20/20 AD User Guide | Using the 20/20 AD |
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0.0 | 2.00k | 4.00k | 6.00k | 8.00k | 10.0k | 12.0k | 14.0k | 16.0k | 18.0k | 20.0k |
Plot of noise + distortion vs. frequency for the 20/20 AD in 2- channel mode with a
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0.0 | 2.00k | 4.00k | 6.00k | 8.00k | 10.0k | 12.0k | 14.0k | 16.0k | 18.0k | 20.0k |
WIDE dither is added before truncation. Noise floor is ele- vated further, but harmonic distortion is removed.
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0.0 | 2.00k | 4.00k | 6.00k | 8.00k | 10.0k | 12.0k | 14.0k | 16.0k | 18.0k | 20.0k |
PONS dither. Noise floor is down almost to the untruncated level in the critical band
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0.0 | 2.00k | 4.00k | 6.00k | 8.00k | 10.0k | 12.0k | 14.0k | 16.0k | 18.0k | 20.0k |
20/20 AD in
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0.0 | 2.00k | 4.00k | 6.00k | 8.00k | 10.0k | 12.0k | 14.0k | 16.0k | 18.0k | 20.0k | 22.0k | 24.0k |
HF dither is added before truncation. Noise floor in audio range is lowered by 3dB — at the expense of increased noise above 20kHz.
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0.0 | 2.00k | 4.00k | 6.00k | 8.00k | 10.0k | 12.0k | 14.0k | 16.0k | 18.0k | 20.0k | 22.0k | 24.0k |
20BIT dither is added before truncation. This is similar to HF dither, but at a lower level. The dither reduces spurious tones
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