TRACKING and
MIXDOWN
Multi Effect
Processor
Vocal Enhancer
Reverb
Reverb
Vocal Mics
ONE |
| THREE |
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AES CARD |
| DIGITAL CARDS |
| MIC/LINE 4 CARDS |
CAUTION | WARNING: |
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| D • SLOT | SYNC | C • SLOTS |
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ENGINEERED BY |
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| AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR | USB | ETHERNET | MIDI | MIDI | SERIAL | FOOT SWITCH |
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REPLACE WITH THE SAME TYPE FUSE AND RATING. | UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. | IN | OUT | 1 | 2 |
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DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE | DEBRANCHER AVANT DE REMPLACER LE FUSIBLE |
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DESIGNED BY MACKOIDS IN WOODINVILLE, WA USA • MANUFACTURED IN USA • COPYRIGHT ©2004 • |
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THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF LOUD TECH. INC.: |
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| SYNC CARD | MIX OUT CARD | AES CARD | DIGITAL CARD | DIGITAL CARD | DIGITAL CARD | MIC/LINE 4 CARD | MIC/LINE 4 CARD | MIC/LINE 4 CARD | |
"TAPCO", "MACKIE", AND THE "RUNNING MAN" FIGURE • PATENT PENDING |
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| IN |
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digital console | IN |
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| WORD |
| AES/EBU |
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| CLOCK | OUT | I/O | TDIF | TDIF | TDIF | 2 |
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| OUT |
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| I/O | I/O | I/O |
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| IN |
| SPDIF |
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| IN | OUT |
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| SMPTE |
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| OPTICAL | OPTICAL | OPTICAL |
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| IN A | IN A | IN A |
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| OUT |
| SPEAKERS |
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| L | R |
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| A |
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| 4 |
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| IN B | IN B | IN B |
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| L | R |
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| B |
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| OUT A | OUT A | OUT A |
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| 1 | PHONES |
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| 5 | 6 | 5 | 6 | 5 | 6 |
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| OUT B | OUT B | OUT B |
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| L | MIX OUT R |
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| 7 | 8 | 7 | 8 | 7 | 8 |
115V 9amp 60Hz |
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230V 4.5amp 50Hz |
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1100W Max |
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MIDI | Word |
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(MTC and | Clock |
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MMC) |
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| Inputs) |
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| Electric Guitar |
Digital Multitrack Hard Disk Recorder |
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| (from Optical |
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This diagram demonstrates how to use three MIC/LINE 4 cards, providing up |
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to 24 microphone and instrument inputs (12 Mic/Line inputs and 12 Line |
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inputs). Three DIGITAL cards provide 24 output tracks to a hard disk recorder |
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via ADAT optical connections (and Fader Bank 1) and 24 input tracks via |
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ADAT optical connections (and Fader Bank 2) from the hard disk recorder for | Headphones |
| Headphones |
| Stereo Guitar Effects |
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mixdown. The MIDI IN/OUTs provide MMC (MIDI Machine Control) to the hard |
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disk recorder and MTC (MIDI Time Code) to the Digital X Bus. An AES card |
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provides digital sends and returns for external effects so you can keep the |
| Powered |
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signal in the digital domain, and the MIX OUT card provides two stereo |
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Studio Monitors |
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control room outputs (1=NEAR; 2=MAIN [not shown]) and two stereo | for Control Room |
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headphone outputs for monitoring the input sources. |
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Direct Box
Bass Guitar
13
