shows the amount that gain (in
dB) which is being reduced as the input level exceeds the threshold.
The 20/20 AD provides two sets of digital audio output connectors with three Digital Audio Outputs connectors in each set. In
and CH2, the second set contains CH3 and CH4. In
Each set of digital outputs contains three connectors: an XLR connector which transmits AES3 digital audio, an RCA connector which transmits an S/PDIF- compatible digital audio signal, and a
Pin 1 of the AES outputs is connected to system ground through jumpers W26 and W27. If the shield is connected to ground at the receiver end, these jumpers should be opened. Note that, because of the transformer or optical isolation, it is not necessary to connect the ground between the 20/20 AD and the equipment receiving the digital audio data, regardless of which output type you choose.
As mentioned above, only appropriate
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