at usable levels – and the transmitter’s EQ response models will help the process.

Try to maintain a constant distance and relationship between the user’s mouth and the microphone. In live theatre this is often done by placing a small mic in the hairline toward the front side of the head or right above the ear. With mic placement on the collar or shoulder area, changes in level can occur as the user’s head turns; experiment with the location of the mic to minimize this effect. Mic placement in the center of the chest can help with the level changes, but is farther from the voice and quite shielded from the direct energy of the voice, so typically provides a hollow midrange or “chest” sound to the voice.

Directional (cardioid) lavalier microphones can help isolate the voice of the user from the background noise that may be picked up by an omnidirectional mic. They are more sensitive to the movements of the user’s head, with more change in level when speaking toward or away from the front of the mic. In addition, they are more prone than omni mics to handling and cable noise, so the user needs to be more careful about movement. The lavalier EQ models in the TBP12 beltpack provide a high-pass filter (low- end rolloff) to help reduce this extraneous noise.

When appropriate, a headset microphone can solve most of these problems of level, compromised frequency response, feedback potential, handling noise, and pickup of background sounds. A number of low-profile models are available. To minimize breath noise and pops from certain consonants, use the mic’s wind filter and position the mic element toward the corner of the mouth.

In a situation where the audio is recorded or broadcast rather than live, or the user has a significant distance between his/her location and the speaker system, substantial equalization changes and a more natural sound are easier to achieve.

Setting Other Transmitter Functions

Naming Transmitters

The handheld transmitter has a default name of [THH12] and the beltpack of [TBP12]. The transmitters can be given a six-character name to readily identify them on both the transmitter and its associated receiver. Using the [NAME] function, transmitters can be given a six-character name that will show on the main screen of the LCD display; the name is transmitted to the receiver and also appears on the receiver’s main display page. The character set includes letters and numbers (plus a dash and blank), so you can identify them by the user’s name or by their function, as desired.

To name the transmitter, press and hold the SELECT button until it changes to the channel select page. Quickly press the SELECT button four more times until you reach the [NAME] page. The default position is [OFF]. Press the ON/MUTE button on the handheld or the VALUE button on the beltpack to select [ON]. Press the SELECT button, and the default name (or if already named, the transmitter’s name) appears with the first letter flashing. Press the ON/MUTE or VALUE button repeatedly to scroll through the alphanumeric list until the desired letter or number appears; when reached, press SELECT to keep it and go to the next character. When the final character has been reached, press and hold the SELECT button to go back to the main screen. The name shows on the transmitter screen and is

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Line 6 XD-V75 manual Naming Transmitters, Setting Other Transmitter Functions

XD-V75 specifications

The Line 6 XD-V75 is a professional digital wireless microphone system that has made a significant impact in live sound environments, including concerts, theater productions, and public speaking engagements. This system is designed to provide superior sound quality and exceptional performance, aiming to meet the demands of both professional musicians and vocalists.

One of the standout features of the XD-V75 is its advanced digital transmission technology. The system operates in the 2.4 GHz frequency band, which is licensed-free and allows for interference-free operation, minimizing the risk of dropouts and RF interference. This ensures that performers can move freely on stage without compromising audio quality.

The XD-V75 comes equipped with high-fidelity, 24-bit digital audio, delivering pristine sound quality that remains consistent across various volume levels. This high resolution provides a remarkable dynamic range, making it suitable for capturing both soft spoken lines and powerful vocals. The built-in microphone options, including cardioid and omnidirectional polarization, further enhance versatility, catering to different performance environments and stylistic preferences.

This system also features up to 12 channels of operation, allowing multiple users to perform simultaneously without interference. Channel scanning technology helps quickly identify and select the best available channels, streamlining setup time and ensuring reliable performance.

Another noteworthy aspect of the XD-V75 is its user-friendly interface. The system includes an LCD screen that provides clear visual feedback regarding battery life, signal strength, and channel selection. This allows users to monitor their setup at a glance and make real-time adjustments during performances.

Durability is also a central characteristic of the Line 6 XD-V75. The transmitter and receiver units are built to withstand the rigors of daily use, from touring musicians to corporate events. The handheld transmitters are ergonomically designed for comfort and ease of use, while the bodypack transmitters allow for versatility in placement, accommodating instruments and lavalier microphones.

With its combination of professional-grade audio quality, robust wireless performance, and versatile design, the Line 6 XD-V75 continues to be a preferred choice for performers around the world who demand the best from their wireless microphone systems. This enables artists and speakers to focus on their performance, knowing they have a reliable and high-quality audio solution in the Line 6 XD-V75.